bored

Taylor Swift - Lover Taylor Swift - Only The Young EP

Where are you in the UK??

Miley Cyrus - Endless Summer Tour 01. Handstand 02. Plastic Hearts 03. Nothing Breaks Like A Heart 04. 4x4 05. Wildcard 06. Angels Like You 07. River 08. Midnight Sky 09. Violet Chemistry 10. Prisoner 11. Jaded 12. Rose Colored Lenses 13. D.R.E.A.M. 14. Party Up The Street 15. Rooting For My Baby 16. You 17. Wonder Woman 18. The Climb 19. Wrecking Ball 20. Slide Away 21. Flowers Encore: 22. We Can't Stop 23. Party In The USA

Miley Cyrus - Endless Summer Vacation

Taylor Swift - woodvale

I think she came close to having an iconic album/era with Bangerz but then the promotion ground to a halt, she dropped the Adore You video and did the tour but after Wrecking Ball it kinda lost the GP... Same with Plastic Hearts, obviously she wasn't lighting up the charts but the interest from the GP was there again and the acclaim was back! Just felt like once Prisoner came and went without much impact, everyone involved abandoned ship?

Interested to see how the singles pan out this era, especially with her past record... But Flowers is the first single from AM and River from PM both being the first track from their respective act. Mike WiLL Made-It seems to be under the impression that Violet Chemistry will be a single so perhaps that and Jaded as final singles? Both bring the second tracks from each act. But honestly who knows, I'd love to see a proper singles run! Fingers crossed Columbia push for it. She could have an incredible mainstream singles collection from her past few records alone, never mind with the Disney era's too! Just an example of what could have been post-Disney:

Bebe Rexha - Expectations Bebe Rexha - All Your Fault

I still think we're gonna get: • coke necklace • keychain • pink tee • sleep mask / hair bows • explicit vinyl (as part of a box set)

This is how it should be:

Is there a UK link for the picture disc?

It needed Nightmare! The best single from that era... Honestly every song slapped.

Not huge changes but this is how I've been listening to the last few Rihanna albums: Talk That Talk Unapologetic ANTi

Selena Gomez - Rare

A potential compilation album by Lady Gaga: Working title is "RADIO GAGA" A deluxe 2CD complete singles collection and condensed 1CD hits collection:

Yeah I'm just a big fan of it, like it would fit and I guess I'd put between Slide Away and Cold Blooded...

