pinupgirls

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

Yeah, but unfortunately no one normally understood the meaning, especially critics who slashed her for this album a lot. A random person listening to Electra Heart wouldn't even bother to visit the Tumblr etc. I don't even think her label realised what the concept was -- remember how her manager wanted her to get rid of Teen Idle?
I agree with you and regardless of the popular opinions, this album indeed was her magnum opus. Not because of the sound, vibe or anything, but the amazing conceptualism. She's done so much research and was able to blend so many ideas using the commercial pop surface it's just amazing.

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

I think what I miss the most, and I’ve thought about this a lot, is that in her other albums, especially Electra Heart, she was making societal criticisms but she did it in a way that really made you think. Like the average person would hear primadonna and think “oh catchy fun bitchy pop song” and it worked that way on a surface level, but for those that really looked into it, it obviously was satire. I miss the more hidden pretty on the surface but dark deep down kinda thing. I love her obviously! I just want less in your face and more “make me think in that special Marina way.” Idk I just thought Electra Heart was so much better than people let on. She really studied women from the fifties and sixties and nailed it with these over the top descriptions of them. Not to be that fan that can’t move on from EH, but I just miss it. Marina stuck out to me because of how you could easily bop to it but you could also really analyze it. I low key think it was more of an effective way of getting a point across. Electra Heart really made me think about materialism and roles and identity concepts without saying “This this and that” Idk. Rant over! But I miss that magic charm. I loved it. I loved the smoke and mirrors of it all. I loved analyzing it. I still study that character and rewatch the videos to see if I missed anything. I just loved everything about it. It was the perfect concept album. Everyone gives Lana credit for changing alternative sad pop but I swear Electra Heart was a huge part of that too. (And TFJ, and FROOT, too.) I heard in an interview when she said “they wanted me to be more commercial so I said okay, I’ll do it, but I’ll do it as a different person.” Amazing. 
 
 
TLDR: I miss the Marina that made you think “there’s more to this than shes letting on” or “this isn’t what it seems.” The songs that could be played on the radio and no one but some people would listen and think “oh this is actually mocking people who really act like this I.e primadonna.”

Bow down to Ke$ha 

You know what is crazy - Marina looks like a different person in all her albums. Its crazy. I know that makeup and wardrobe can really change your appearance but when she was Electra she looked SO different. Its insane! 

I still credit Marina with the whole egirl style and the pale grey vintagey blonde hair. She did that years before it got huge. Now I see it everywhere. 

I FREAKING ADORE THAT LINE. Also the one about "I send my best regards from hell" 

You know what is crazy - Marina looks like a different person in all her albums. Its crazy. I know that makeup and wardrobe can really change your appearance but when she was Electra she looked SO different. Its insane! 

As much as I love most of Marinas stuff (except L+f. I HATE IT) I really miss Electra Heart. It really made a mark on me and I was so into the story. 
I guess I just really like concept albums from Born to Die, to Electra Heart, to Dua Lipa's Future Nostalgia even. I like when a specific story is told through a line of similar visuals, kinda like a movie. I don't know why, I guess because I'm gay lol. It seems like artists do a concept album and its usually successful and then they never do it again. 
I wonder if it has something do with the label wanting to establish them as artists and set themselves apart and when they've "made it" they can just do whatever music they truly want too. 
 
I really got lost in this glitzy but moderny vintage housewife vibe that was Electra Heart. I relate to that because my mom was like that. I miss it. 



 

GIRL I BOPPED TO THAT. I DRAW THE LINE THERE 

Do you all remember when everyone thought that was about Ellie Goulding I'm DEAD 

I was just listening to Starring Role yeah that song SLAPS *cries*

I have been a LONG stan of Marina and I must say, the newer tracks sound much more SJW and like a college student project. No hate there, obviously, but I miss the emotional and heavier stuff we saw frequently in TFJ, Electra Heart, and FROOT. While I obviously stand by the lyrics in Mans World, I can't sit here and act like its anything new that we haven't yet heard before. I know she was miserable writing most of her other records due to heavy commercial push and collaboration, but I can't lie when I say I think its some of her best work. I adore Marina, but I think sometimes she needs to be pushed a bit, otherwise we get more bland things like L+F which I played once and never could again. It just didn't "Stick" with me like Electra Heart or FROOT did and I REALLY tried. 
 
EDIT: Afterthought, I just am getting sick of heavy "the world sucks theres why" songs and that may be a personal thing. It just feels kinda cliche, and overdone. I agree with all of it and am very progressive, but I just kinda, idk. It just feels contrived sometimes or something.