Metaphysic

I had so much fun diggin information, too bad I lost the login for this account. Soon I'll try to do another one for S4.

If this set is saying something about the new album... we're not ready. Owen Jackson is truly talented. I hope she tours with all the remixes.

This whole italianesky era it's kinda making me think she will redo Swimming Pool and No Vacancy... Do you guys have any unreleseaded/demos ideas to be in this new roll out? I've been stalking her enough to enjoy the music that she's listening... this two are my fav. Thanks Slayyyter. Mina - Ancora ancora ancora (1978) (youtube.com) Love In Portofino (youtube.com)

SLAYYYTER: I’m loving this tattoo. I feel like my next album has a lot of Catholic imagery. I was raised super Catholic so I don’t know, who better than Jesus? Tattoo King Mark Mahoney Tells Slayyyter All His Hollywood Secrets (interviewmagazine.com)

https://youtu.be/EhiRBXDjVIo?si=iXI0mG2SIr0W-iN_

The funny thing is that something happened and I cannot access those places that has leaked songs anymore. Thank god. Ok, I tried one time to get the remastered version of Sunshine, the instrumental one. Since 2023 I'm out. But, I'll try to do a post like I did my Nancy Drew-esk for beggining of Starfucker era with screenshots of stories on instagram and tweets matching the dates and so.

I'm actually happy. It could mean that our girl can have another opportunities.

OMG THE FADER CONTRACT ENDED. (Actually I'll end in a few months) I don't know if it's good or bad... Help

https://youtu.be/BqZGse9ft0k?si=3iGSkPv_9xg-vPUj&t=4996 Devault x Slayyyter x Tommy Genesis I tick tick tick and I get eh eh Give it up get down I got money on me You ain't shit eh eh, don't exist eh eh

Girl Like Me feels like Starfucker 2 era, but let's see what she cooking in those pink pods...

This post is edited from the original post. I'm going to present a few points here and I'd like you to comment just to help me understand what Slayyyter wants for herself. About comparisons. I can't imagine an era in which there were major pop singer brands that weren't either compared or rivaled. Britney and Christina. Madonna and Cher. Madonna and Lady Gaga. Lady Gaga and Katy Perry. Katy Perry and Taylor Swift. Even Sharpay Evans and Gabriela from HSM. I'm not saying it's right to do it, but on the pop scene, it's always happened. What I can imagine Slayyyter feels is that she doesn't want to be compared to Kim Petras and Ava Max, because Slayyyter must believe that her pop is better. Which I also agree with for some things. The content that Slayyyter has is much more interesting than what even big pop singers do? Absolutely. But if she doesn't want the general public's opinion to be in comparison, then do something that the other girls can't catch up with. Slayyyter didn't even took a risk with writting. Her songs with raps about sex and stuff is cute campy but is not smart or deep level on writing... the pen is not penning like some demo songs (Dangerous and Swimming Pool got the best bars and en-tundras FOR ME). I don't want her to feel dumb about my analysis, but I see that she's capable of much more. Alternative singers (Fiona Apple, Polacheck, Sky Ferreira, etc) who haven't had a taste of fame like Doja Cat or Billie Eillish, don't care if their fans' validation follows the academy. By that I mean critical approval. Starfucker didn't even tickle the music media. Apart from the fans and those who love pop, who has talked about the album? Fantano doing reels on youtube? A tweet from Pop Crave? And that brings me to my next point... I don't feel that Slayyyter is taking her career seriously just for the schedule. What's the point of an artist performing a song for months on a tour that opened with Tove Lo and only releasing it after a year? She performed Erotic Eletronic at a party with Aquaria. She performed I Love Hollywood. She performed My Body. And no album out. No announce to make. But why? She has the right to do what she wants, but it certainly affected her performance because of the time these songs weren't on digital platforms, which also implies piracy (not her fault, but a consequence). It feels like she had no plan at all. Then there's Out Of Time as the lead single. A song like a promo with just a few videos on youtube, twitter and instagram. 5 months after its release, a performance on Vevo. I understand the issue of spending money on visuals, but she had an amateur video. Then Miss Belladonna, another single with no video clip with bad promo on social media. Erotic Eletronic. And not to mention that in May she performed James Dean at the Boiler Room in New York. But it wasn't until November that we had the track. Seriously, people, let me know if I'm the only one bothered by this and I'll stop. Now, I don't want to put all this on her back. Because she has a team with a lot of people working on it, but she's apparently not doing it in an organized way. I remember halfway through Club Paradise, the costumes weren't the same, she lost her suitcase in Europe, she was already using another set list for the show, she changed the remixes. It's the same with Club Valentine, one hour there's a Gimme More remix, the next there's not. Out of nowhere No Comma, the demo of Love To Make. And then out of nowhere No Comma and her hair flapping like a rebel on stage. I can see that she can have a lot of fun, but she doesn't seem to be taking things seriously. I hope that one day she'll be able to perform with a live band and just let her mouth do the talking. I'm more of a metalhead. Bands like Deftones, Babymetal, I Prevail and even Poppy are my favorites. So I'm getting used to a roll out of circular eras of artists with a loyal fan base. Since 2019 I've been hooked on Slayyyter because she has a genius mind. I'll be supporting all day till the day I die. Forever Slayyyter.

