Jump to content

palemoonbaby

Members
 View Profile  See their activity

  • Content Count

    2,396

  • Joined

  • Last visited

Posts posted by palemoonbaby

  1. Posted

    I'm going to revive this thread :D

     

    LUST FOR LIFE

    1. Love

    2. Lust for Life feat. The Weeknd

    3. Serene Queen

    4. White Mustang (song longer, i’d add some electro background, strings and trip-hop & hip-hop influences too)

    5. Cherry (i’d make song longer adding hidden lyrics)

    6. Coachella (i’d add some strings)

    7. In My Feelings

    8. Interlude (ambient spacey instrumental)

    9. Yosemite

    10. Best American Record (demo)

    11. 13 Beaches (add heavier strings)

    12. Beautiful People (demo)

    13. Heroin

    14. Get Free

     

    Album will be storyline. I would changed some lyrics to match everything to plot. From crazy love and breaking up to rage, insanity and founding peace.

    Love and Lust For Life are the songs where Lana feels happy. She and her boyfriend are happy being free, enjoying your youth, being crazy in love and feeling alive. But these are only appearances (she didn’t know about that, she’s deeply in love in that man). In Serene Quen she sings that she’s water and her boyfriend are fire and she thinks she calms him down. He’s aggressive, quick-tempered and nervous. Lana is blinded by love and stucked in toxic relationship. White Mustang and Cherry are the moments when she realises that he’ll never change and that relation isn’t healthy. She stopped thinking about herself to care about her man. She decided to quit from him. In Coachella (I would change lyrics to match everything to storyline: Maybe i’m crazy, maybe i’m fucked up, but don't tell me I'm schizophrenic, cause I saw you kiss her coral lips ) and In My Feelings she confess that he cheated her and was treated her really bad. She’s angry that she was so naive. I put Interlude cause transition from IMF to Yosemite would be strange. In Yosemite and Best American Record she’s torn between forgetting about him and back to him. In Yosemite we have „Everything will be fine, it’s only temporary crisis. We’ll come back to each other and we’ll be couple again. True love can handle everything”attitude. While BAR has „I loved him, but I don’t want back to him. He hurt me and he was toxic. He only thinks about himself and only his benefits” attitude. 13 Beaches is about that she run away from public eye and she can’t find place where she can gain strenght, she can be alone and rest. Beautiful People she revealed that she thinks about thinks about taking her own life. Lana can’t stand that everyone around her are happy (I’m fucking tired of these all beautiful people with beautiful life/I want to die and maybe I should fucking try). In Heroin Lana realises that her past is killing her like eponymous heroin and she must go forward. Get Free is the moment where Lana is born again and comes alives. She’s totally brand new person and she has lust for life. Lana is happy for being free again and ready for starting new life (Out of the black into the blue).

     

    Singles

    1.Love

    2.Lust For Life

    Promo: Coachella

    3.BAR

    4.Serene Queen

    5.Cherry

     

    (Some songs would have changing lyrics to match them to story).

    1

  5. Posted

    3 minutes ago, Selfloathinpoet said:

    Would you guys want Lana go have Collabs on this album?  If you ask me my answer would be NO. I don't feel/see this album as one made for Collabs, this one looks like a Lana moment plus I can't see anyone  featuring on any song based on the three singles sound. 

    BUT, if the album she's making with Mike Dean is hip/hop or summ, she better drop some Collabs. 

    If it's Abel or talented undergroud rapper YES. 

    13

  13. Posted

    2 hours ago, Charlottexseax said:

     

    FATM: 4 years, 3 years and hasn't released anything in 3 years so probably even more until her new album

    Melanie: 4 years

    Lorde herself: 4 years between PH and Melodrama

    Beyonce: 3 years 

    Rihanna: 4 years and hasn't released anything in 5

    Carly Rae Jepsen: 4 years

     

    artists DON'T release albums every 15 months just because Taylor released 2 albums back to back and Lana is doing that too it does not mean it's the norm LMAOO?

     

    Witness was released almost 4 years after Prism

    0

  14. Posted

    These 3 singles from BB gives pre-Norman vibes. Lana released 2 singles and shared many snippets which almost all was bare, piano and everyone was scared that was gonna loooong boring album with only piano songs and 2-3 songs with more production.Then we got album with many genres. I don’t get any hopes up, but I think album will be versality by genres. 

    4

  15. Posted

    Lost Cause issa jam:party:

    I wish only the production would be heavier but lazier, chilly vibe has own charm. It is really good soundtrack to hot summer lazy weekend.

    0

  17. Posted

    I was thinking about photo with stripped bikini and ice cream in hand again and that photo would have many hints.

    BB will have song similiar to TNBAR. Sonically and lyrically (or only lyrically). Songs will be connected to each other.

    "Topanga's hot tonight. I'm taking off my bathing suit" 

    She has bathing suit and we have pool in background. She ate almost all ice cream. That means the temperature is high.

     

    What think you about that?

    3

  18. Posted

    1 hour ago, GeminiLanaFan said:

    RCS had big summer vibes to it or at least, something lighter in tone.

