FallingCherry

those unreleased/unfinished songs are no better than Ocean Blvd. clean your ears. 

They are deaf, probably. None of the leaked tracks is better than A&W, even if combined.

There's definitely some nostalgia factor with unreleased tracks that causes them to get praised disproportionately. I've seen someone claim that Earthquakes is better than A&W. If it was the other way around and Lana would have released Earthquakes and A&W was the unreleased one then this forum would have a meltdown about how Lana is always "stripping back" her instrumentals.

I wonder what she did to get such a good recording of her voice on Fingertips. From the information I gathered, the whole song was recorded on the phone, but her voice sounds exceptional on it, it really doesn’t sound as if it had been recording through the voice memos app. Sure there’s white noise, but it’s also the case on Heroin for instance and that one was a studio recording

I wonder what she did to get such a good recording of her voice on Fingertips. From the information I gathered, the whole song was recorded on the phone, but her voice sounds exceptional on it, it really doesn’t sound as if it had been recording through the voice memos app. Sure there’s white noise, but it’s also the case on Heroin for instance and that one was a studio recording

that's how the light gets in - then you're ✨golden✨
✨ah✨ah✨ahhhh✨✨ah✨ahh✨ahh✨✨aha✨ah✨ah✨✨ahhh✨✨

seeing all this Fishtail hate like...
 
Its okay all of us Fishtail stans can sun on the LA riverbed without you 

115k is huge. Let's not pretend otherwise. 
 
No MVs, no promo, no TV performance,  no spotify playlisting 

Sweet is THAT bitch! It did what? THAT is what it did!! 
 
It’s not for basic bitches that’s for sure!

Oh mother 

Has anyone noticed that the melody she sings in the Jon Batiste Interlude around 1:05 is similar to Cinnamon girl’s chorus?

i can feel the growth of her music, and just the general growth of life thru this album. 

NFR was way more accessible compared to OB, let's be honest.  And the MVs, the interviews, the radio shows. Ofc it was going to get more streams.
 
OB is getting more than 1st day BB streams on its 6th day.

literally 11 of the songs as fav tracks....
 
the acclaim..
 
i know people hate him but hes kind of the most influential critic out there at the moment so like... a win!

I truly don’t mean this in a rude way but some people have GOT to let the Jack Antonoff hate go. You NEED to move on. She’s almost 40 years old. She was still in her twenties in the UV era and clearly much unhappier. You can’t expect that she’s going to write the same damn kind of songs for ten years straight. 
 
also — I can guarantee if she WAS writing UV carbon copies ten years after that album came out people would complain she wasn’t changing her sound enough. 
 
Enough is enough!!!!

Currently crying to Kintsugi, because my dad passed away a couple months ago, so I've been singing "Daddy, I miss you". 
 
The part about the Road Runner Cafe is hitting me really hard. He had this car called a Road Runner when I was really young. It was his favorite car in the world (and he was obsessed with cars). We used to go to this old cafe for breakfast every Saturday morning, so I picture being at that cafe and getting out of the road runner with him.
 
I wish I could tell Lana "thank you" for writing this song. It's very comforting right now. A lot of these songs are. 

Yes, I agree, it's so frustrating when I confuse "Mariners Apartment Complex" for "Maroon" and it turns out it was "The Louvre" the whole damn time! 

Firstly, Lana does have experience producing and has those credits on multiple songs. She's been doing it since the Lizzy Grant days. Ultraviolence (which half of this site acts like is the only album Lana's ever made that's worth listening to) even has songs where Lana has producer credits (PWYC and Guns and Roses). I simply don't think it's accurate to say that Lana's not a producer because she's done it before and I'm sure she'll do it again. 
 
Secondly, the producer is not the artist! It's really that simple. At the end of the day, it's not about what the producer wants because it's not their album. I think people hold way too much stock in the man behind the scene rather than the person who's actually putting the album out, writing the music, and hiring these producers to help her to best display her vision. It's not about the producers: it's about Lana. 
 
This is a very stupid argument that should not be had in this thread so moving on. I'm really loving Let The Light In lately. It's currently my most streamed song from the album. 

These leaks are cute but Ocean Blvd is cuter 

FACTS

TBH all the "Jack vs other producers talk" makes Lana look like someone who's artistic integrity, process, and growth is tied to the men she's worked with--rather than accepting that she's forged her own way and evolved into the musician she wants to be. 
 
Lana is in complete creative control, and to blame her falters on Jack or any other producer also means to diminish her successes as the result of her producers; both are untrue. 

I am just so tired of Ultraviolence stans. Like I get it. I remember when I was 15 and just being sad and depressed af feeling like a bad bitch listening to UV but get over it!??
Ocean Blvd and any of her upcoming projects don’t have to be something she’s done already. It just bugs me when I see comparisons to UV or remakes in UV style because people just want fetch to happen so bad? 

Funny how it’s probably her least accessible album, yet it’s gonna have one of Lana’s biggest debut ever! 

But daddy, I miss them... 

I can’t understand why so many people dislike kintsugi and fingertips  they’re literally my favorite tracks of the album. I guess if you get it, you get it..