BlackoutZone

Yes, California, whoever leaked that - fucked up

I think it's time to talk about the iconic trio of UV outtakes - Yes to Heaven, Fine China & Your Girl. It's a twisted web and I'm not really good with phrasing and explaining such things so it might be difficult for you to understand everything (especially if you have no technical background on how songs are being produced), but I'll try to walk you through it all step by step and if something remains unclear I will try to explain it further!
 
These 3 songs were originally written and produced alongside Rick Nowels and his engineers back in late 2013. We first found out about their existence in 2016 when Eclipse obtained the demos and revealed the titles/snippets. They later happened to spread and leak becoming mysterious fan favorites and sadly as beloved and iconic in the community they are, all 3 are fake...
well, technically.
 
To understand why they are fake I need to give you a full breakdown of what happened.
It must have started with Eclipse getting his hands on an invoice from Patrick Warren who was responsible for recording and engineering Keys/Strings on some of the songs at that time. That listing apart from tracks that were released included Say Yes To Heaven, Fine China and Your Girl which have been fully unknown to the public. He contacts Patrick and using that info tries to get the demos from him, I assume under the suggestion that Lana is considering re-using the songs and tries to get the tracks/parts back. The thing is, Patrick is just someone who records his small part for the mix, he isn't actively working on the song as a producer so he doesn't really have access to all the material. Still though, he had some loose stems/sessions parts I assume, without properly bounced mix, he challenged himself to create mixes of all 3 that would be serviceable for that moment.
 
If you check the original files of all 3 leaked tracks, you'll find in the metadata that those demos were exported in Logic 10.2.2. That version of Logic Pro was released on March 8th, 2016 so any mix could not be older than that and of course the original ones were made in 2013. Not to mention the fact that Rick and his engineers work with Pro Tools, not Logic, unlike Patrick. But this goes even further. Patrick's available stems of the tracks were seemingly so incomplete he decided to create new production and structure for the songs making complete new versions that were unlike what Lana and Rick originally curated. He sent those back to Eclipse alongside the very incomplete stems.
 
This mess doesn't end here. You see Patrick Warren's job is to deliver the stems containing the new parts he was issued to arrange and engineer. Since he is often doing it independently of the rest, he adds a little bit of the song's intro at the beginning of every stem file he bounces so that when Rick receives it he knows how to place it in the mix alongside his parts. It's usually like 20/30 seconds and you can see what I'm talking about, because Eclipse shared some stems snippets from the files he received:
https://onlyfiles.io/f/e0236e30cb224f9e8618fe09ab0b9bc3
https://onlyfiles.io/f/ce703d3a5a204566bd31278eb667e6f7
Thank you @TheBoss for providing these to me
 
The first seconds here are the intros of real Rick reference demos, the latter parts however are already stems/mixes of what Patrick attempted to make in 2016. If you want some more closure, there is something @Say Yes to Heaven mentioned already - Eclipse must have received another pack of the same fashion later in 2016 of upcoming LFL track, Something Real (aka 13 Beaches). If you remember those times well, his exact teaser said "You took the.. #SR". This was most probably, because the singular stems he received as Something Real ALSO contained a few seconds of actual song at the beginning that happened to cut right after Lana saying "You took t..". In the full official credits you can see that Patrick is credited on 13 Beaches for "Waterphone", "Harmonium" and "Synthesizer".
 
Now circling back, while Fine China and Your Girl only had one mix leaked, Yes to Heaven also had this:
 
And this one is also fake, but it's technically closer to being a real thing than the Patrick mix. I don't know if this one was made by Eclipse or someone who got the stems from him, but this must have been made with filtered acapella of the Patrick Warren version, mixed with additional stems he provided and then layered with the looped guitar/drum pattern from the intro that I mentioned previously. But that guitar loop was literally a fundament of very first version of Yes to Heaven (unlike the Patrick mix that begins with strings) so you can imagine how it sounded based on this.
 
The first real version of Yes to Heaven that you have is the one leaked by Music Mafia which is a James Ford demo from late March/early April 2014. At that stage UV was shaping as an album, Rob Orton started properly mixing it and Lana decided to take last attempts to find the right production for the song by asking James Ford to give it a try. Sadly it also got discarded and at that point they just let go of the song (at least for that era).
 
The second real version of Yes to Heaven that you have is from latter part of 2014, 3:31 in length with leading production by STINT. Keep in mind though that while I refer to those versions as James Ford produced / STINT produced demos, they are all based on Rick's demos they got presented to work with. I think it's just easier to name them as such for clear sorting purposes. Even though the song was being worked on in both 2014 and 2015 they still failed to include it on HM as well.
 
It's fortunate for you that those happened to leak, cause Patrick's SYTH was the most different to the real demos from UV. Fine China is also pretty different, while Your Girl early demos (not the final though) are fairly similar to Patrick's mix. I mentioned earlier that both Fine China and Your Girl got mixed by Rob Orton alongside UV so they've been scrapped from the release on very last minute and unlike Yes to Heaven - ditched for good right after.
 
