Thunder Revenant

God, this album release was such a moment.

The shift in sound & visuals, the rollout, ... 

Even after sll these years, definitely my favourite Lana record 

"My set is always at 9.30 - 10 pm. I play for 2 hours"

 Math really isn't her forte, huh 💀

Does this ITW actually mean ... anything?

Worst case she scraps it, best case she reworks it UV style, but I feel like it's just one of her usual chaotic statements

Just now, DeadSeaOfMercury said:

and her…

 

NO.

AHA! 

12 minutes ago, DeadSeaOfMercury said:

Especially the OG sound effects!

I mean - the squeaky sounds of opening doors, Lara's footsteps, the sound of the holster when drawing the pistols, the lever noise, the magnum pistols blazing with most unrealistic sound 

God, the remasters are such a gem. I ALWAYS envisioned playing "CGI style" versions of the classics when I was a kid playing them. They look so good and realky make it even more visible how great and trailblazing these games were for the videogame industry.

Glad they did not change anything but the visuals - especially the OG sounds feel so satisfying.

It's a really nice record, I love the overall vibe/sound.

TBQH I don't really recall any of the single tracks apart from the first 3 tho after my first listen.

4 minutes ago, themusicbizisGONEgoingcountry said:

She's performing a new song tomorrow night I can feel it

Yeah

5 minutes ago, Sportscruiser said:

I respectfully think we overstate/exacerbate LFL’s supposed lack of cohesion. It’s a two halves record in which the first relies heavily on trap/hip hop and the second half leans onto folk/americana - the thing is both halves possess sonic elements of one another. There’s a folk sensibility in the first half of the record and some very subtle infusions of trap/hip-hop in the songs of the second half (the beats in Heroin and WTWWAWWJKD are trap). It’s really not that disjointed and the storytelling makes a good progression that ties everything together. A record like Blue Banisters is way more all over the place and abrasive.

 

Also, how much can we fault artists for our decision to play albums on shuffle? lol

Blue Banisters has one of her most cohesive sonical landscapes with only Dealer & the Trio sticking out. People here are so focussed on talking bad about that record ...

2 hours ago, Sportscruiser said:

I don’t mean to rain on y’all’s parade but Lasso has been conceived for the past 5 years, fully during the NFR-COCC-BB days. If I had to bet I’d say the album is exactly what we thought it would be prior to this Quavo thing which honestly strikes me as a very recent change of direction. I don’t think Lasso will be trap infused beyond this song.

I expect Lasso to be a LFL tbh. Messy & all over the place 

19 hours ago, Terrence Loves Me said:

proof that chemtrails and blue banisters has ruined our standards

BB had a nice album shoot though - but yesh, Chemtrsils snd all the selfie-single-covers (YTH 💀) really lowered the bar

God i LOVE the look. Best she's worn in ages

Auerbach. Always.

- Mando Diao

- Warhaus/ Balthazar/ J. Bernardt

- Molly Lewis

- Arctic Monkeys/ Alex Turner

If he was still alive - Mark Lanegan

Tricky x Sevdaliza 

Would be a wonderful collab if it was something on equal terms - both being involved in production, both doing vocals. Coul likely work in a more pop-ish/ hip hop way, but I'd really crave to hear a trip hop/ electronica collab of them  

Massive Attack feat. Chelsea Wolfe

This would definitely be a the mother of world-building, dramatic, genre fusing, ambient chill tunes.

Warhaus feat. Jennifer Charles (Elysian Fields)

With two of the sexiestt-voices-alive, this would be such a HOT collab. 

Khruangbin x The Marías

Hispano-American power couple the indie café playlists crave for. 

Laufey produced by Dan Auerbach

I just KNOW this would be magic.

Love how people reply without reading OP 

Wher are her stylists? She looks like a Kirsten Wiig character

It feels like she's trying really hard fo be "complicated" on this record.

Violent Times is really cool and I likeBig Time Nothing a lot. Hell Is Near has the potential to grow on me and Power's Out is ok. Rest of the album feels very jarring for the sake of it.

I hope this will be 11 tracks only, no interludes, no hate preachers, no Nikki, no Weeknd. 

Chihiro snippet sound gooooorgeous

4 hours ago, SalvaWHORE said:

 

sis i promise you no one gives a f, she just sharing her life updates with us......... i mean (Henry) c'mon 

So tell me cool kid, if y'all are so unbothered, why do you seem so irritated about people not liking the post?

11 minutes ago, Surf Noir said:

 

 

it's not that deep

 

and i highly doubt the large majority of people are going to read her post and go seek out a medium for their health problems instead of an actual doctor

"It's not that deep" is such a fun way to invalidate opinions you don't agree with.

Noone said it's s big deal but it's still BS, especially eith her mesh-mask history

Really hope that her weekend 2 look is indicative of the lasso visuals 

On 4/17/2024 at 5:41 PM, UltraviolentJack said:

 

we do not care

also where is the definitive proof that they’re homophobic bigots? as a gay man i lowkey am too 

 yeah, go off edgy babe

17 hours ago, barttttender said:

 

born to die was more cohesive than honeymoon

 

honeymoon had jazz, trap, orchestras, acustic guitars. I dont think it was that cohesive at all. For me, her most cohesive albums to date are NFR and BTD. Production wise, melodically, lyrically. Total consistency throughout. 

then I'd say UV and Chemtrails.

 

then LFL, HM and OB, all of which kind of push for different things. But that's what makes them a unique listening expericce and a bit more sonically diverse. 

 

 

 

Coherence does not mean you can not use different influences/ instruments whatever. Considering the sonical landscape of that record, Honeymoon is probably the most cohesive album she ever did.