cherryblossoms

Omg I had a dream about the livestream and I don't remember anything she said but the comments were going extremely fast and they were basically all "lana I love you omfg" instead of questions and I feel like that's actually what's gonna happen lmfao

All I could think about at work was the new MV. I can't wait to see it. Like I'm so so so excited to see Lana's visuals. The audio could be replaced with Betty Boop Boop and I'd still be slayed.

This is so iconic @HoneymoonDaddy

I just want peace in this fandom. All this drama surrounding unleaked was so unnecessary on both ends (me included)

Lol. He wants to keep it for himself. Nothing more, nothing less. We're not exactly entitled to have it either. Whether that makes him a good or bad person is up to you. Besides, we've gotten the other UV outtakes so that's something. #AppreciateFineChina

I hope the MV drops before I go back to school so I can watch it in peace

Piano too!

Tbh I lowkey expected SoC/Brooklyn Baby level tracks and melodies but from this it sounds kind of lackluster. Lana's released works have always been on another level from her unreleased even Honeymoon so to hear they sound like the Untouchable 5 is kind of sad. Like I'm glad to listen to whatever she releases but I kind of expected more. She really needs to do away with Rick's production. They write great songs but his production is too minimal to give her songs the shine they need. Imagine if Dan didn't step in for UV, we would've gotten a stripped back SoC devoid of all the elements that make it the amazing track it is now. West Coast too. The production is everything on Ultraviolence. Heck, I feel like Honeymoon could've been taken to the next level if she found someone to inject a fresh sound into it. Sigh. In the end she's the artist and it's her music but I just feel like there's so much wasted potential production-wise since Rick doesn't challenge Lana to explore other sounds like other producers. I still have hope for Emile and possibly Justin Parker's tracks.

Queen of Disaster EMGHW V2 TV in Black & White

It's been so long I'm really hoping to hear their recent work appear on LDR5

I'm so ready

I was thinking about this earlier today when I was reading/watching older interviews from 2011/2012 It really seemed like she was trying to project herself with a more exaggerated image back then. Like with the way she spoke (bold New York accent in some interviews) and her mannerisms. I can see why people thought she was unauthentic and manufactured because of how awkward she came off while trying to adjust to the image people thought of when they heard and saw 'Lana Del Rey.' But I don't get the people who use her old music as validation of her being fake. She's just refined her craft and evolved as a songwriter, just like any other artist. I mean so many tracks from Born to Die reference some of her older tracks. It's not like she started writing about something completely different. Anyways, I'm glad I became a fan post-Ultraviolence because she comes off to me as confident/matured and organic compared to 2012. I feel like she's just being herself these days in interviews, on social media and whatnot. Nowadays, 'Lana Del Rey' doesn't seem like much of a persona to me it's simply a stage name used by the woman we know and love named Lizzy Grant.

I think there was some speculation on the Honeymoon thread or somewhere that LIB was originally penned for a film in 2012 about a man losing his best friend or something so I'd like to believe there's a full version but it's probably underwhelming tbh

I wanna hear chuck sing now

Omg

I can see her announcing the single/album on January 1 tbh

i'm like 70% sure that string track is from yes to heaven

Oh wow that was fast

Omg

Idk why I thought it was gonna be a song she never sang before

SHIT*

DUCK WHAT IS SHE GONNA ING HOLY SHIT

Lol @ the people saying "just hide the chat"

Fml it stopped working too

Do you have a link. I still can't find them