I think it's unfair to blame to RCA for Miley's success (or lack of) the past decade. They were the ones that pushed the Bangerz era which gave Miley her biggest hit ever (thus far). Of course the music video and her personal life at the time helped make Bangerz so huge but the label did everything they had to do? I know Adore You didn't get the promo it deserved but it was following 23 which had been a moderate hit for her and also this was the beginning of the streaming age; I'm pretty sure they rush released it cos it was doing well digitally. And if I remember correctly 4x4 was gonna be pushed as a single in 2014 but everything kinda ground to a halt when Floyd passed away. Which isn't there fault or Miley's but I imagine it was Miley who just wanted to wrap up the tour and have a break. Then we have the follow up... What do you follow up one of the biggest selling albums of the year, which was #1 around the world, with 2 global #1 singles and a world tour? Miley Cyrus And Her Dead Petz - a 23 track album (which was pretty eclectic) with no mainstream single choices! Plus Miley wanted to put it out for free on SoundCloud... As a record label that's not what you'd want to fund or promote. I think they tried to give BB Talk the single treatment but at this point I think she'd lost the GP and alienated a lot of her fan base (even more so then the transition between Disney and Bangerz). I'd just like to point out that I am a fan of Dead Petz and I respect what Miley was doing as a creative and an artist and how she was the reason we are able to get mixtapes etc from mainstream pop artists now in the present day (in my opinion). Then begins the course correction in 2017, an overhaul of image and sound. I feel it was definitely Miley's idea to steer into the country-pop lane and maintain a more conservative image and I can see why the label were happy to support it considering the previous era(s). We all know RCA asked Miley to make Malibu more pop and as a "comeback" single it got Miley her first top in a few years and seemed like a good move! Obviously Younger Now the album and single didn't do as well, leaving the record label no incentive to fund more singles or a tour (which Miley said she was planning but later said wouldn't be doing due to wanting to spend time at home). But the promo was still there, Miley did a lot of late night show appearances, radio tour for Malibu, festival slots etc. Nothing Breaks Like A Heart is another example of the course correction taking place. Mark Ronson had had a lot of success with Lady Gaga and her country pop record, Joanne. It was again a way of transitioning Miley's sound subtly, maintaining the twang of the past era whilst introducing more prominent production elements. The song was a relative success and I assume at this point SHE IS MILEY CYRUS was being recorded. Now... SHE IS MILEY CYRUS. An interesting era, Miley announces that she's reuniting with her hip-hop collaborator Mike WiLL Made-It. She describes the record as a representation of all ger previous sounds as well as new ones. I'm guessing unsure of which tracks will be a success the label suggested the 3 EP rollout. The first being SHE IS COMING. Lead single, Mother's Daughter was sent to radio, we got the music video and Miley began her festival tour. She also had the benefit of being in Black Mirror and gaining promotion via her acting and singing in that series. Unfortunately Mother's Daughter didn't really do much on the charts and the fate of the other EP's was unknown. Then we have the Malibu fires and Miley losing her home, there's also things going on in her relationship with Liam at this time. She drops Slide Away as a surprise if I remember correctly? A music video did folk and we got the VMA performance. RCA did fuck up here by not sending the single to radio and therefore it came and went. Now fans spend a year in limbo waiting on a forthcoming album with no real singles or details confirmed. Here we are in 2020, lockdown for most of us. The teasers begin for Midnight Sky. This becomes her most successful release since Malibu and finally felt like the start of an album campaign. Miley did a lot of promo for the song and all in all it did the job, it was big on radio, she did a lot of performances alongside covers. It felt like this era was the one? Plastic Hearts is announced and everything seems to be going well, the critics are praising her covers, she's performing at the VMAs etc. Next up is Prisoner! On paper, a smash. Following the radio success of Midnight Sky, with one of the biggest pop stars at that time, I can see why RCA thought it would be huge. As we know, whilst it got Miley a second top 10 single from the album in the UK, it didn't do a lot anywhere else. And obviously, we all know once again that RCA fucked up with the physical copies in the US, being released on Black Friday. Meaning Miley ultimately lost out on going #1 in the US. But in terms of getting her back on top, it really did feel like the label were going in the right direction! I do agree more singles from each era could've been pushed but sometimes I think Miley was too keen to move on from that sound etc. And so we'd get half of album campaign, she has been vocal about disowning her previous records a lot!

Charli XCX - Number 1 Angel as an official album release.

My version of SHE IS COMING:

Yeah... But it's all hypothetical hence the extra singles that never were. I love Dead Petz but it really did derail her mainstream career as a pop star. Luckily she seems to have reclaimed it over the last few years!

A potential post-Disney greatest hits album for Miley Cyrus. Complete with full single campaigns for each era.

I think this tracklist makes a real cohesive album that captures the spirit of the 70's as well as modern times both politically and sonically. With that hazy summer / free spirit vibe that flows throughout. 01. Love 02. Lust For Life (ft. The Weeknd) 03. Cherry 04. Groupie Love (ft. A$AP Rocky) 05. Coachella - Woodstock In My Mind 06. God Bless America - And All The Beautiful Women In It 07. Tomorrow Never Came (ft. Sean Ono Lennon) 08. Yosemite 09. When The World Was At War We Kept Dancing 10. Heroin 11. Change 12. Beautiful People, Beautiful Problems (ft. Stevie Nicks) 13. Get Free