Thunder Revenant

I really wonder how reliable the Portishead-comparance is. Music journalists tend to overuse comparances to well known artists like Portishead or Björk to a point where they mean nothing at all anymore. IF it's actually true, then I'm soooooo excited about this. OG-triphop is my favourite genre, and hearing her pull something like that would be a dream.

It's always so funny how music appeals to different people so differently. For me, Ultraviolence and Heroin are both summer songs. Like - really hot-as-hell-summer-songs. Yet both Love and CoCC feel extremely winter-y. And I too feel like that vibe could carry over to the whole CoCC album, at least judging by LMLYLAW and how the songs were described.

People say that ever since the interview came out

The interviewer described it as Portishead-ish, so I doubt that.

Stans always wanting beef and not having reading comprehension at all is a lethal combination. The text: She talked about being on a party hosted by U2 & Madonna's manager. She met whomever at that party, someone she consideres an icon, and was displeased by the experience and the whole vibe of the party. Everything the average Lanaboard-member sees: Madonna

People here actually have the audacity to declare CoCC as her best title track so far ... but imagine if TJF would have been the title track. Now THAT would have been iconique.

I mean, there are much smaller artists whose merchandise is not the quality of a dollar-store-product and actually has some artistic vision behind it. I still own one of the Blue Jeans-Shirts from the Paradise-Merch. The quality is sooooooo extremely bad, it falls apart as soon as you're looking at it. And the print is not even executed in a decent way, there are white spots on it

I mean, her merch was always cheap-quality and overpriced

I mean - you'd need a pretty big hole to NOT get her on-the-nose metaphors, especially since she can't come up with anything else since 2014

Can't wait for the meltdowns @ the album release when y'all hate on every single song you hyped up since last month and praise her past albums you are smearing in this thread on a daily basis right now XX

LMLYLAW is not an acoustic song. Not with that bridge. Not with thy synths and the organ. It's folk pop or whatever but it's not acoustic

Sorry but nah. It's not acoustic, even though it could easily be. Not with the electric guitar, an organ and programmed instrumentation

I'd order the magazine if I would not be forced to buy an annoying Steve Marriott CD with it

Haha nah. I was just referring to how it seems to be about the dark/weird side of fame in the music industry

Feel like it's more like FMWUTTT-esque, just less angry

That new pic from the Neil Krug photoshoot with the piano .... God, why did they not use it for the official booklet?

I doubt it will be that specific. More like generally about the music business and how fame changes you over time, that would fit with the For Free cover quite well

Manifesting The Other Woman/ You Must Love Me vibes

The audacity to quote my post and deleting my name from it

Keep in mind that the fact she recorded an album does not mean she will release it. Think about the side-project she had with TLSP which - apart form California - never saw the light of day

Ok, so In "Dance Til We Die" she sings "I've been covering Joni and dancing with Joan" "Not All Who Wanders Are Lost" has a high thrill and reminds Lana of "Cinderella in the movie, where she's holding the blue bird" "Wild At Heart" has a similar theme about being untameable as the title track has "Breaking Up Slowly" is about the relationship of Tammy Wynette and George Jones and the "Breaking up slowly is a hard thing to do"-line was made up during a conversation Nikki and Lana had in a hotel room. Nikki and Lana wrote 4 more songs together She talks about a cover album full of country songs (she namedrops Bobby Gentry, Hank Williams, Patsy Cline and Wynette, although it's not said whether she actually covered them) and one with folk songs "Dark But Just A Game" is sonically compared to Portishead and Ricky Nelson's"Garden Party". Lyrically, it is supposed to be similar to Allen Ginsberg's poem "Howl". Apart from that, it seems to be inspired by an disillusioning incident at a party she attended with Jack, hosted by Madonna and U2's manager Guy Oseray, where she contemplated about how it's best not to meet your idols and how musicians change in strange ways. The title originates from a conversation between her and Jack. Jack also describes this song as "so LDR", being about "fly down the rabbit hole and smile in the same breath" On "White Dress" she sings in a rapt, innocent whisper The song is about being 19, working as a waitress, listening to the White Stripes and Kings Of Leon. Lana describes it as being close to unedited journaling, not being "too afraid about being kind of stupid". She also says that she's not sounding great during the chorus - it's described as sounding awestruck, trembling, "the voice of someone on the bring of something" and very fitting to the thematic of the song We also get some lyrics: "Look how I do this, look how I've got this" Also, there is a reference to "grass always being greener", which is something Eclipse has referred to within his hints

Ok, so In "Dance Til We Die" she sings "I've been covering Joni and dancing with Joan" "Not All Who Wanders Are Lost" has a high thrill and reminds Lana of "Cinderella in the movie, where she's holding the blue bird" "Wild At Heart" has a similar theme about being untameable as the title track has "Breaking Up Slowly" is about the relationship of Tammy Wynette and George Jones and the "Breaking up slowly is a hard thing to do"-line was made up during a conversation Nikki and Lana had in a hotel room. Nikki and Lana wrote 4 more songs together She talks about a cover album full of country songs (she namedrops Bobby Gentry, Hank Williams, Patsy Cline and Wynette, although it's not said whether she actually covered them) and one with folk songs "Dark But Just A Game" is sonically compared to Portishead and Ricky Nelson's"Garden Party". Lyrically, it is supposed to be similar to Allen Ginsberg's poem "Howl". Apart from that, it seems to be inspired by an disillusioning incident at a party she attended with Jack, hosted by Madonna and U2's manager Guy Oseray, where she contemplated about how it's best not to meet your idols and how musicians change in strange ways. The title originates from a conversation between her and Jack. Jack also describes this song as "so LDR", being about "fly down the rabbit hole and smile in the same breath" On "White Dress" she sings in a rapt, innocent whisper The song is about being 19, working as a waitress, listening to the White Stripes and Kings Of Leon. Lana describes it as being close to unedited journaling, not being "too afraid about being kind of stupid". She also says that she's not sounding great during the chorus - it's described as sounding awestruck, trembling, "the voice of someone on the bring of something" and very fitting to the thematic of the song We also get some lyrics: "Look how I do this, look how I've got this" Also, there is a reference to the "grass always being greener", which is something Eclipse has referred to within his hints

YAS! So excited Getting ready for battle

Is that a BUS lyric?

... hungry for attention