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DeadAgainst

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Posts posted by DeadAgainst

  13. Posted

    Love also shows a maturer perspective from Cruel World, where she as the bodhisattva Dakini no longer laments how far they are from Her but instead optimistically looks towards the ascent of humanity in the future, towards the Black Star that is the dark center of one's being
     
    As I mentioned in another thread...

    And the H of the Hollywood sign obviously refers to the Heh in the Kabbalistic Tree of Life (the Holy Wood) as the letter of the Shekinah in the Tetragrammaton YHWH, this being the Mother who overlooks the world in the supernal triad while also descending into Malkuth in a progressively denser clothing of light [on Tuesdays]
     
     
    02KhelC.png
     
    LUST (FOR LIFE) = Babalon the Mother as Binah, who is also, of course, associated with the Hebrew letter H, Heh:
     
    Lana of course had SOLVE ET COAGULA on her Instagram...depicting herself as the Queen of Alchemy and Magician hermetically creating the album Lust for Life in her Cup (depicted as the Cup of Babalon on the Thoth Tarot card of Lust)
     
    p1x7ABE.jpg
     
    SucDiJB.jpg
     
     
     
    Just sayin'
     
    Peg Entwhistle is another glyph of the ancient Gnostic Fallen Goddess Scenario wherein the Mother descends into the world or "falls"... contemporary synchromysticism is a new movement that shows the eternal verities behind temporal phenomena as echoes of the original creation.
     
    Starboy is another iteration of the Starman as Major Tom who hears the Calls from Sophia as the Gnostic-Kabbalistic feminine goddess who tells him to return to her, like the eternal play of Shiva and Shakti, or Adam and Eve... as said.
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  16. Posted

    Hmm I kind of like this song now

     

    And the H of the Hollywood sign obviously refers to the Heh in the Kabbalistic Tree of Life (the Holy Wood) as the letter of the Shekinah in the Tetragrammaton YHWH, this being the Mother who overlooks the world in the supernal triad while also descending into Malkuth in a progressively denser clothing of light

     

    :smokes3: 

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  17. Posted

    CL: I read that you spend a lot of time mastering and mixing. Is that true on this new record?

     
    LDR: Oh my God, yeah, it’s killing me. It’s because I spend so much time with the engineers working on the reverb. Because I actually don’t love a glossy production. If I want a bit of that retro feel, like that spring reverb or that Elvis slap, sometimes if you send it to an outside mixer they might try and dry things up a bit and push them really hard on top of the mix so it sounds really pop. And Born to Die did have a slickness to it, but, in general, I have an aversion to things that sound glossy all over – you have to pick and choose. And some people say, ‘It’s not radio-ready if it isn’t super-shiny from top to bottom.’ 
     
    :facepalm:  :toofunny:
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