WhiteIrishDrinker

On Doing “Ride” With Rick Rubin
 
I was writing that Paradise edition, and originally was writing it as a follow-up record, but nobody wanted to release something eight months later. It ended up being a re-release-slash-second edition, and I loved this demo I did with Justin Parker, who I wrote a lot of things with like “Video Games” and “Born to Die,” “National Anthem,” and Ferdy Unger-Hamilton at EMI hated the song. So I think him and Rick had been talking and Rick was like, “What’s going on with Lana? Can she come over, I hear she’s in L.A.” I think I had been over to say “Hi” to him first. Just to say “​hi.” We took a walk in Santa Monica—he takes the same walking route every morning. Then a few weeks later I brought him “Ride,” and he really liked it. Working with him was good, I was still in my old car, my old Mercedes that was barely making it down that hour-and-a-half drive down to Shangri-La Studios in Malibu, and it was really good. He has this sprawling lawn with all these bunnies and palm trees. He was very relaxed. It was good.
 
On the Most Important Person She Ever Shared a Cigarette With  
Probably my manager, who is still my manager, Ben Mawson, over the last four years. He doesn’t smoke anymore, but he used to smoke more than me and drink 12 beers a day. I met him, he told me to just come to London and I did. I just went and met him. I think they were at Shoreditch House, so we went on the roof and had a cigarette. He felt like I was really worried about everything, and he told me that he had a plan and that everything was going to go OK and not to worry. He was very aggressive, and he was such a believer. So probably with Ben, I guess.
 
 
On Making Art Vs. Satisfying the Major Label Machine 
I came in in a unique position in that “Video Games” had so many views, and that was the reason why Jimmy Iovine at Interscope and Ferdy Unger-Hamilton at Polydor had called me on that day and wanted to revisit the record and hear it again.
So I got signed on great terms because the discussions we were having were that it was always going to be my way. I liked coming from this DIY place where if I had a single that they really felt like they wanted to put money behind or promote—I liked knowing it was an option that I could make my own video at home for it, like I did with “Video Games.” Eventually I tired of that, graduated to working with other people. But in that way I was in a really good place after the record was done with its cycle.
I think the label was half-and-half on this record [Ultraviolence] because there were a lot of jazz undertones and West Coast references. I think they were happy that I was happy with it and that I made it. I don’t think they felt like there were singles that could work at radio. And I kind of felt that, because I have such a good relationship with Jimmy and Ferdy. I’ve been working, “working” [makes air quotes], singing, for years. So the people I’m closest with are like my product manager and the video commissioner, because they’re really good girls. The A&R guys—Larry Jackson and John, if I go out at night I probably go out with them. We’re pretty flexible with each other, but it always come down to differences. For example, the bonus tracks on this record I didn’t feel like had any relation to the atmosphere of the record itself. I think iTunes was like, “You would have trouble promoting a record if it didn’t have a deluxe edition,” so, there’s stuff like that.
 
 
http://www.complex.com/music/2015/09/lana-del-rey-interview-outtakes/?utm_campaign=complexmag&utm_source=twitter&utm_medium=social

Ultrabible of course! HM is a good album but i was hoping a little bit more of her dark

Ultrabible of course! HM is a good album but i was hoping a little bit more of her dark

Ultrabible of course! HM is a good album but i was hoping a little bit more of her dark

I never realized how much I adore UV the song it's incredible and orgasmic

oh god what happened to this version of HBTB. Sound SO bad. My remix would sound 1000 better

