Thunder Revenant

Roisin Murphy - CooCool Timber Timbre - Sugar Land Robin Kester - Blinds Mitski - Bug Like An Angel Unloved - I Did It Marta & Tricky - When It's Going Wrong Hope - Navel Chelsea Wolfe - Dusk King Hannah - Like A Prayer And obviously A&W.

No Jack No Country music/ covers More balance between artistic/ experimental choices and a coherent album More boldness, less "stripping songs down"

Did not know I needed this until I read it

No offense but that sounds like tge most cheesy thing ever

Not people saying OB's incoherent mastering is great or an artistic choice 💀 A&W is literally much quieter than any other songs on the album,'s A-side, you always have to awkwardly adjust the volume whrn listening to the vinyl. And then there is the flat sound on tracks like Fishtail, Grandfather or Paris that really impacts these sonh's momentum. The only tracks where I feel like the effect was intentional is Kintsugi and Peppers, fo the rest it's just bad mastering.

I'd take three Nikki Lana collabs over Lana ever featuring that overrated, screachy W*knd guy ever again.

Not really a big fan. Production and vocal delivery are nice, but it just lacks her "Lana magic"

- The reversed vocals in High By The Beach intro (which recurr throughout the track) - The backing vocals of Freak, especially the drama of the last chorus - The scatting in Wait For Life's bridge - The humming in the intro of God Knows I Tried - Backing vocals/ moaning in Sad Girl

Love the HM fringe but can they stop editing her body?

It had great photoshoots, an exciting rollout for Froot, Happy, IAR, Immortal and Forget, fun music videos and a good tour. What's there not to like?

She is a greedy cashgrab. Why would she have a bigger sense of responsibility or conscience than other millionairs? Just look at her private jet record. On the other habd, people are just lunatic when it comes to her basic white girl pop and stan culture has reached a ridiculous level lately.

The only really good collabs she ever did for projects that were not her own will always be Dayglo Reflection, Riverside and Wait For Life. Suburban House is cute too. The rest was either lackluster, forgettable or just really bad. Or not a collab at all cause all she did was backing vox.

Releasing Cola. I remember the moment that first snippet with the infamous Pussy-line was dropped. Such a crazy and wild moment

The "Jimmy" part of AW apparently stems back to the NFR era. Also, I would not rule out that tracks like "Sweet" or "Paris, Texas" had their origin in a previous era

It's going to be another Margaret mess ... thank you but no

I think it's a lovely autumn track. Their voices really compliment each other. Giving Blue Banisters(album) vibes

That is the same women who insisted she never had plastic surgery while looking like twenty bees stung her lip. Truth is probably somewhere in between - but does it matter anyway?

Saying Architecture is mid

Thunder, Lolita, Architecture, Pink Champagne, Lucky Ones, Beautiful People, ...

Born To Die National Anthem Diet Mountain Dew Born To Die Paradise Cola Ride Body Electric Ultraviolence Shades of Cool West Coast Sad Girl Honeymoon Honeymoon High By The Beach Music To Watch Boys To Lust For Life Cherry Summer Bummer Heroin Norman Fucking Rockwell! Fuck It I Love You California Mariners Apartment Complex Chemtrails over the Country Club Chemtrails over the Country Club Dark but just a Game Wild at Heart Blue Banisters Thunder Violets for Roses Arcadia Tunnel under Ocean Boulevard Candy Necklace A&W Let The Light In

I think it was during the CoCC era ... I think it was after everyone hated the terrible BTS cover artwork

I want this kind of "Americana" sound

BB has a quite distinctive sound and I don't think it's any less coherent than LFL, CoCC or OB when it comes to its message. Each to their own but this is really just doing the modt to justify disliking the album

BB is actually quite cohesive IMO. Most people saying its disjointed are jusz too caught up knowing some of the tracks where older, even though they all blend in quite smoothly with the new songs. I think even they way Dealer and The Trio are woven into the tracklist makes sense. The only track I always felt was not fitting in was WFWF (although it's a good song)