Lana Covers Dazed - Article Out Now

[cherriesinthespring 5,486]

I'm worried I'll read something exclusive on here and not in the mag, otherwise the entire purchase would have been for nothing..

Dazed is about to discover how psycho Lana stans are and never interview or sell her magazine again

[TROPICUM 6,406]

Ok what. Mine says May 17th. I mean i get it I live in another continent but like some ppl here have almost the same date and they live in Europe!

 

[sad girl 163]

INTERVIEW

 

 

LDR: So, we could talk just talk about whatever...like those burning palm trees that you had in the 'Malibu' video. I didn't think they were real!

 

CL: Back when rock'n'roll has a budget, you mean? oh my God, Lana, setting palm trees on fire was so fun. You thought they were CGI?

 

LDR: Yeah.

 

CL: God you're so young. I burned down palm trees. In my day darling you used to have to walk to school in the snow. So since I toured with you I kind of got obsessed and went down this Lana rabbit hole and became - not like I'm wearing a flower crown, Lana don't get me wrong - but I absolutely love it. I love it as much as I love PJ Harvey.

 

LDR: That's amazing because maybe it's slightly well documented but I love everything you do, everything you have done - I couldn't believe that you came on tour with me.

 

CL: I read that you spend a lot of time mastering and mixing - is this true on the new record?

LDR: Oh my god yeah, it's killing me. It's because I spend so much time with the engineers working on the reverb. I actually don't love a glossy production. If I want a bit of that retro feel, like that spring reverb or that Elvis slap, sometimes if you send it to an outside mixer they might try and dry things up a bit and push them really hard on top of the mix so it sounds really pop. And Born to Die did have a slickness to it but in general I have an aversion to things that sound glossy all over - you have to pick and choose. And some people say 'it's not radio ready if it isn't super shiny from top to bottom'. But you know this. Whoever mixed your stuff is a genius. Who did it?

CL: Chris Lord-Alge and Tom Lord-Alge. Kurt was really big on mastering. He sat in every mastering session like a fiend. I never was big on mastering because it's such a pain in the butt.

 

LDR: It is a pain in the ass.

 

CL: I think my very very favourite song of yours - you're not gonna like this because it's early - is 'Blue Jeans'. I mean 'You're so fresh to death and sick as ca-cancer?' Who does that?

LDR: I have to say that track has this guy (Del Rey Collaborater) Emile Haynie all over it. I remember 'Blue Jeans' was more of a Chris Isaak ballad and then I went in with him and it came out sounding the way it does now. I was like 'that's the power of production.' The song was in the radio in the UK on Radio 1 and I remember thinking 'F*ck, that started off as a classical composition riff that I got from my composer friend Dan Heath.' It was like six chords that I started singing on.

 

CL: You have that lyric 'You were sorta punk rock, I grew up on hip-hop.' DId you really grow up on hip-hop?

 

LDR: I didn't find any good music until I was right out of high school, coming from the north country, we got country, we got NPR and we got MTV. So Eminem was my version of hip-hop until I was 18. Then mayb I found A Tribe Called Quest.

 

CL: Have you met Marshall Mathers?

LDR: No. Sometimes he namechecks me in his songs. I called the head of my label (Interscope CEO) John Janick and I was like 'OK in this last song (Big Sean's "No Favors") when Eminem says 'I'm about to run over a chick, Del Rey CD in". Did he mean he wanted to run me over or was he listening to me while he ran someone over?'. And John was like, 'No, no he was listening to you while he ran someone over' and I was 'Ok, cool.'

 

CL: You got namechecked by Eminem? oh my god that is a jewel in the crown.

 

LDR: Just a little ruby.

 

CL: Yeah, it's not really a diamond, but it's a ruby.

 

LDR: Not like touring with Courtney Love. That's like an Elizabeth Taylor diamond.

 

CL: You know, I met Elizabeth Taylor. I was with Carrie FIsher at Taylor's easter party and she was taking six hours to come downstairs.

