Rody29

Did someone tried to shazam Happy Loner and Pink Convertible? 

Did someone tried to shazam Happy Loner and Pink Convertible? 

Did someone tried to shazam Happy Loner and Pink Convertible? 

hopefully they leak somehow since she scrapped these.

Did someone tried to shazam Happy Loner and Pink Convertible? 

The Nicki Minaj and Charli are ICONIC moments in Marina’s career they are the farthest thing from cringe
 
the one about being a millionaire is bad but it’s not “woke” or “SJW” it’s just dumb her bragging and what’s wrong with that???
 
the mentally ill one is bad but we all know what she meant let’s not pretend she was saying some out of this world shit
 
Like these are MASSIVE reaches 

I've always heard "centuries of gold, now you just call me a bitch" and not "centuries ago" in MW and my dumb ass thought it was so deep and powerful and regal  But the real lyrics are super cool as well tbh, funny rereading the first page of this thread with people calling EH lyrics stupid

Did someone tried to shazam Happy Loner and Pink Convertible? 

I don't know what you expect from her sometimes, it's not like she's gonna write a long political paragraph, it's just a rhymed song. And Marina unfortunately is not a poet, so she just puts all the thoughts rather randomly, the same way she did with Teen Idle which is a fan favourite.

Yesterday. 
No results tho 

WHEN I WAS A WAITRESSSSS
 

 
The nostalgia and memories of stuff that never happened in my life  is so strong with this song

OMG i remember when somebody used this audio for a fake marina snippet  

lmfaooo me trying to code

"Guys I’m a complete idiot, and not as tech savvy as I thought..... I was literally trying to find hidden pages by manually searching /rockcandy-sweet ect. So when I opened the console I saw all these listings of what I had searched for and assumed they where actually pages..... but in reality they where the pages that I had manually tried to find that don’t actually exist I’m so sorry for leading y’all on. I’m crying from laughter and shame and overall just craziness. I need to go back to bed"
 
They just commented this... turns out they're just stupid, moving on ?

I’m sorry but this is genuinely her most emotionally provoking song for me... So much imagery and feelings encompass this song.

Absolutely

The kii when the song comes out and none of us like it 

The Princess and the Clock is so good!
 

i know a lot of people in this thread are focusing the convo on their old work but civilisation I was such a fresh ep and it feels like if you downsampled / made the audio more low res it would be perfect for a ps1 game. cute, bouncy and i love the bit crushed / synth sound they’re going for

you should come back to our place baby.. don't be afraid of allah.. white hot forever.. la la.. 

It's sad that so many of you all would rather she shut up and regurgitate acceptable statements because god forbid she may say something ~controversial~ (real) and your friends will be mad at you for supporting her I'm actually here for anything different she has to say, but I suspect it's just going to be her complaining about not being universally acclaimed right away, which is much less interesting. She's super successful and finally got her acclaim with the last album so what is she so mad about? That was my main complaint with the "question for the culture" shit--bringing up ancient issues, for what??? Things have changed.

can she change the doin' time pic tho like girl that was an entire album cycle ago

We Out Here is cute, very 2000s pop.

Bees and Honey is cute but it’s an interlude so.....
 
Love It is interesting, i like that it’s split into 3 “parts”. Could be a grower.

Lucid is still disgusting. I really hope this is the only generic edm we get from her, please don’t, it’s so basic. I don’t go to her for this.
 
The remixes and acoustics are useless to me. In fact, deluxe editions full of remixes are rubbish.
 
HOWEVER, i do mostly like the new tracks and i’m happy we got them. 
 

i mean its not bad, but it sounds like rain on me ksjfksfj
 
 

Hey,
 
wanted to share an impression on L+F and I guess the place to do it is this thread.
 
I've hated deeply that album since the day it came out. Not only was for me the worst Marina project with difference, but one of my most hated albums ever, actually.
 
So it comes I've been thinking last days about Handmade Heaven and got to hear it. Ended up hearing the whole album again without expecting it.
 
I guess it's the fact that I didn't listened to it as a Marina's album, but as an isolated project, and this time it came as a very calm album with interesting production details. A gentle soundscape to think above. A very wide, minimalistic, kinda generative sonic scenery with no pretentions but maybe to develop itself. As Marina described it -if I remember well-, an album done as a healing process. I think Im understanding the place where she came from while (co) writing the album.
 
It's still a very controversial project in the context of her whole artistic output, as it is absolutely safe and predictable, computer-guided-sounding and that's the opposite to what Marina represented as an artist till L+F. But I'm glad I can listen to it and somehow understand what was going on regarding her personal and creative processes. L+F sounds as the safe ground  she needed as a platform to overcome big personal and artistic issues and to train herself to become strong enough to go back to her signature rupturist way of doing things. By the sounds of Man's World, it seems like it worked