Dark But Just A Kenny

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

something i'm very interested to know about...

Any BOZ/Eclipse news about the making of the record/outtakes? That's the tea I'm most excited to hear

I wish she'd focus on the more sonic aspect of music rather than just the lyrics + piano 
 

i hate for free as a closure. BUT i agree so much with you. It's a pretty and subtle detail that  in cocc she starts singing in 'White Dress' how she felt when she was pursuing fame in her early days. And closes in for free singing about being famous and now looking someone else starting a career and doing it for free while she plays for fortunes now.

HELP 

I believe it’s ldr9 because of AKA
 
Because AKA was a released project at one point

Honeymoon may not be a hit on Spotify but it's one of her best albums

Honeymoon may not be a hit on Spotify but it's one of her best albums

Honeymoon may not be a hit on Spotify but it's one of her best albums

Honeymoon may not be a hit on Spotify but it's one of her best albums

Honeymoon may not be a hit on Spotify but it's one of her best albums

Honeymoon may not be a hit on Spotify but it's one of her best albums

Honeymoon may not be a hit on Spotify but it's one of her best albums

this isn’t another element, but it would be neat if ice were a part of it (“waist-deep in icy waves” caption) 
 
I like the idea of a really cold, moody, bleak-feeling record, and I think it would fit. Also, she’s done similar like in Swan Song’s “rushing up from the water where the ice meets,” so we’ll see!!

I'd love that for LDR9. 
 
Though I'm a big fan of most of LFL, it's neither 'witchy' or 'Blade Runner-esque,' (even if the latter was only intended for one song).
 
Maybe she should have asked Stevie Nicks for 'witch' lessons, as Stevie introduced witches into rock n' roll with 'Rhiannon' (though she later retracted Rhiannon's association with witches, which actually was incorrect), and later seemed to write about them again on 'Sisters of the Moon' (which some people think was about Nico). 
 
As I've noted before, Lana once said, with apparent disdain, that she 'grew up in a kind of Carly Simon household,' and it's funny how influences get under the skin, because, to me, a good deal of BB sounds like Carly Simon, especially BBS, IYLDWM, VFR, SC, and 'Arcadia.' And the same for some of the songs on COCC, like LMLYLAW, WAH, DTWD, and WD. 
 
I would like to see Lana break free of her 'confessional' period, if only for fans' sakes, for at least one record, and give us something 'revved up,' like 'Serene Queen,' one of my all-time favorites of hers, released or unreleased. 
 
But, as always, I'll take whatever she serves up. Some real aural surprises would be nice, though. 

I wish she'd focus on the more sonic aspect of music rather than just the lyrics + piano