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theworldspins

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  12. Posted

    19 minutes ago, DealerBitch said:

    My cousin works at Interscope and gave me the following insider tea about LDR9:

     

    - Album title (as of now) is “Death Never Comes”. “Burden of Fame” is an alternate title that the execs are really liking right now.

     

    - The album is described as “unfiltered and unflattering”. Very experimental and dramatic while being piano-based. Being compared to Fiona Apple’s The Idler Wheel.

     

    - She will incorporate spoken word poems from “Behind the Iron Gates - Insights from an Institution” into the album as interludes. She intended on giving it the VBBOTG treatment but changed her mind last minute.

     

    - Album opener is titled “Change Everything”. Album closer is a poem from BTIG “My Father Told Me If I Went Slowly, I’d Be Safe - But He Was Wrong” delivered as beat poetry.

     

    - Track 7 is called “Leather Leotard” and is definitely the Dealer of the album. A jazzy, screamer that sounds pretty much improvised, think Rhianna’s Higher.

     

    -  She will shadow drop two singles Sep 2. “Brokeback Bareback” and “Prosecco and Peaches”. The second was recorded very recently and sounds like Black Bathing Suit mixed with Cruel World. 

     

    - unreleased tracks being considered: Pawn Shop Blues, Noir, Serene Queen,  and Valley of the Dolls.

     

    - One of the tracks includes snippets of voice memos she’s been recording of herself sleep-talking. Being played throughout the song in a similar fashion to Adele’s My Little Love.

     

    - She caught some flack for ad-libbing “Fuck Marina” in one of the tracks. Expect chaotic energy coming from every song.

    All of this actually sounds very believable

    7

  13. Posted

    Maybe I'm just delusional but has anyone else been noticing a shift with her these past few months? The V shoot/interview, instagram posts, sightings...there's a fascinating new energy brewing within her. I can't wait to see what form it takes and I don't care anymore if it we have to wait until next year to hear it

    31

  22. Posted

    14 minutes ago, godsmonster said:

    i need Lana with proper vocal production back. Her vocal production became a bit sloppy (lack of a better term) imo, starting all the way back with L4L (it was too bad but that’s the origin). It just lost that magic touch it used to have.

    I agree, around that time I would notice issues that I couldn't believe weren't fixed during production. Even on an outstanding album like NFR her vocals are too low in the mix in a few songs. BB is the worst offender imo, with the production sounding cheap in some songs and the mixing outright ruining a few songs for me. Arcadia is a beautiful song but they never really fixed the pitching issues. In her earlier albums I never noticed any production issues. I'm relatively new to LB so idk if there's been any explanation for the change in production quality?

    7
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