nosorangegrape

the x VB part

wild at heart's sample works better and AW's two songs in one concept was executed just right

really hoping we're getting glitch pop because

was the interview tough?

also the grants really sounds like it was going to transition into beautiful people, beautiful problems at many moments

she should've released grandfather instead cause the grants is lame and really kills the momentum she had with AW

the new song is not good............ and it rightfully feels like the incomplete intro song it is meant to be

Handstand is the best song on the record

Indie half > Taylor half

so...... is the line about fucking up big time about a past boyfriend answering her phone and responding to lana's mom and lana saying she doesnt care cause she has already lost her mind ..??

TUOB > A&W

2bh

*Taps watch at Spotify and gives disapproving glare*

when the world was at war sounds cheap and perfect for some advert for a drama you'd see on abc

dont blame the producers, blame lana <3

she needs to collab with zach hill

6 hours ago, honeybadger said:

 

 

 

yeah.......

 

tbh she can make anyone's voice sound good paired with hers, for me it's more about how they're mixed & if the production makes them sound good together, so i do have some faith in the male vocals on the album... thinking about for free though but that feels more like a composition issue and less like a mixing issue

LMAO at that guy's vocals

i'm ready for paris, texas cause that's actually a great film and very lana-like. the whole story seems like something from AKA

the new song is lackluster

probably but if not she likely had friends that did that kind of work and deeply empathized with it

On 12/11/2022 at 6:18 PM, Rorman Nockwell said:

I don't dislike the song by any means but I still don't think it marries sound and lyrics in a way that makes it amazing. This was my #1 complaint with COCC and BB: very few songs on those albums get that balance right, at least in my (probably unpopular) opinion. One exception is BBS

For me, TUOB is in similar vein to songs like Textbook, Arcadia and Wildfire. They just all give me the sense that they are poems with musical accompaniment, rather than songs. IMO a song marries the two qualities seamlessly and these songs (including TUOB) just don't.

And this opinion has nothing to do with the meaning of the song - I grasp that as well as the next person, I think, and the meaning is very impactful - it's more the composition that I don't like.

So you know, for me, it's just okay. It's interesting because of the lyrics but do I want to sit and listen to it on repeat? No.

I love the final third of the song but I think I understand what you mean because to me it sounds heroic, hopeful, a little bittersweet, yet optimistic. And that runs contrary to "don't forget me"/"love me until I love myself"/"when's it gonna be my turn"

She should've covered Moon River and placed it on the album.

Blue Banisters is not the 9th album cause it's full of unreleased/leaked songs. Mystery solved. 

the grants will set the record straight about daddy's money

or maybe some shit about colonizers and pilgrims (karmic lineage, arcadia)

23 minutes ago, SalvaWHORE said:

 

So...

do we know what the font for this era's lettering ? 

idk but DYK (did you know), TUOB (tunnel under ocean blvd), and OB make the most sense.

9 minutes ago, The Siren said:

Yes the baby is Chucks daughter

Phoenix is so precious

wtf she's so big (already?)