Jeanne Dielman

If Lana quit her career or decided to take a five-year break, I wouldn't even be *that* upset at this point. Seriously. We all need to be a little more grateful with how often she releases great music. Almost ten albums in ten years, over 11 hours of music, hundreds and hundreds of good to great to excellent unreleased. We've been MORE than fed by this woman

GENIUS POST 
 
Her magnum opus is coming.

this is such a quality post

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think. 

BOZ said that it's her most confessional and vulnerable album to date. He also described it as "the diary of a lost girl looking for guidance", so I think that this will definitely be her rawest and most personal work to date. The album photoshoot makes a lot of sense. It's an invitation to her most private place - her bedroom (my bedroom is a sacred place now), - where she can express herself freely. Didn't she call the album "conversational" back in May? The title itself initiates a conversation with the listener, and its strong visual metaphor implies that this will be a deep exploration of her inner thoughts. The oversaturated photos of flowers, ocean waves and industrial spaces create a rather unhinged and ambivalent atmosphere as if everything has been contaminated through a dreamlike (or even nightmarish) vision. Even the covers for the mint and light pink vinyl variants toy with this artificial aspect - the clash between reality and fiction - with the colour Neil added to Lana's clothes/eyes etc. It all feels very intentional and carefully thought-out, I think.