Charlottexseax

wasn't tzef also the reason why sophie never released transnation because she was involved in it or some shit.....

idk it seemed like one of those things that she says... like IDK im not gonna believe she'll release them until she announces them

from what i gathered from the letter i don't think we'll ever get debut? like unless its an anniversary edition but the taylors versions are probably done for

why is this random girl (who produced Gabbie's debut and sophomore EP) using XCX World tracks for her background on this vid......?

taylor jumped on the LGBT bandwagon in 2019 and never even voiced support for the democrats up until 2018 when the tour was done and she had collected the MAGA checks. and the few times she has used feminism it was always to benefit herself or to divert from other issues (like in 2014 when nicki minaj noted the lack of diversity in the nominations for the VMAs and she wasn't even nominated once and taylor told her her "spot" was taken by one of the men...) i don't think she would ever vote or support the republicans but her "liberal" support is very much lukewarm at best and she only says something when it's safe to do so or when it's no longer needed. we shouldn't be expecting anything from her really

im convinced she goes where her current bf politics are and if she was still with joe she would've posted in support of palestine but now that she's with travis she's fine with hanging out with republicans

im so sick and tired of people dangling sophie outtakes in our face with the "promise" of a release like either release it or not. the pointless "teasing" is so weird.

yes exactly, this + the fact that a lot of taylor's music is centred on being some sort of "underdog" and overcoming "hate", like how reputation was her complaining about being cancelled despite the fact that it was the highest selling album of the year. how are you canceled and you're topping every chart?

yeah i know there's no Radio I was referring to the background track / the fact that (at least IMO) there is a very clear interpolation of the melody from Radio and i think it was intentional

to me the worst change to the song was changing the title. architecture is SO fucking good. like it gives the song a completely different angle.. but i actually understand the change of lyrics because the old lyrics reflected a different headspace which made more sense for LFL but not for NFR. like the meaning of the song very much shifted within the context of NFR so why shouldn't the lyrics? NFR is much more conceptually bound than LFL so it makes sense that she would adapt the new lyrics to the album cause it wasn't just a matter of releasing an old demo but of contributing to an artwork

that line is such a classic though omggg. i guess it is "cringe" but i dont think there could be a way for lana to sound cool while pretending she's latina cause she's the WASPest person you can think of lol. but she's also very earnest about how kind of cringey it is which makes it very sweet at least for me. That whole song is kind of a metatextual response to a lot of the pointless criticism she suffered through the years from reviewers and haters alike. "although it seems ive gotten better i can be violent too, that's why they call me lanita (because) when i get down I'm bonita" and then she starts referring to the critics and journalists and she's like spin my words any way you like try to paint me as something im not but dont' think what you're saying is interesting because ill stop you right there. i know that you hate me and then it goes into Radio which is about how people's perception of her started to change after she became famous and got played on there radio so it's like a callback to the radio. "i know i know i know that you hate me.... but now my life is sweet like cinnamon". and then it goes into this dream-like remix of venice bitch. SOOOO genius i love taco truck my favorite closer of all time sorry for the ramble

here is my final ranking now that POP is out love + fear. album of the century, should be up there with 1989, blackout, the fame etc... as pop bible POP really loved this one. the lyricism is so insightful and deep. cuntissimo sounds like joni mitchell could've written it about her daughter. ADIAML. love the elementary school rhymes. bitches and witches.. powerful. EH. not as good as the others but still nice. wish it had less personality though its kind of annoying having to hear her sing about women's rights... why can't she just say bitches? FROOT. so boring. i dont care about her life or her experiences. TFJ. this is her worst. she's always talking about herself and being open about her struggles bitch IDC move ON! sooo annoying. how can people listen to this underproduced trash

girlll lol. i genuinely dont feel like hating now! and plus it seems like the opinion is pretty split regardless of my presence

its not the worse thing ever honestly. i feel like once you just give up on the idea of marina ever writing actual good music again you can just vibe along and sometimes its fun. like if you imagine zara larsson or bebe rexha or rita ora sing it it doesn't sound bad

yeah as i was writing that i thought that maybe avril has changed over the years... gwen def not though