Thunder Revenant

I. Love. This. Post.

Sorry but this new system version is extremely ... bad. The status updates are a mess, the overall layout is less clear, the functionality feels more clunky... nah

Lol she can't be serious. There is no way she is not doing this on purpose

Ok but why would you expect an insightful posts with depth on this issue? It's not like she's a politicion or tends to be involved with israelian/ palestine culture a lot. Her post was tasteful and I don't think pop singers should be your go-to source for politic discussion

I really don't like the fact that she put HN on this instead of Martyr. I never really got HN's popularity. Yeah, it's artistic and everything but in the end it's 6mins of autotune brabbling. It fit in on The Calling but it feels off to have it on Shabrang now. Martyr is such a beautifully produced & sung track. It's the sister song to Darkest Hour and really has the same vibe as the other Shabrang tracks. Now it's a left out orphan-track. My only hope is that this is a similar situation to "Time", where she leaves the track off the album cause she wanted to add a very similar one or a rework like with Underneath/Shahmaran.

I really hope we will get ANYTHING album-related this weak although I know I'm probs setting myself up for disappointment

I hop that "everything I wanted" and "my future" end up on a new album. Really dig that sound.

Bartender and Religion both feel pretty connected to this album considering the overall vibe

i don't think the poems would impress me when reading them, but her reciting them over the instrumentals is really exciting. "Never To Heaven" and "Past The Bushes Cypress Thriving" are a bit lame but the rest is charming. "Sportcruiser" is a really nice story, "LA who am I to Love You" is EXTREMELY powerful and I hope we will get a song with a production like "My Bedroom Is A Sacred Place Now". "The Land of 1,000 Fires", "Quiet Waiter - Blue Forever", "What Happened Whrn I Left You" and "Violet Bent Backwards Over The Grass" are extremely on point - mainly sonically. "Salamander", "Happy" and "Tessa DiPietro" appear bland at first but then turn out pretty meaningful and smart. "Bare Feet On Linolium" is really leaving you devastated. The production, the way she reads it ... It's super expressive. I hope COCC will have some of that impact. I'm not too happy about the way she left out words tho

If anything she should get shit for letting her nose hang out of her mask and not for her body or weight

Human Nature instead of Martyr... ew. I hope it's a new version. And I hope Kalim was renamed, it sounded so goos I hope there will be other sites that include this bonus track

And that's where the problem's at: The only place to buy it in my country is if I'd get it through the apple store. It's not on Audible or anything

The CD is 18€ which isn't quite cheap

It's not on audible in many countries. Including mine

That's the way things work. They will not change anything for any other reasons but profit. I mean - what's the point of even releasing it early as an audiobook if it's not aviable properly and the physical version only ships in october? If you don't own an apple-product, there is no proper way to listen to it rn.

As long as there is no way to properly buy it outside of the apple/ibook store and the overpriced CD/vinyl/cAsSetTe which ship in october, I'm going to pass. I hope they make a huge loss on this so they decide to handle it better next time I was really intrigued to listen to it, but the way they completely fucked up the rollout ruined it for me

Her not putting the thing up digitally makes 0 sense and is super frustrating. I'm not going to buy an expensive CD or a fucking vinyl/cassette for a spoken-word album or "audiobook". This is such a wannabe hipster bs.

So ... it's not going to be on Amazon, Spotify etc. as a digital audiobook? Bummer

I doubt she'd record something with Zella after her comments on the whole instamess stuff.

Looking at her current lifestyle as a jaded rich white gurl, I think it would be a bit cringy if she would try to be sarcastic about those things.

Hollywood and Oh No! really blew up on the german radio back in the day. After that, I saw her performance during the New Pop Festival in Baden Baden on TV and I really fell in love with her. Especially The Outsider, Mowgli's Road and the Starstruck cover clicked with me. After that I bought her album and really enjoyed it. And of course, the whole Electra Heart concept-album really fascinated teenage-me.

It's nothing, it's just pretty words she put together and the stans take it hyperserious. She probably alluded to songs like Kill Kill, Hawaiian Tropic, Wayamaya, Jump, Raise Me Up etc.

There are a lot of opinions you can have about Sky and her selfabsorbed lazyness but creating angry "Don't fuck with us Sky Ferreira fans" pfps is just embarassing

Criticising that she & her friends takes 0 responsibility during a pandemic is dorky? Ok. Have fun yassing

All of her songs boil down to a child-metaphor paired with a tryhard-dark vulgarity, and some highjacked American McGee's Alice visuals. It was okay for the first album but then she kind of missed the point where she should have moved on instead of forcing mediocre music videos for every track on the albumAnd the "movie" was anticlimatic, full of way-too-literal-metaphors and bad acting. The only thing it showcased was a budget, not any kind of actual talent. So nah, thx. Thr Weeknd is overrated and one of the most annoying artists you can find on the radio. After the basic bores that were L4L and Prisoner I hope she ditched him like all the other artists she ever worked with.