 

LDR: I love it.

 

CL: I looked at Carrie and said 'This is not worth it,' and Carrie said, 'Oh yes it is.'  So we snuck upstairs and, Lana, when you go past the Warhol of Elizabeth Taylor as you're sneaking up the stairs and it says '001' you start getting goosebumps. And then you see her room and it's all lavender like her eyes. And she's in the bathroom getting her hair done by this guy named Jose Eber who wears a cowboy hat and has long hair and I'm like 'What am I doing here? I'm not Hollywood royalty. And the first words out of her mouth are like, 'F*ck you, Carrie, how ya doin'?' She was so salty but such a goddess at the same time.

 

LDR: She was so salty. The fact that she married Richard Burton twice - and all the stories you heart about those famous, crazy, public brawls - she was just up for it. Up for the trouble.

 

CL: So back to you. What I hear in your music is that you've created a world, you've created a persona, and you've created this kind of enigma that I never created but if I could so back I would create.

 

LDR: Are you even being serious right now? I don't even know if your legacy could get any bigger. You're one of the only people I know whose legacy precedes them. Just the name Courtney Love is...You're big honey. You're Hollywood (laughs).

 

CL: You know what darling? I started real early. I started stalking Andy Warhol before I could even think about it. And you kind of did the same, from my understanding. That 'I want to make it' thing. And there's nothing wrong with that.

 

LDR: No. there's not. There's nothing wrong with it when you do it for the right reasons. If music is really in your blood and you don't want to do anything else and you dont really care about the money until later. It's also about the vibe, not tobe cliched. And the people. I think we had that in common. It was about wanting to go to shows, wanting to have your own show - living, breathing, eating, all of it.

 

CL: Can I ask you about your time in New York? Was that a soul searching time?

LDR: Oh I don't even know if I should have said to anyone that I was living in a trailer in New Jersey but stupidly, I did this interview from the trailer, in 2008.

 

CL: I saw it!

LDR: It's cringey, it's cringey (laughs).

 

CL: You look so cute though.

 

LDR: I thought I was a rockabilly. I was platinum. I thought I had made it in my own way.

 

CL: I understand completely.

 

LDR: The one thing I wish I'd done was go to LA instead of New York. I had been playing around for maybe 4 years, just open mics, and I got a contract with this indie label called 5 Points Records in 2007. They gave me 10,000 dollars & I found this trailer in New Jersey, across the Hudson-Begren Light Rail. So I moved there, I finished school and I made that record (LDR AKA Lizzy Grant) which was shelved for 2 and a half years and then came out for like 3 months. But I was proud of myself. I felt like I had arrived, in my own way. I had my own thought and it was kind of kitschy and I knew it was going to sort of influence what I was doing next. It was definitely a phase (laughs).

 

CL: But you have records about being a Brooklyn Baby. You can write about New York adeptly and I cannot. I tried to write a song about a tragic girl in New York going down Bleecker Street - this girl couldn't afford Bleecker Street so the song made no sense, right? (laughs) I did my time there, but it chased me away. I couldn't do it because I wouldn't go solo, I had to have a band.

 

LDR: I wanted a band so badly. I feel I wouldn't have had some of the stage fright I had when I started playing bigger shows if I had a real group and we were in it together. I really wanted that camaraderie. I actually didn't even find that until a couple of years ago, I would say. I've been with my band for 6 years and they're great, but I wished I had people - I fantasised about Laurel Canyon.

 

CL: I wanted the camraderie. The alternative bands in my neighborhood were the Red Hot Chilli Peppers and Jane's Addiction. I knew Perry (Farrel, Janes Addiction) and I went to high school for like, ten seconds with two Peppers and a guy named Romeo Blue who became Lenny Kravitz. I remember being an extra in a Ramones video and he stopped by, when he was dating Lisa Bonet from The Cosby Show and it was a big deal.

 

LDR: See? You didn't really see that in New York.  When I got there, The Strokes had had a moment, but that was kind of it. LA had always been the epicentre of music, I feel.

