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Posts posted by GetFree
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24 minutes ago, nosorangegrape said:i pretty much never double click on interlude or violets for roses. should've never made the album. dealer, thunder, wfwf are flawed but still low tier. so sad she neutered thunder but at least we still have the superior version.
shut up rat
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47 minutes ago, Coney Island King said:Me watching this video from her private page that i’m not a member of, seeing her talk to fans and then seeing her follow them back and trying to be happy for them, but am bitter because i remain locked out of Honeymoon, forgotten and banished for all time….
She never came to
paint our banisters bluemake her account public again -
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Just now, Lindsay Lohan said:She posted a clip of Arcadia on her Instagram so mist likely that
1 minute ago, Surf Noir said:she's performing arcadia
1 minute ago, fl0r1dakil0s said:arcadia, she posted a short video of them practicing on instagram
The way we lost
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I can’t wait until I finally get used to the old leaked tracks (LL, NotG, and CB) being part of the new record and they seem unified in my head (the album as of now feels a bit disjointed, disconnected because of it, will take some time to adjust). Definitely will be in my top 3 Lana albums, maybe #1 OMG this album is so flawless
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4 minutes ago, PatentLeatherDoOver said:Bear with me, but I had a neat observation: after listening to BB, I think it’s interesting how frequently Lana ends a record by explicitly emphasizing femininity (often directly with the titles) and her interpretation of it.
This Is What Makes Us Girls closes her debut record with supercut-like imagery of the friendship dynamics with women in her early years. The standard version of Ultraviolence does something similar in closing with a cover of The Other Woman, offering a less unified approach to TIWMUG’s love-centric expression.
Lust For Life ends with Get Free, a track that defies the very love reliance she punctuated BTD and UV with, thereby adhering to this commitment for the women she felt were impacted by it: Amy Winehouse and Whitney Houston. In its entirety, it’s almost an ode to women and their liberation from toxicity.
In NFR, hope is a dangerous thing for a woman like me to have…BIHI—both in the title and its content—directly confronts her position as a woman that has been submerged in a world that often felt hopeless.
COCC (an album designed to clarify and embrace her femininity) completes her narrative with a cover alongside two women she reveres in their artistry, even allowing one of them to have the last note on the record.
Her recent release seems to continue this pattern with the heartwarming, irreverent ballad Sweet Carolina. The track is a reassurance to her sister, a promise of constancy as she emerges into the commitment motherhood.
Whether intentional or not, I really found this trend interesting. You could make similar arguments for Paradise and Honeymoon touching on this as well, but I felt the other records encompassed femininity a bit more directly. Let me know what you think!
This is an amazing observation!!!!!!!!!!!!!!!!!
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On 10/18/2021 at 11:08 PM, mansongirl said:What a boring song, leak the other MK songs please
SHUT UP
Just now, Mer said:Apple Music confirms “half-cut”. We lost.
Apple Music has shown the wrong lyrics MANY times before. What’s on Apple Music is NOT a confirmation.
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51 minutes ago, arcadialovesong2018 said:Guys thank you so much for my redemption era wow // @lustforlife could never
Truly, the snoring gramma set you free
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Unpopular opinion:
I’m so happy she went for the non-strings version of Beautiful, the sparkly piano was very silenced in the strings version and that would’ve been a shame because it’s so.. beautiful.mp3.
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1 minute ago, Thunder said:My favorite from this song is
SpoilerLet's keep it simple, babe
We can't afford to change it
Don't turn me into something I'm not
There's no way to sustain it -
5 minutes ago, That Venice Bitch said:I’ve heard Beautiful is piano on physics and strings on digital
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1 minute ago, ShadesOfFool said:Is black bathing suit good?
It’s a interesting grower, it does sound very disjointed the first listen
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I can’t believe how nice this album is.
I’m genuinely enjoying it so much, I didn’t felt this way with COCC, unconsciously trying hard to like it.
Nothing shook me as hard as the song Chemtrails in this album IMO, but it is consistently a strong album from beginning to end as unlike to the many low points of COCC.
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7 minutes ago, benririchardson said:Arcadia is the white dress of this album, unashamedly vulnerable
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12 minutes ago, Edelgard said:if I Talk To Jesus was on this record I'd die.
Especially if it wasn't ripped from YouTube and actually decent quality.
Sis she would’ve ripped from YouTube using youtube2mp3 at 32kbps
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33 minutes ago, living legend said:“mail me when you get the BluUUuuEeEESSs”
i laugh every single time.
Can someone explain what this line means IN THE CONTEXT of the lyrics around it
Ot: The way I never cared for IYLDWM and it’s becoming my favorite now
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3 minutes ago, Ultraviolencequeen said:Black Bathing Suit = Text Book + Venice Bitch outro + Chemtrails outro
Blue Banisters - Post-Release Discussion Thread + Poll
in Post-Release Threads
Posted
It’s funny the stark contrast between COCC and BB release in Lanaboards and I guess the fandom in general.
Almost everyone for the most part loves Blue Banisters, the concept, songs, themes.
COCC was different.. everyone was nitpicking at something different.
Lana really did THAT with Blue Banisters, a TOP 3 album in her discography. Exquisite