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Poor Stacy

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Posts posted by Poor Stacy


  1. This is so random....

     

    But does anyone remember this slightly... unhinged... woman who made YouTube videos singing/chanting acapella versions of Ultraviolence songs in the woods with a large sword, maybe back in 2015? Her energy was unmatched and I can't remember her name or how to find her videos (if they're even still up)... I still think about them almost 10 years later. :teehee: :toofunny:

     

    I cannot be the only one who remembers her. There may have been an ONTD thread about her or something. Help!


  2. 12 hours ago, pin up galore said:

    why do her albums always leak b4 she gets to say something? and its not stans leaking it either - it was Rough Trade this time and with Daddy's Home the title and cover both leaked through some Russian retailer? if I remember correct :oprah7: like let the woman announce it herself! neway this is one of my most anticipated releases ive loveeeed falling into her music she's released nothing but quality even if some lousy bitches are too shallow to understand Masseduction or Daddy's Home :smile: St. Vincent forever

     

    it's because the announcement was pushed back a few days super last minute due to the Aaron Bushnell incident, comically bad timing :(


  3. 16 minutes ago, The Sun Also Rises said:

    I woke up and .... 

     

    I don't think I can even bring myself to watch the main show now in retrospect knowing that she doesn't win anything. 

     

    Anyway, I'm feeling really really awful and I need to rant, so, here's my own QFTC

     

    I think the "music industry" is scared of Lana, because she's one of the biggest pop stars in the world right now and she doesn't owe them anything. Her success has been through her own hard work over decades of persistence. As much as journalists tried to push the industry plant theories during BTD, deep down they all know that she's there, standing among them, because she sang to crowds of just ten people in bars, she wrote and wrote and wrote and pushed and pushed and pushed and when finally she hit the radios, people listened. And people loved her. 

    The fact that Lana is the force she is without having a single Grammy, without getting huge radio play, without pandering to the critics, the zeitgeist, the egos that need stroking .. that's what they're all afraid of. Intimidated by. 

    I think she's one of the only huge artists of our time who took the "traditional" struggle route (touring tiny jazz bars and local pubs) and went "viral" (on tumblr). She incapsulates both the old and the new way of gaining success. 

    Plus, her music, her looks — they're endless homages to icons of the past. There's countless references to literature, movies, singers, poetry, cultural icons, fashion. And yet despite building so much on our collective nostalgia, Lana is authentically herself. Despite what magazines try to push, no Lana fan wonders who she is under her references. Nobody thinks it feels empty. It's such a feat to be able to effortlessly reference the past while influencing the future generations. It's been said time and time again how Lana is the reason that Billie, Olivia, even Taylor make the music they do today. For someone who is blinded by their own fear and hatred about Lana's struggles in the past, her "bad influence," her "inauthenticity," having an artist who is simultaneously able to exist in the past, present and future is the epitome of power ... power they didn't bestow and power they didn't want her to have :worship: 

     

    She has built a legacy (and DYKTTATUOB was the cementation of that legacy, whether it won or not) that will surpass 99% of the people in the music industry currently ... 

     

    And it's been said time and time again but things that appeal (mostly) to women are derided. Any kind of media. I totally get what Lana was saying in QFTC although it wasn't worded well (and this probably won't be either). Nothing has changed, not really. I know Lana said in the Billboard awards that she's glad people feel they can't express themselves now as it didn't feel that way in 2008, but I don't think anyone, Billie Taylor and Olivia included, is singing about the experience of being a woman like Lana is: Just look at A&W ... we still have some way to go before people (mostly MEN) accept that it's just as worthwhile to sing about the experience of SA, alcoholism, suicide ideation, abusive relationships, and family trauma as it is to sing about being powerful and strong as a woman (and you can be those things while singing about those topics that everyone just wants to ignore). It takes courage to sing about these things when so often nobody in your own personal life wants to listen! But singing to millions of people? The vulnerability? Beautiful. There are millions of women (and men) who see the power in that. 

    On the same topic, I absolutely hate that some stupid articles before the Grammy's didn't even mention Lana's name once despite her being nominated in 2 major categories, yet mentioned Jack in relation to Lana's work. As much as I am happy for Jack for his win it feels much the same way that he won in part thanks to her artistry while she is barely mentioned in the media coverage, on the carpet ... anywhere. Except by Jack and Taylor themselves (:wub:). This might be controversial but it reeks of sexism to me. I just HATE how she is treated almost as if her name is dirty so they just avoid saying. URGH I AM IN SUCH A BAD MOOD :smh:

     

    You are fucking 100% spot on.

     

    Lana doesn't "play the game". That's why a lot of us thought it was odd that she actively campaigned for Ocean Blvd (at the urging of others it seems?), inspired by the goodwill she'd been receiving, just to ultimately be slapped in the face by the powers that be.

     

    Her punishment, right? Well, no, because she benefits both ways. She doesn't have to ever do SHIT for the Grammys again, and she'll still be incredibly successful, innovative, subversive, and self-maintained... all of that without being some cookie cutter industry shrill trying to impress the industry bigwigs. Isn't she the #2 most streamed female artist on Spotify currently? She's quite literally the 2nd most prolific and successful female artist out there right now. And she did it without being watered down, or playing it safe. 

     

    If she wants to say "fuck it" and go even more gloves off now, well... We ride at dawn! She's a genius. And she'll be fine without a stupid trophy given to her by Boomers who never understood her (or tried to) anyway. Fuck 'em. She's a true rebel, and rebels are rarely rewarded easily by those who have played it safe their entire lives.


  4. I think Taylor is overpraised and painfully overexposed, but I believe she had good intentions in that moment and I actually respect her for the love she showed Lana tonight. She dedicated part of her speech to giving Lana her flowers, presumably in front of the voting committee along with the entire audience. If the biggest cash cow for the music industry can't get them to listen to her, then who will? She did as much as she could, short of handing her the award.


  5. I mean... This honestly does feel brutal. Lana's music means SO much to me on a personal level (as I'm sure it does with you all, too). When Lana talks about her own music, she doesn't seem to fully understand the depth of it, or why/how much her art means so much to us. Fuck the Grammys in general, but I know this type of recognition would mean so much to her. I just want to see her recognized in this way. I want her to have her moment. It hurts.

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