 

CL: LA is easier. People have garages. And then as you go up the coast, in Washington and Oregon people have bigger houses and bigger garages and people have parents. I didn't have parents. and well, you had parents, but you were on your own.

 

LDR: Yeah. You know that song of yours (Awful) that says, '(Just shut up) you're only 16'? I think there are different types of people. There are people who head 'What do you know, you're just a kid?' and then there are people who got a lot of support (from the line) like 'Go for it, go for your dreams.' (laughs) And I think, when you don't have that, you get kind of stuck at a certain age. Randomly, in the last few years, I feel like I've grown up. Maybe I've just had time to think about everything. I've gotten to move on and think about how it feels now, singing songs I wrote ten years ago. It does feel different. I was almost reliving those feelings on stage until recently. It's weird listening back to my stuff. Today I was watching some of your old videos and the footage of you playing a big festival. The crowd was just girls - just young girls, for rows and rows. I was reminded of how vast that influence was on teenagers. And - going back to enigma and fame and legacy - you know, those girls who have grown up and girls who are 16 now, they relate to you in the exact same way as they did right when you started. And that's the power of your craft. You're one of my favourite writers.

 

CL: You're one of mine, so, checkmate (laughs).

 

LDR: What you did was the epitome of cool. And there's lots of different music going on but adolescents still know when something comes authentically from somebody's heart. It might not be the song that sells the most, but when people hear it, they know it. Are you a John Lennon fan?

CL: When I hear 'Working Class Hero' it's a song I wish to God I could write. I wouldn't ever cover it. I mean, Marianne Faithfull covered it beautifully, but I would never cover it because I think Marianne did a great job and that's all that needs to be said.

 

LDR: I felt that way when I covered Chelsea Hotel No2, the Leonard Cohen song, but when I was doing more acoustic shows, I couldn't not do it.

 

CL: I don't have your range. I've tried to sing along to Brooklyn Baby and Dark Paradise, and this new one, Love. You go high, baby.

 

LDR: I've got some good low ones for you. You know what would be good, is that song, Ride. I don't sing it in its right octave during the shows because it's two low for me. But I've been thinking about doing something with you for a little while now. Then after we did the Endless Summer tour, we were thinking we should at least write, or we should just do whatever and maybe you could come to the studio and just see what came out.

 

CL: When we were on tour, our pre-show chats were very productive for me.

 

LDR: Me too. That was a real moment of counting my blessings. I just wanted to stay in every single moment and remember all of it, because it was so amazing.

 

CL: Likewise. It was really fun coming into your room. My favourite part of the tour was in Portland, getting you vinyl that I felt you needed. (laughs)

 

LDR: When you left the room, I was just running my hand all over the vinyl like little gems, like 'I can't believe that I have these (records) that Courtney Love gave to me, it's so f*cking amazing.' And we were in Portland too. It felt surreal.

 

CL: Yeah, I don't like going there much but I went there with you. We have this in common, too: we both ran away to Britain. If I could live anywhere in the world, I'd live in London.

 

LDR: If I could live anywhere in the world other than LA, I'd live in London. In the back of my mind, I always feel like I could maybe end up there.

 

CL: I know I'm going to end up there. I know what neighborhood I'm going to end up in, and I know that I want to be on the Thames. I subscribe to this magazine called 'Country Life' which is just real estate porn and fox hunting. It's amazing. OK so, if you weren't doing you, what would you do?

 

LDR: Do you have a really clear answer for this, yourself?

CL: Yeah, I would work with teenage girls. Girls that are in halfway houses.

 

LDR: That's got you all over it. I'm selfish. I would do something that would put me by the beach. I would be like, a bad lifeguard (laughs). I'd come help you on the weekends though.

 

CL: Do you like being in Malibu better than being in town?