Now in Charli's Boiler room she teased a song called Spring Breakers... See how every time Slayyyter tries something, there's always girls ahead of her. Like...

ARTISTS — FADER Label No shade but I wonder who this team wants to invest in because I don't see any of these artists in a commercial spot.

I remember her commenting a few months ago about the next album sounding more like a soundtrack from a tropical movie. Love To Make was clearly in that vein, I have no idea why she identified more with the sound of No Comma. Love To Make was a classic at the time it was recorded.

miss new tits no X: "@AyeshaOnline69 just dm'd u :ooo" / X (twitter.com)

Spill sis, we need to know everything. I can't believe I missed it... And thinking about it, Sunshine and Dangerous kinda fit the current era...

Love to Make... Wow... I can see that song followed by Swimming Pool. Now I feel I could die any minute listening to a snippet and not having access to the whole song. Thanks, Slayyyter.

But that's the big leap. I imagine that the label doesn't always want to put Slayyyter's plans ahead of other artists on the same label, but from what I can see of Fader's catalog, our girl is the one with the best chance of breaking through the bubble and into the mainstream. They seem insecure in some elements, such as the method of promotion. Nowadays, participating in podcasts and youtube channels that talk about pop music is a good way to start. But I don't want to think yet that there's a gatekeeper above Slayyyter, we'll see.

Last night, Slayyyter decided to open a live stream on tiktok to talk to some followers (I'm not going to say fans) while she sorted things out with NicoPop and during the time she decided to read some comments, some fans of other pop singers were giving Slayyyter a hard time and begging for a partnership that nobody cares about and that doesn't even make sense anymore on the level that they are artists who have different visions. She ended up asking them to stop begging for collaborations and some fan club portals and fans of other pop singers began to assume that Slayyyter was getting rid of other singers like Kim Petras. And it's for this reason that Slayyyter has to deprive herself of being accessible to anyone on the internet, not just because of the status of a new artist on the scene, but because gays will do anything to pit women against each other, regardless of the reason. Of course, she already knew that this could happen because she's been fed up with the Ayesha story since 2020, but damn it, leave the girl alone. So what if she and other artists stopped following each other on social media?

I would love to. I love Nu Metal. Also, there's a lot of AI cover of Slayyyter in youtube, this one is something... Slayyyter - Buy My Love (AI Cover Diana Gordon Wynter) (youtube.com)

Honestly, I think that in the future, we deserve to win the initial era that Troubled Paradise promised. Sunshine, Talk To Me/Cream... An almost NuMetal era mixed with electronic. In 2026 we want Slayyyter with Creed-LinkinParky vibes.

hmmmmmmmmmmmmmm

I'm at a bit of a loss as to why the record company doesn't give Slayyyter the support it deserves. Why then do artists sign with labels that won't give them artistic freedom, especially artists who are obviously going to return a big investment?

I hope that the new album for 2024 will be a remastered version of the mixtape, not only because she's bothered by the mixing and the vocals at the time, but also because today she has a more mature vision of how to make an album. And if she's going to enter a new era too, I don't think it would be a bad thing for 2024 to be a start, if only to put some singles in the spotlight. I say that because Slayyyter isn't yet an artist that the public is willing to wait for like Rihanna or Beyoncé. She has to keep the momentum going, because then she has a better chance of continuing to appear on various music scenes. My wish for 2024 is that some DJ or mainstream artist manages to notice her in some way, a good example of which would be Lil Nas X.

Not a single lie. But I can't deny that if Owen had a hand in the production of Troubled Paradise, Starfucker wouldn't be Slayyyter's best album.