The weirdest thing in all this is that those quick Patrick Warren mixes are great... even though the mixing is clearly rushed and poor. The harmonica break in Yes to Heaven, the organs in Your Girl chorus, that stuff was never meant to be there, but hell it works. This sadly also means that if Patrick only sent those 160kbps mp3 files, the better ones don't exist.
 
That is all for now, unless @111 would like to now come forward and add something that I missed/got wrong. I also do not really believe that you didn't know the truth about all of this back then so I don't understand why you never revealed that the mixes aren't real. I think die hard fans deserve that kind of closure about some of the most iconic unreleased songs.
 
This took me years to figure out with massive help of someone who is also present on this very forum and I have mad respect for, thank you again!

Both did
 

Not really, Lana just has a habit of beginning new projects whilst still finishing/releasing the previous one. This might be shocking to you, but Lust for Life title track was recorded before Honeymoon came out.

This is a bit more complicated, but what I think happened was:
Lana originally did Roses with Chris Braide in 2010 (that version remains unleaked), then in 2011 it was reworked with Theophilus London, but I do not know if it was with Lana's involvement or not, because I suspect the rework was meant for pitching and not for Born to Die. That's why it ended up with Cheryl. That was still the time when Lana's scrapped material was being thrown around especially since she was slowly getting hype in the music industry. For example, I don't know if this is known, but Rita Ora recorded Live or Die in 2012

No, the Damn You piano version was definitely from 2021

Not that I know of
 
Could be just for fun. Maybe he did plan to publish them as Damn You is still getting traction to this day, kinda like what Peter Ibsen tried to do earlier this year. Maybe he wanted to pitch the demos to some other artists/producers. I don't know, but most probably just for fun.
 

It's coming
 
Yeah I don't think it was touched, just in consideration

Yes! Zach Dawes, it was made at the same time as original Thunder and as far as I remember Lana considered it for BB as well

Seems like that's a wrap for now! I think I said everything essential that I wanted to say. Hope this brought some closure to those who were seeking it or that at least you learnt something interesting. It was fun and maybe one day I will come back to talk more, maybe in upcoming years more interesting stuff to talk about will surface as well. Thanks for joining and being all nice and respectful. And remember, Lana's word is always above me or any of us, she is the artist and the visionary and none of us other than her will fully know the truth about all those mysterious things.
 
Pre-order and stream the amazing Did you know that there's a tunnel under Ocean Blvd, out March 10th!

You are almost right, but please wait for tomorrow I will explain it more as well 

Seems like that's a wrap for now! I think I said everything essential that I wanted to say. Hope this brought some closure to those who were seeking it or that at least you learnt something interesting. It was fun and maybe one day I will come back to talk more, maybe in upcoming years more interesting stuff to talk about will surface as well. Thanks for joining and being all nice and respectful. And remember, Lana's word is always above me or any of us, she is the artist and the visionary and none of us other than her will fully know the truth about all those mysterious things.
 
Pre-order and stream the amazing Did you know that there's a tunnel under Ocean Blvd, out March 10th!

She worked quite a bit with Rick for NFR still

Maybe she will, but maybe they just felt like they burnt out together. Rick seems to be heavily working on new Zara Larsson music so he clearly needed some vibe-switch.

This, friendly reminder I dislike entirety of Chemtrails and its sound.
Don't ask me about opinions/sounds/feelings on songs you haven't heard, it's just pointless.

The Industrial Revolution had a number of significant impacts, both positive and negative. On the positive side, it led to a significant increase in economic productivity and wealth, as well as a corresponding increase in population and life expectancy. It also facilitated the spread of ideas and information, as well as the development of new technologies and industries.
On the other hand, the Industrial Revolution had a number of negative impacts on society and the environment. It led to the exploitation of labor, particularly of children and women, and contributed to the rise of pollution and other environmental degradation. It also led to the concentration of wealth in the hands of a few, and contributed to social and economic inequality. That's how I see it

Definitely!

No and I'm pretty sure none of those NFR/COCC era "demos" that leaked in a past few days are real at all

Don't know much about that song sadly

There was a period of time when Lana and Barrie would just... travel, everywhere. I think they would visit random studios writing/recording songs there with whoever was available. It's hard to pinpoint what was made by who beyond them 2. I think they would sometimes just leave the songs in the studio even. UFB was never planned to be included on UV, they just made it for fun, they were in love. Whoever was the working engineer in the NightBird studios the day they recorded it is probably the song's only co-producer.

I am preparing a massive post on YTH / FC / YG that I hope I will finish tomorrow

This is low key my most wanted Lana thing of all time and it might be lost 

California and Crazy for You are from the very first sessions for HM in 2014, IIDY is however from 2015 already I believe

Well yes, Y&B, Dark Paradise, even SYTH among some that got beyond 100. But as you noted, some of those are nearly identical, Rick and his engineers are just very strict and every single slightest change gets noted as new mix. Not all of them even have to be exported.
 

Yes, you are right, sorry!