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HEARTCORE

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Posts posted by HEARTCORE


  1. Taylor's and Lana's musical styles are way too different from each other for Lana to be singing about her. Didn't Lana say in the interview that she was pissed that the other artist claimed Lana's style was trash, but then copied it herself? Each of their music is on the opposite side of the spectrum. Just because Taylor had a monologue at the start of a video doesn't justify her as copying Lana; plenty of singers before Lana have done it and plenty after Lana do it also. It wouldn't make any sense for Lana to single out this one copy-but-not-really-copy for scrutiny.


  2.  

    I am so happy for you but also so freakin' jealous!!!!!!!!!!!!!! :crying: :crying4: :illumarina: I can't believe she called you back to her dressing room!!!!! You're so lucky, I'm so amazed that she let you sing AND took photos on your phone!! aaaaaahhhhhhhhhhhhhh

     

    and good job asking about part 2 lol :sky:


  3. this song is filled with such raw emotion, it's almost ~unlistenable~. the bridge, especially the 'one gun on the table/head shot if you're able' makes me feel so sad. this is the fantastic lyricism of lana that i fell in love with when i first became a fan. i just wish flipside and ith were available on a cd somewhere together.


  4. As much as I hope that she doesn't do any old songs at all, it's most likely that she'll do a few tracks from BtD. I'm expecting Summertime Sadness and Video Games/Born to Die to be performed, but I'd prefer Young and Beautiful.

     

    From UV, I think it'll be West Coast, Ultraviolence and a stripped version of Money Power Glory. Maybe Old Money too, if we're lucky.


  5. I wanna see people's interpretations!

     

    The verses are about te death of a relationshi, how giving her 100% was a waste because it ended. She's long gone and she's left alone to put herself back together.

     

    The chorus is about her putting on a strong face and partying like it doesn't matter, but even though she claims she's "te best", everyone knows she's "a mess" and she's crazy--she's not filling anyone.

    I kinda agree with you! However, I think the verses are Lana lamenting the loss of their relationship, but the chorus is Lana just saying 'honestly, I'm fucking better without you'; she isn't putting up a façade. Despite this, the way she sings in that drugged up, wasted voice kinda suggests that she's turned to substance abuse to help herself out. The music supports this view, imo, as it gradually gets heavier and heavier as Lana gets high, but when the drugs wear off, the music becomes less extreme and Lana's sadness about the relationship's end is exposed.


  6. I haven't heard her covers of Wonderwall, Heartbreak Hotel, Knockin' on Heaven's Door, or Dance Me To the End of Love. So now I will search the outer spaces of the internet for these covers lol. Do any audio clips exist? Even live ones?

    Wonderwell and Knockin' on Heaven's Door are only live ones. Heartbreak Hotel is also a live cover, but nobody has it. I haven't hears about Dance Me to the End of Love before, though...


  7. After Paradise but prior to tropico. I hated Lana, couldn't stand Born to Die (song) or Video Games. I thought she was annoying, boring and far too melancholy. Then I saw the Paradise edition on Spotify and thought I should perhaps listen to some other tracks before writing her off completely. I liked her music, but it's only from February 2014 onwards that I REALLY started to feel passionate about Lana and her music.


  8. And to finish... it's tune less. It's amateur. What on earth was she thinking. It's like she pressed a career self destruct button.

    Drivel like Florida Kilos, Fucked My Way. Dear god alive. To think she abandoned a completed album along the lines of black beauty...

    Am I on my own?

    I don't think you are. I personally adore that album, but there's quite a few fans who feel let down and dislike UV.

     

    Personally, I believe your statements about UV are more applicable to BtD than UV. Lana is such a talented lyricist, yet I feel she abandoned this wonderful ability when writing for BtD. Don't get me wrong, there are some pretty good tracks on there (National Anthem, OTTR, Lolita, Blue Jeans), but I feel the album as a whole is a bit amateurish. I think she really stepped up here game for UV and I believe her fantastic lyricism shine through on the album, especially on tracks like Brooklyn Baby, Is This Happiness, Flipside and Old Money. :flutters:

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