liam

She just seemed so sincere and emotional when she said this. It actually had some sort of depressing effect on me, ngl.

I love Try Tonight and Out With A Bang.
 
Confession: When I first downloaded the album, my internet connection was a bit shitty which resulted in some parts of the songs being cut so I deleted them. I never got round to re-downloading those couple of songs. I don't even know which ones I'm missing haha 

Is this still unresolved? It's from the VH1 interview but all the videos seem to have disappeared from youtube!

Yay someone made an Azealia thread!
As you can probably tell, I'm a big fan of Azealia!!
Out of Space is probably my favourite song by her.
 
Fantasea and the 1991 EP are totally different sounds and I adore them both, but I hope the album sounds more like the songs on the 1991 EP.

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A nice chilled out acoustic performance of Maiden. Gorgeous.

I loved her gold tooth.

Radiohead - Creep
I would give anything to hear her cover this song, it would be perfect.
 
http://www.youtube.com/watch?v=XFkzRNyygfk

Video Games - Up until the other day, I thought it was "Watching all our friends fall in and out of applause..." 

Royals is lovely! The Love Club is a nice song too. Might have to have a little google of her!

First time on lanaboards in god knows how long! Pretty much just came back just to express my joy at the success she had last year in the UK. So crazy. Excuse my ignorance, but did she blow up elsewhere or pretty much just the UK?

First time on lanaboards in god knows how long! Pretty much just came back just to express my joy at the success she had last year in the UK. So crazy. Excuse my ignorance, but did she blow up elsewhere or pretty much just the UK?

I would love to know what Amy's opinion on Lana would've been 

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Radiohead - Creep
I would give anything to hear her cover this song, it would be perfect.
 
http://www.youtube.com/watch?v=XFkzRNyygfk

I went to Leeds Fest yesterday and I FINALLY SAW AZEALIA LIVE. She is frigging amazing. So happy!

what's your damage heather? why are you trying to discredit her by saying she's "only mildly relevant on the internet" just because she's not your cup of tea? her stuff is incredibly innovative, not to mention she's totally changed the game by being a solo female artist who has (hundreds of times) gone on stage completely alone. she worked her way up from absolutely nothing - completely writes her own stuff, does her own artwork, directs her own videos... don't reduce her to some internet fad that will fizzle out in a few years when she's been extremely successful, developed a huge following & produced tons of great songs. her making it onto a lana del rey tour is a testament to that.

God I love her 

The TIWMUG pages are my favourite from the lyric book. Here's the pages that I scanned if anyone is interested
I think the photo they chose is brilliant!
 
 
 
 
EDIT:
 
Video games
 
 
 
Cola:
 
 

Saw MØ last night and she was utterly beautiful and was an amazing performer. I was in front and if you want any videos i can post them  This is one of my favorite photos from the show 

Emile Haynie says a lot of nice things about our girl.
 
From Grantland - February 24, 2015
 
http://grantland.com/hollywood-prospectus/from-ghostface-to-lana-del-rey-to-heartbreak-super-producer-emile-haynie-goes-solo/
 
When you started working with Lana Del Rey, were you looking for a change away from hip-hop? Or did that just kind of happen?
 
I had been tinkering around a little. There was a few singers I had worked with here and there, but nothing that was really connecting. Lana, that first time we ever worked together, we made the song “Blue Jeans.”
 
 
There was so much debate around her when she first came out — a lot of arguments about her authenticity and all that. It hasn’t affected her in the long run: She’s extremely popular these days. But did you pay attention to that stuff back then? Did it bother you?
 
I paid attention, and I shouldn’t have, because it pissed me off. She would get accused of not writing her own songs and I’m like, “I’m in the studio with her!” Then there’s the funny one where it’s like, “Her dad financed her whole career.” That came out before she had a record deal. I’m like, “Wait, I’m producing her album, we’re in my studio, and there ain’t no budget, so what is this imaginary funding from her quote-unquote rich dad?” I also know plenty of artists with rich dads who try to buy their kid a record deal. It ain’t happenin’.
 
Now that’s all kind of gone away. It was weird, though. It was this weird sexist energy of, like, “How could this pretty woman possibly write all her own songs, style herself, direct her own videos?” People wouldn’t believe it.
 
I’ve seen it all in the studio. I’ve seen the very indie “Sit in a corner and write everything,” and I’ve seen, unfortunately, the more manufactured pop shit. She’s not that. I’ve witnessed her voice, I’ve witnessed her writing, I’ve witnessed her creating this stuff. So I was like, if it becomes successful, it’s a matter of time before people get over the conspiracy theories and just kind of decide whether they like her. I always said give it some time and the truth will come out. She’s pretty badass.
 
 
Some people seemed to take umbrage with her stage persona, which was surprising.
 
I mean, what’s Bob Dylan’s real name? I don’t think Master P was born Master P. I’m pretty sure! It’s insane. It’s completely insane.
 
 
From Complex - February 23, 2015
 
http://www.complex.com/music/2015/02/emile-haynie-profile-we-fall
 
When did you decide to leave NYC and go to L.A.?
 
I was in the middle of starting Lana’s second album and I introduced her to Dan Auerbach [of The Black Keys], who ended up producing it. All of us were supposed go to Nashville to work together and I couldn’t do it. I was miserable at the time. I was like, “I need to go to L.A. I want to stay with my family. I’m writing songs, and it’s insane because she’s my favorite artist, but I’m just going to go to L.A.”
 
 
Did you turn down a lot of projects?
 
Yeah, everything.
 
 
Really? Any big ones?
 
I don’t wanna diss anyone. Not working on Lana’s second album, that’s like my sister, and we love each other. That was a massive move. I felt terrible. Before she got with Dan and it worked itself out, there were some tense moments. She got quite upset sometimes. It was painful for me to feel like I might be leaving her hanging. The beauty of the relationship that we have is she understood, and she knew what I was dealing with, she knew I had to do what I had to do, and she was so supportive the entire time.
 
We met years ago just to make tunes, and now it’s become so much more than that. This is her album, this is her baby. She just knew on a friendship level what I was doing and she didn’t get bummed. She sang a song on my album. She would come in and listen to my album and give me all this great advice.
 
Thank God for her. That was trying. It was right at the beginning, I didn’t know what I was doing at that point. She had her songs written. She wrote her entire album. It was a production. That’s Lana, she does that. Lana doesn’t do the generic co-write thing, Lana sat and wrote her songs. I just knew I had to write, and it wasn’t a writing gig with her—it would be a producing gig. I had to write, I had to write. It didn’t matter if the songs got produced and never came back, I had to write. I would’ve went crazy if I didn’t.

Some photos:
 




 

I actually loved the gold tooth!

Oh lordy I'm in love with New Year's Eve. So gorgeous!