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aGlassShipThatCanFly

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  5. Posted

    4 minutes ago, TropicoHeart said:

    Born to Die 

    Paradise

    Ultraviolence 

    Honeymoon

    Lust for Life

    Norman Fucking Rockwell

    Violet Bent Backwards Over the Grass 

    Chemtrails Over the Country Club

    Blue Banisters 

    Del Norte County

    Pacific Blue 

    Behind the Iron Gates - Insights from an Institution 

    Also Known As (Re-Release) 

     

    :krylie: imagine.

    Gorgeous :oprah:

    5

  10. Posted

    7 minutes ago, PatentLeatherDoOver said:

    So, do we think Lana will post something tomorrow or later today?:oopna:

     

    Even if nothing happens until Friday, I have a feeling an insider (or some equivalent) will say something tonight, but we’ll see:excited:

    I think something is coming tomorrow with an announcement sometime today hopefully. Or, announcement some random time this week with release next week. I can’t decide if I think we’re getting the single or an entire surprise album though :omfg2: 

    5

  13. Posted

    2 minutes ago, NikoGo said:

    Imagine a Thursday morning announcement with the album title, cover, description, and a release date of December 2nd. I can see it so clearly 

    You all are getting me way too hyped with these theories when in reality she will probably release a single on some random Sunday in January and disappear for 3 months :cryney2:

    5

  24. Posted

    3 hours ago, PatentLeatherDoOver said:

    2P2jPbJ.jpg

     


    Lana Del Rey’s latest studio record is a stunning reflection of all her many shades—the dark, the delicate, and undeniably enigmatic. 
     

    The self-titled record opens with the gorgeous Death Never Came: a powerful punctuation to the narrative paved by Born To Die and Lust For Life.
     

    “In the smog of the morning, I’d dig my own grave/Only to rise and then find/My death never came.” In the final chorus, her voice soars on the last word, bleeding into a small crying of strings and almost whimsical ambient. 
     

    The record is imbued with this somberness, but it doesn’t seem to weigh the singer-songwriter down. The opening track swims into the almost sinisterly sarcastic Orchids From A Friend, a track both sonically reminiscent of the work on Portishead’s Dummy and Del Rey’s own debut record as well. 
     

    She closes the record with “The Walls Whisper My Name,” leaving the listener with more questions than answers, shrouding herself in a larger-than-life sense of mystery that permeated her early works like Honeymoon. 

     

    Her 9th studio record is one of her best, so brace yourself: it’s a thrilling ride from start to finish. 

    I’m completely in love with this :oprah:

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