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AmericanPlaydate

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Everything posted by AmericanPlaydate

  1. AmericanPlaydate

    Song vs. Song

    Flipside is the Violence in Ultraviolence and everything else is just, Ultra.
  2. Also, you can alter release dates for albums if you wish, (hypothetically if all the album content/music had been completed during that time)
  3. If you feel the need, include dates, promo singles, and whatever. Just dedicated to any general alterations in the singles!
  4. There is an economy with jobs need to be done
  5. What Lana songs in your opinion sound similar? They can belong on the same album, or be from different albums! a-r-t-p-o-p
  6. For ARTPOP I wish she reverse-warholitated more art pieces instead of the Burth of PVenis
  7. YES! Thought I was the only one. MV.S/GMTM // LDR - The Erased BTD // TFJ - Debut UV // EH - Commercial peak LFL/HM // FROOT - Their 'experimentation' eras. Some consider them both boring, but they both really test themselves in these. NFR // L+F - Ones I don't like
  8. Songs like 'Immortal' and 'Savages' follow that 'Instagram/save the turtles' bullshit, but at least they're written really well. They still, at the end of the day, coincide with the 'Fruit/da cycle of da earth :P/All Natural/100% Organic' theme at least. Lyrics like "I wanna be a silk flower, like I'm never gonna die.", "We live, we die, We steal, we kill, we lie, Just like animals, But With Far Less Grace." tie the songs that distance from the core concept of the album (Nature/Earth/Luxury) back to it. They're poetic and cleverly written, but the foundation of the songs are never the less boring, Immortal being about a fear of death and feeling of insignificance, (the end of the 'life' cycle in FROOT), and Savages being about criticizing our society. FROOT feels quite literally like a cycle -- despite Immortal being this legendary song which concludes everything, the war to end all wars, the preparation for death, Happy reemerges, preparing listeners for the legendary 'FROOT', where the cycle of life is complete and restarts. You can interpret FROOT in honestly so many different ways and that's why it's my favorite of Marinas. Love + Fear lacks all of this. It feels like it doesn't have a core concept or idea and it has no damn idea what it wants to be lmao But at least we have Hanmad Hevun and Da Riots in Amurica
  9. *English Accent* Marina and Diamond is true intellectual. She is such feminist bad bitch. She literally killed Ellie Goulding. What a fucking Greek Goddess. FROOT is a visual statement on gay rights, it is confirmation Marina loves being in the presence of homosexuals. Marina and the Diamandis Feminist Empress Divine.
  10. Jokes aside, this is likely what's going to happen. With her only working with women, yada-yada. MARINA AND THE FEMINISTS STRONG #dieLifeinaction
  11. TFJ - Debut, the 'beginning' of her bitterness and depression, a comedic and whimsical take on her misery. Feels like the 'first attempt' at doing an 'Electra Heart' (social commentary with organized aesthetic/visual project), on songs like 'Oh No!', 'Hollywood', 'Girls', and more I don't have the energy to list. EH - The climax to everything, visual project, commentary on society, the 'seduction of commercial blah blah blah' bullshit done correctly. Visual project expressed thru 4 archetypes, the literal peak of her whole 'i'm so sad, tumblrrrrrrrrrRR' character. FROOT - The happy ending. The explosion of color, Lady Gaga's ARTPOP, Lana's LFL. Continues the 'intellectualism' shit from EH, but in a corrected way (Songs such as Immortal, Savages, Can't Pin Me Down, Solitaire.) Writes everything herself. FROOT's sound differs from EH, resulting in the depressed gays leaving, though some stay. FROOT in my eyes has always been the 'matured' TFJ L+F - What happens after the 'happy ending'. Tries to be the part two of EH with the 'psychology omg!' shit. The 'black and white' aesthetic is revamped for some reason. Doesn't know what it wants to be. We're so accustomed to 'TFJ' being the beginning, 'EH' being this climax, and then 'FROOT' being the happy ending it makes no sense in the story. She played the quirky angsty chick, the sophisticated depressed gal who just wants her pills, and then the sweet Greek goddess who lives a luxurious life, then she EH but at 90 yrs old, what next? Is she going to go hip-hop and do a Nicki-Nicki-Nicki?
  12. I don't mean to interrupt the conversation -- but what on Earth is Marina going to do for M5.
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