They have so much background noise ... annoying

I thought it was a live streaming from NYC to France. I didn't know she was there on the radio
 

only 1 hour

My favorites:
The Blackest Day
24
God Knows I Tried

I heard the album. I like it, but i doubt it will grow on me more than Ultraviolence. Ultrabible is epic and awesome

now we just need the instrumentals from SonyATV  @@Eclipse maybe could help

Folder: Lana Del Rey - Honeymoon (2015)
audio files:
    01 Honeymoon [05:50.71, FLAC, 44100Hz, Stereo, 16bit; 32,02 MB (33 571 694 bytes)]
    02 Music To Watch Boys To [04:50.44, FLAC, 44100Hz, Stereo, 16bit; 29,34 MB (30 763 610 bytes)]
    03 Terrence Loves You [04:50.46, FLAC, 44100Hz, Stereo, 16bit; 27,13 MB (28 443 322 bytes)]
    04 God Knows I Tried [04:40.49, FLAC, 44100Hz, Stereo, 16bit; 25,01 MB (26 219 688 bytes)]
    05 High By The Beach [04:17.43, FLAC, 44100Hz, Stereo, 16bit; 25,62 MB (26 859 461 bytes)]
    06 Freak [04:55.07, FLAC, 44100Hz, Stereo, 16bit; 28,03 MB (29 395 551 bytes)]
    07 Art Deco [04:55.05, FLAC, 44100Hz, Stereo, 16bit; 28,93 MB (30 336 250 bytes)]
    08 Burnt Norton (Interlude) [01:21.72, FLAC, 44100Hz, Stereo, 16bit; 6,85 MB (7 183 680 bytes)]
    09 Religion [05:23.21, FLAC, 44100Hz, Stereo, 16bit; 29,60 MB (31 038 153 bytes)]
    10 Salvatore [04:41.07, FLAC, 44100Hz, Stereo, 16bit; 26,55 MB (27 835 280 bytes)]
    11 The Blackest Day [06:05.57, FLAC, 44100Hz, Stereo, 16bit; 36,91 MB (38 703 187 bytes)]
    12 24 [04:55.72, FLAC, 44100Hz, Stereo, 16bit; 31,91 MB (33 458 862 bytes)]
    13 Swan Song [05:23.36, FLAC, 44100Hz, Stereo, 16bit; 30,64 MB (32 132 149 bytes)]
    14 Don't Let Me Be Misunderstood [03:04.04, FLAC, 44100Hz, Stereo, 16bit; 17,42 MB (18 264 681 bytes)]

The point with audio quality in not about how loud you need to hear things to notice the quality. Its about the channels, the background effects, the bass and the synths on the tracks. I don't doubt it can sound good and clear, but it just not even close to what i'm expecting. The first time i heard Ultraviolence I used a 24bit rip of the vinyl and playing that on my 5.1 surround sound system was like heaven. I still remembering the first time I heard Sad Girl beats and intro, I had an orgasm

yeah, me too. I don't like Carmen for example

I think she'll release the video on Friday

oh God, you're high and not by the beach 

guys the 320 Kbps files are real. I'm downloading the flacs now to check

I heard the album. I like it, but i doubt it will grow on me more than Ultraviolence. Ultrabible is epic and awesome

now we just need the instrumentals from SonyATV  @@Eclipse maybe could help

Kinda hoping she won't appear on Jools Holland tho because he's a dickhead and the interview is bound to be messy

I heard the album. I like it, but i doubt it will grow on me more than Ultraviolence. Ultrabible is epic and awesome

now we just need the instrumentals from SonyATV  @@Eclipse maybe could help

seriously??!
 
Ride is BY FAR the best song/video she's made. It's fucking perfection.

i don't think HM is better than BTD. HM might be great but BTD is awesome

The point with audio quality in not about how loud you need to hear things to notice the quality. Its about the channels, the background effects, the bass and the synths on the tracks. I don't doubt it can sound good and clear, but it just not even close to what i'm expecting. The first time i heard Ultraviolence I used a 24bit rip of the vinyl and playing that on my 5.1 surround sound system was like heaven. I still remembering the first time I heard Sad Girl beats and intro, I had an orgasm

It may be her worst release because of the number of songs, but the production on the tracks are awesome. I think she didn't make a Deluxe Version for HM because she is already thinking about a release like Paradise. In fact, i think is a genious idea not releasing LIB and then including it on the re-release of Honeymoon.

i don't think HM is better than BTD. HM might be great but BTD is awesome