tulsa jesus freaks

maybe im dumb but why isn't the "taxi for them taxi for him" version of Taxi in the mega masterpost?

LA is so top tier

don't be that way 

hopefully it's music related

i can definitely see Charli using an AI of her voice in her music, kinda like the use of really heavy autotune, i think she could pull that off tbh, just to be experimental 

Swamp or a title with that word in it would fit so much with the aesthetic

has anyone actually seen her in that movie that came out earlier this year with Ashley Benson? (i did)

13 minutes ago, Veinsineon said:

she recorded it around Jan 2021 so i would say it can be considered Crash 1.0 imo

don't forget Xcxoplex 

2 hours ago, Veinsineon said:

I’m already kinda nostalgic for Crash 1.0 sound. Spinning, Charger, You For Me, Selfish Girl… Give us electronic chop house MAAM!!!! 

wdym selflish girl? isn't that from the final form of Crash?

Boom Like That

i grew to love its complex layers and the lyrics that through many layers describe our broken society

30 minutes ago, wthebluemascara said:

Swan Song vs Yosemite

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What do you mean? Voting what?

like i say blank song VS blank song

and people choose which one they prefer and why, but no one is doing that so i'm really confused

edit: nvm im so stupid i just read the rules 

this thread confuses me, why is everybody putting songs against each other but no one is voting 

30 minutes ago, babetteateoatmeal said:

i feel like her ability to write freely and with variety died when she limited herself to one character and storyline. like her sophomore album could've been amazing had she not went in the direction she did. not everything can be a metaphor about school and that's okay 

i feel like even tho she was limited by the storyline with CB she still did an amazing job, i actually think it's what motived her, but then with K-12 she thought she could keep it up cause she wanted to but simply couldn't

i tried to get into Mtn Dew cause i wanted to feel the song on a deeper lever and i convinced myself that i liked it for a while but now years later i can confess it takes like motor oil 

but i also did the same with Cherry Cola and now i fucking love it 

like her career wasn't disastrous enough now her most ignorant stans gotta REALLY make sure she got nothing left

her writing was indeed so good prior and during the CB era, what happened after? 

hey guys i like Pray For Rain

i still to this day think Ride is her magnum opus, it's what Lana it's all about, freedom, i feel like that's her ultimate goal in life in general

what's that one unreleased from every era that you swear should have been on the album?

for me it's

AKA: Trash Magic

BDT: Serial Killer

Paradise: Life Is Beautiful

UV: not easy but either Angles Forver, Fina China, Pink Champagne, Summertime or I Talk To Jesus (tbh others too, god what an era)

HM: so far we don't have an unreleased that makes me wish it was on the album, but i'd say Yes to Heaven even tho in my mind it belongs to the earlier version of UV

LFL: The Next Best American Record (or Roses Bloom For You )

NFR: we dont have any

COCC: we dont have any

BB: we dont have any

DYKTTATUOB: we dont have any

there are planty of others unreleased that i swear could have been on the album especially from BTD, Paradise and UV

she's obviously trying to go as mainstream as possible, yes her music has always been generic poo but it used to be fun and bops, but this is straight up giving H&M music

this is so old lol but i was just randomly thinking about it, and i 100% believe that Serial Killer should have been on BTD, that song doesn't feel like an unreleased, it feels like a song that was left out by mistake idk how to explain it but in my heart that song deserved a spot on the album

6 hours ago, Voignamir said:

(not mine leaks)

Happier as My Ex - https://dbree.org/v/06440c
Good Times are Calling - https://dbree.org/v/0c2198
Amour - https://dbree.org/v/440c21

 

all pre-hifn

so these were written for an earlier version of crash?

well i was actually a sperm cell in Rob's ball and i was swimming with the sperm cell that eventually became Lana so all of you suck already 

On 4/14/2023 at 3:54 PM, wthebluemascara said:

The first I can think of is Hanging Around, just for the sound and not really the lyrics but yeah

how can y'all find Hanging Around scary, it literally birthed Crazy For You

something that upsets me about this album is that it's not about Cry Baby at all even tho she really tried to convince us that it is

looking back at the lyrics from Cry Baby (album) the songs had a very very specific storytelling and you could very much tell she was painting a picture, a child who is born into a toxic family, even the kidnapping part is very specific.

k-12 it's were the story starts cracking aka she got tired of CB and wanted to say smth more personal, wr still got very specific lyrics that serve the storyline (namedropping Kelly, Brandon etc) but also tracks like Show & Tell where u can definitely tell it had nothing to do with the storyline and it was smth from her personal pov that she tried to force into the album, making feel unchoesive.

but Portals is were she 100% dropped the whole thing, even when she personally described the songs she didn't even mention CB or the events that happen to her in this album, cause there is no storyline, like, she is reborn and then what?

everything is clearly Melanie related, you couldn't have CB (album) without the storyline but you can 100% have Portals without it being about CB like she claims, it's pretty obvious she wanted to get rid of the storyline but i'm sad she lost track of the story and basically dropped it without a proper ending