LDR: I like the idea of it. People don't always go out to visit you in Malibu. So there's a lot of alone time, which is kind of like, hmmm. I'm not in (indie rock enclave) Silver Lake but I love all the stuff that's going on around there. I guess I'd have to say I prefer town, but I've got my half time Malibu fantasy.

 

CL: The only bad thing that can happen in Malibu really is getting on Etsy and overspending.

 

LDR: Oh my God, woman...(laughs) Tell me about it. Late night sleepless Etsy binges.

 

CL: Regretsy binges. Ok, so lyrically, you have some tropes and themes and one of them is the colour red. Red dresses, scarlet, nail polish...I kind of want to steal that.

 

LDR: You need to take over that, because I think I've got to relinquish the red.

 

CL: Well, I overuse the word "wh*re".

 

LDR: You take red, I'll trade for wh*re. I'm so lucky.

 

CL: I love this new song (Love).

 

LDR: Thank you. I love the new song too. I'm glad it's the first thing out. It doesn't sound that retro, but I was listening to a lot of Shangri-Las and wanted to go back to a bigger more mid-tempo, single-y sound. The last 16 months, things were kind of crazy in the US, and in London, when I was there. I was just feeling like I wanted a song that made me feel a little more positive when I sang it. And there's an album that's gonna come out in the spring called Lust for Life. I did something I haven't ever done, which is not that big of a deal, but I have a couple of collabs. Speaking of John Lennon, I have a song with Sean Lennon. Do you know him?

CL: I do. I like him

 

LDR: It's called Tomorrow Never Came. I don't know if you've ever felt this way, but when I wrote it I felt like it wasn't really for me. I kept on thinking about who this song was for or who could do it with me and then I realised that he would be a good person. I didn't know if I should ask him because actually I have a line in it where I say "I wish we could go back to your country house and put on the radio and listen to our favourite song by Lennon and Yoko". I didn't want him to think I was asking him because I was namechecking them. Actually, I had listened to his records over the years and I did think it was his vibe, so I played it for him and he liked it. He rewrote his verse and had extensive notes, down to the mix. And that was the last thing I did, decision wise. I haven't mixed the record, but that fact that Love just came out and Sean kind of finished up the record, it felt very meant to be. Because that whole concept of peace and love really is in his veins and in his family. Then I also have Abel (Tesfaye), the Weeknd. He is actually on the title track of the record, Lust for Life. Maybe that's kind of weird to have a feature on the title track, but I really love that song and we had said for a while that we where gonna do something; I did stuff on his last two records.

 

CL: Do you have a singular producer or several producers?

 

LDR: Rick Nowels. He actually did stuff with Stevie Nicks a while ago. He works really well with women. I did the last few records with him. Even with Ultraviolence, which I did with Dan (Auerbach) I did the record first with Nick, and then I went to Nashville and reworked the sound with Dan. So yeah, Rick Nowels is amazing and these two engineers - with all the records that I've worked on with Rick, they did a lot of the production as well. You would love these two guys. They're just super innovative. I wanted a bit of a sci-fi flair for some of the stuff and they had some really cool production ideas. But yeah, that's pretty much it. I mean, Max Martin -

 

CL: Wait, you wrote with Max Martin? You went to the compound?

 

LDR: Have you been there?

CL: No. I've always wanted to work with Max Martin.

 

LDR: So basically, Lust for Life was the first song that I wrote for the record but it was kind of like a Rubik's Cube. I felt like it was a big song but....it wasn't right. I don't usually do back and re-edit things that musch, because the songs end up sort of being what they are, but this one song I kept going back to. I really liked the title. I liked the verse. John Janick was like, 'Why don't we just go over and see what Max Martin thinks?' So I flew to Sweden and showed him the song. He said that he felt really strongly that the best part was the verse and that he wanted to hear it more than once, so I should think about making it the chorus. So I went back to Rick Nowels place the next day and I was like, 'Let's try and make the verse the chorus' and we did, and it sounded perfect. That's when I felt like I really wanted to hear Abel sing the chorus, so he came down and rewrote a little bit of it. But then I was feeling like it was missing a little bit of the Shangri-La element, so I went back for a fourth time and layered it up with harmonies. Now I'm finally happy with it (laughs). But we should do something. Like, soon.

