revadece

She must truly love "I Can Fly", if she considered for both "Honeymoon" (2015) and "Blue Banisters" (2021), even AFTER she already released it for the "Big Eyes" soundtrack.

Everything on miss anthropocene is miles better than anything she’s released since  
we need another so heavy I fell thru the earth or violence or 4aem  

This music would have been so much more relevant around the whole Cyberpunk promo campaign / Lizzy Wizzy concert / etc. it’s like she refuses to let the dystopian ass robot vision die. Like girl it’s bleeding your music dry. I don’t wanna say she needs to spend a good two weeks alone in a dark room making an album again but……….. we know that works!

we went from 'angry' pop AI to cyberpunk techno to club edm, i fear the next step is pure ambient and space whales moans to complete silence for 2 hours and raw sounds of nature which leads to garageband samples and her rediscovering synths and holes in the roads making it a whole cycle starting with geidi primes II out january 2030 

one of my all time favorite songs id literally melt hearing her vocals over AIR’s instrumental 

He Hits Me Because He Loves Me scared TF out of me

Watercolour Eyes - EP
Fuck it I love you Venice Bitch Tulsa Jesus Freak Fishtail Watercolour Eyes Flipside

Im rlly surprised there wasnt a thread for them already

I don't think so because I believe she stopped working with Rick in December 2017/January 2018 because right after she started working non-stop with Jack.

Also, people tend to forget that the version of TNBAR that was in NFR was already intended to be on the final version of LFL because in an interview in 2017, Lana said that TNBAR is about Topanga and such.

I love the album, but I definitely think I would enjoy it more if the grants didn’t have that intro… sorry just being honest

I like Fingertips better than Kintsugi tbh, there's something about the melody of the latter that just doesn't do it for me, although I love the bridge and the lyrics ofc

A&W's impact is as huge as Video Games. I said what I said  
After those months I can say that I love every track (except Margaret)

a Koz produced version of "Say Yes to Heaven"? as in Dua Lipa's producer Koz? Nah. That part sounds straight up fanfiction from this insider considering he's a Dua Lipa's stan.
 
Brb, gonna DM Grandpa Nowels about this article so he can confirm how true it is, sometimes he answers DMs.

this song is sooo lana, i’d die if she covered it 

this isn’t “futurism”, this is what comes out when you search for “club techno bass music” on youtube + additional reverb 

this isn’t “futurism”, this is what comes out when you search for “club techno bass music” on youtube + additional reverb 

this song is sooo lana, i’d die if she covered it 

Angel Olsen
A cover of "Shut up kiss me" for example.
 
 
Maybe I'm missing something, but I can't understand why, as they live in LA and work with the same people (Drew Erickson for example), they haven't met or just talk to each other yet.

Ride
Born to Die 
White Dress 
Text Book 
Cruel World 
Love
Honeymoon
The Grants 
NFR

Love haters can suck it. Yes, it shouldn’t have been the opener but the song is still great and epic. It made grannies cry on those "Senior's listen to…" reaction videos.

You say THIS when Honeymoon is sitting at the top of your ranking????

i’m obviously not the first one to say it, but i just heard the lfl demo and lfl final alongside, and it’s insane how lana butchered the demo lol. it was such a beautiful, mysterious energy song, and it seems like they tried everything to commercialise it. so many parts of the production are so unnecessary, the whole upbeat arrangement and her “shut up shut up” vocals in the background. there’s so much it literally starts to sound like a mess. and the weeknd feature was so unnecessary too  i hate it, i don’t like his voice in the first place, but especially i hate it in that song. but i do have to say that there are few elements and stems that could be brought to the demo to make it more “lively”, like the bells, and i guess synths (?) that sound like they’re falling down, these are something i really love about the final. but the rest is just too much

i really wish she would work with some brand new producers for the next album, maybe people who actually produce alternative music instead of pop music. that’d be a dream to hear her inventing some totally new specific sound in her discography, and something tells me that it might be possible if she feels more ambitious about the instrumental side of music instead of lyrical mostly. and look, she performed flipside last night, that song has very different instrumentation from her current sound and flipside isn’t even that popular, if she chose to perform it she has to like it very much

Gorgeous and ahead of its time girlie