FkaTwinks

Charli wrote/sang the demo that became Pretty Girls, but she isn't credited since the lyrics were changed She also wrote a handful of unused demos for Britney Jean and Glory, incl. Pop the Balloons, Secret (Shh), Bubble Pop, Hard To Love.

Lil Bimbo and Come On are so good. I hope Delicious is scrapped

Ayesha Erotica - horny.4u (2024) (prioritizing vibes over accuracy/realism) h.4u (feat. That Kid) hotdog hooker lil bimbo handjob (feat. Baku) all around the world superpuss i wanna fuck we can do it! iconic anal queen cum c my tits vacation bible school how great is our god? DELUXE sexy party control star coffee cake gigabowser (feat. Yvncc)

I mean.....Charli's disagreement with Rina is not justified, and Rina has every right to be frustrated that her music's owned by an alleged racist. Picking the record label's side in the masters discussion is weirdo behavior, and idk how much of that is genuine, or bitter projection because of Charli's boyfriend being tight with Matty. And then in the same breath, it talks about her returning to her shitty label... because of her masters. Which she immediately gets defensive over, because she knows it's hypocritical and that it's also pathetic to see her make that choice after years of dissing that label.

I haven't been paying attention to this era.. has she been delivering a 2010-13 Tumblr throwback to justify the True Romance aesthetics, or is she doing same-old 'I'm a bad girl' 2-minute hyperpop songs with new packaging?

She seriously needs to get over the photo shit, its been 7 years, surely she has more to be upset about than fans asking for photos at the Cry Baby Tour

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it's giving when people raised concerns that the Cry Baby era spent a little too much time sexualizing its preschool-aged characters and being inappropriate with its subject matter (which is even more true after K-12 and songs like "Wheels on the Bus"), and Melanie's response was a salty post like "you just don't GET it"

"art with substance" > nearly plot-less K-12 film > NFTs of "edgy" versions of old toys > stolen artwork merch > awful green-screened "M&G" photos > tacky half-baked songs like Moon Cycle coming out while decent songs like Needle & Thread fall to the wayside

Maybe, seeing as how Slut! is literally (in part) about Directioners bashing her But she did say that she always wanted Is It Over Now? to be the closing track on 1989, describing it as a "tough choice" to scrap it

people who trollpost on dbree deserve to have their kneecaps busted

the universe saw the blurry 80s motif and thought she was Slayyyter

to reiterate and better explain my thoughts with Sam Smith yesterday... people should be entitled to their opinions! 99% of the "hate" Charli was on the verge of tears over was essentially "can we have a solo version too?" lmfao. It's not that serious. Anyone going "oh you guys should be embarrassed" reeks of hypocrisy and idol worship, cus I'm damn sure you've also wished for a solo version of a song or written publicly about an aspect of a song you didn't like. just because Charli's upset does not mean that negative takes are invalid, or that they warrant embarrassment. stop ass-kissing

if a better version didn't exist, we wouldn't have literally heard it in that dj set I swear you guys are trying to pull some sort of elaborate gaslighting

it's a concept demo without so much as a verse or even the post-chorus section, bffr

I'm not, the snippet with Sam is not as good as the snippet without Sam, it's doing too much

the supposed final version was just the original version, promoted alongside the original OHDH. the version she released came later.

When are Atlantic going to put out a playlist EP with the following tracklist Roll with Me Backseat Vroom Vroom Speed Drive Crash 3AM (Pull Up)

tbf she's the one who kept talking about Act II; ARTPOP was clearly something she was passionate about, and she kept trying to make it work, to the point she was somewhat consistently referring to an Act II plan from 2012 to 2014 (albeit less optimistic about it coming out as the years progressed). She made the album to heal from trauma, and she commented "my soul" or something like that on a TikTok about it either this year or last year. She even still cares about the deep cuts to some extent; her 2017 Coachella set had Venus and Sexxx Dreams + an intro with bits of Donatella and (for some reason) Partynauseous. She played Aura every date of the Enigma residency. She was jamming to MANiCURE at the Haus Labs launch party. That Vogue "Life in Looks" video was primarily ARTPOP-themed and there was a segment of her 2020 interview with Zane Lowe where they talk about ARTPOP and the implications of Chromatica being a spiritual successor to it. I don't think she hates it as much as people want her to

don't forget that matty owns rina's masters; it goes farther than them sharing a label

saying you wanna take something away from Sky Ferreira and give it to Halsey, on this forum... my condolences in advance

imagine if musicians were able to unionize and Taylor was elected president of it ala Fran Drescher currently leading SAG-AFTRA musicians definitely deserve more protections, especially since they have one of the most creative jobs in entertainment, yet they seem to be among the very most fucked-over when it comes to their craft

My post was just pointing out the hypocrisy. The people that started digging into Elita's past and making those posts were Melanie fans, which I thought was funny, considering the image Melanie had at that time + the fact she was wearing dresses from DDLG shops on tour. This has nothing to do with my opinions of Melanie, I just thought it was weird! Side note, Melanie isn't responsible for Elita's career choices. Her boyfriend and bandmate Timothy is the one who got her into music. The band formed because Elita and Tim were trying to write a film treatment, it wasn't going anywhere, and that somehow led to them writing "I Hate Everyone But You" instead. (source: their old Spotify bio)

SUCKER deserves better than to be linked to this half-assed effort, even in a passing LanaBoards post