 

CL: I would like that. That would be awesome.

 

Lust for Life is out this spring.

[gogodancer 1,524]

I'm going to press charges.

[Flowerbomb 65,555]

Me if I don't get my copy by the end of the week

 

[Stargirl 13,348]

"No. Sometimes he namechecks me in his songs. I called the head of my label (Interscope CEO) John Janick and I was like 'OK in this lasy song (Big Sean's "No Favors") when Eminem says 'I'm about to run over a chick, Del Rey CD in". Did he mean he wanted to run me over or was he listening to me while he ran someone over?'. And John was like, 'No, no he was listening to you while he ran someone over' and I was 'Ok, cool.'"

 

[UltraviolenceBaby 5,013]

fuck them they didn't ship to my US mail

[Hanna 2,495]

I haven't even gotten a shipping not yet

[Belladonna 2,406]

Someone should give them a ring.

Tel:+44 (0)207 193 5966

I did, but they didn't answer.

[surfnoirswing 2,483]

SOMEONE SCAN THOSE NEW PICS

[Flowerbomb 65,555]

Someone should give them a ring.

Tel:+44 (0)207 193 5966

I did, but they didn't answer.

Sluts.

[grabmebymyribbons 911]

 

CL: Have you met Marshall Mathers?

 

LDR: No. Sometimes he namechecks me in his songs. I called the head of my label (Interscope CEO) John Janick and I was like 'OK in this last song (Big Sean's "No Favors") when Eminem says 'I'm about to run over a chick, Del Rey CD in". Did he mean he wanted to run me over or was he listening to me while he ran someone over?'. And John was like, 'No, no he was listening to you while he ran someone over' and I was 'Ok, cool.'

 

CL: You got namechecked by Eminem? oh my god that is a jewel in the crown.

 

LDR: Just a little ruby.

 

CL: Yeah, it's not really a diamond, but it's a ruby.

 

 

OMG 

 

so she's okay with being punched in the face twice but not being ran over. ok cool.

[trayertrash 7,210]

Welcome to this Lana rabbit hole LanaBoards, Courtney!

 

Please allow me to introduce you to @@trayertrash.

 

 

 

Excuse you, but I've known Courtney on a personal level since 2009 when we started tweeting and dm'ing each other daily 

 

 

She actually helped me find a job and sent me money a few years ago to help me move out of a shitty situation

And she still has a few zines I made her in high school 

 

 

[surfnoirswing 2,483]

Excuse you, but I've known Courtney on a personal level since 2009 when we started tweeting and dm'ing each other daily 

 

 

She actually helped me find a job and sent me money a few years ago to help me move out of a shitty situation

And she still has a few zines I made her in high school 

 

 

 

Omg this is legendary

[Creyk 11,495]

OMG 

 

so she's okay with being punched in the face twice but not being ran over. ok cool.

I heard somewhere that she loves to get punched. She has a brain disorder that makes her feel like she is being kissed when that happens.

[latothemoon 11,827]

This is why I didn't order online. I'm gonna buy mine in store 

[Amadeus 11,293]

 

And ignore these old posts. I still think you did it. OK, not really, but all my friends did back in the day.

evil how can you be this organised ? once i tried to find a post i made 3 months ago and i gave up after 1 hour of intense research.

[Creyk 11,495]

Oh wow this interview literally doesn't reveal any info we didn't already know

[Trash Magic 26,794]

I bought the best cover (the bra one) this morning holy shit I was so shocked at the unseen pics!!! They are the best ones her BEST magazine spread ever

[surfnoirswing 2,483]

I bought the best cover (the bra one) this morning holy shit I was so shocked at the unseen pics!!! They are the best ones her BEST magazine spread ever

I beg you post the new pics scanned ! It's been hours and we still just have them in LQ