    BB is not her strongest album name, but after having heard the three singles, nothing is light so far with this era and I guess it fits better. So, as an album name, I prefer RCS, but not if the album is full of trauma and soul searching lol 

    Let's wait for full album and then we'll know which title fits better

    2

  22. Posted

    8 minutes ago, Amandine Insensible said:

     

    i was expecting her to send at least an e-mail today :toofloppy:

    At least she should change profile pictures on her medias:popcorn:

    0

  25. Posted

    9 hours ago, Red Dress said:

    Okay, enough of all this fake "insider" information that's been getting everyone's knickers in a knot...now it's time for some 'Real Tea - Outsider Edition 2021'

     

    Guys, Gals, Nonbinary pals, let me introduce you to my 'Grand Uniting Theory Of The Great Interconnectedness Of All Things LDR' in which I will attempt to persuade all of you that we have all been mere pawns in a real life social experiment, the weirdness of which surpasses anything David Lynch himself could come up with!

     

    Y'all have been sitting here wondering whether or not July 4th is going to be a real release date, when in reality, it doesn't actually matter. What really matters is what that date represents: America in all her red, white & blue splendour. Because 'Red White And Blue' is actually the key to cracking the Lana Del Rey code.

     

    We all know that Lana frequently references these three colours in so many of her songs, but there's more to it than that: these are how she has colour coded her album releases from BTD onwards.

     

    BTD is a 'Red, White And Blue' coloured album. It is dripping in American iconography/references and the photos/stills from it frequently feature Stars & Stripes flags.

    UV is a 'White' album. From the tee-shirt that she's wearing on the cover to the multiple references throughout, it screams white.

    HM is a 'Blue' album. Again from the visuals and also from multiple references

    LFL is a 'Red' album. It is a red hot, cherry, wine and jam-packed rouge coloured, if confusing album.

     

    Remember, all albums feature her mentioning r, w & b throughout, so don't be distracted by the micro, think thematically macro for this. Anyway, next we have:

     

    NFR. Another 'Red, White And Blue' album. Again with multiple references to America and another Stars & Stripes flag on the cover, this time it's a slightly different, almost oppositional version of Americana - the title itself being a tongue-in-cheek reference to Rockwell's wholesome, trad interpretation of an American era gone by. (And BAR defo belonged on a r/w.b album)

    COCC is another 'White' album. The first single being 'White Dress' and the white cover and many other references/images of pearls and chemtrails etc.

    BB therefore is going to be another 'Blue' album. Or rather the album that BB is going to be on (it doesn't matter either way, we're worrying about the wrong details here folks) is another 'Blue' album.

     

    Which means that LDR9 (whether it's already in production, has been made or whatever) is going to be another 'Red' album. That might possibly be something that plays into the RCS imagery that many have supposed. Maybe it WILL be more confrontational lyrically too, which is a very red coloured concept. But all this still allows for the possibility of a double 'Red & Blue' album for those who are holding out hope for a glorious twofer.

     

    But then that leaves us wondering what comes next. Well, I think that it could be one of two things. LDR10 will either be another 'Red, White And Blue' album that will see her first proper release and (what I believe will be) her last album bookended with 'Red, White & Blue' coloured albums. And I do think that LDR10 will be her actual 'Swan Song'. The number is nice and round and it would giver her just the right amount of time to then retire off to a Kate Bush-esque self-imposed sequestering, where she is able to have and raise a child. Whether or not she will get married first will remain to be seen, but in 'This Is How To Disappear' she talked of the cats and the kid in the yard. She already has the cats in place, she just needs to disappear in order to have and raise little Clementine in a blissfully remote location, away from the public.

     

    Or the final album LDR10 could take a different direction which may already have been hinted at somewhat. We've already covered how she frequently uses the colours r, w & b in her songs. But what's the other colour she mentions all the time?

     

    Black. LDR10 could be her 'Black Album'. Not exactly in the same vein as Metallica (lol) but it could be her moment where she finally lets loose and goes 'Fuck You!' to everyone who ever doubted her, criticised her or snubbed her. Maybe it'll be that revenge album we've all heard and speculated about so much. Who knows. I do think that either the final album being either a last 'Red, White And Blue' album or her 'Black' album finale are what the cards hold for us, if the LDR Code is pointing us in the right direction. And we've all been calling her albums 'eras' in their singular form up until now, but what if the era's were 2 separate movements, each spearheaded with an 'American' r, wh & b vibe album, with 3 subsequent colour-themed albums under them for each era. It makes sense being as she loves 3's. Her albums often have triumvirates of songs (like, there were 3 Lolita referenced songs on BTD - a book that itself holds a mirror up to America, via the eyes of both its emigre author and emigre antihero) - even a lot of her songs have 3 movements (verse, pre-chorus, chorus) But TBH she really just loves numbers and playing with them in general. She sees meaning in them and likes how the play into her overall 'master plan'.

     

    And I believe she's had all this planned out for a while now...showing us all sides to her, all her influences, all her musical tastes etc. Those first albums were big production, then from NFR onward the next ones are less cinematic, more introspective. The eras are a mirror of each other...mirroring being a trick the mistress herself uses in so many of her songs. And 'Burnt Norton' being an excerpt from 'Four Quartets' - a metaphysical poem by T.S. Eliot - also feels like her sending a message about her plans & schemes:

     

    "Time present and time past, are both perhaps present in time future, and time future contained in time past. If all time is eternally present, all time is unredeemable." 

     

    To me this just speaks to the grand plan she has in place: the echoes/mirroring of sampling from previous eras, the foreshadowing, and the frequent use of repeated imagery. After UV dropped, critics were already panning her for what they saw as overused cliqued references; but if my theory makes sense these repeated references act like solid touchstones in a maelstrom of other ordered chaos that allows for a sense of continuity outside of coloured album grouping, number preferences and mirroring.

     

    I honestly think that most of her known career has been gamified. From the terrible vocal of that 1st SNL performance (which got her way more attention than a normal good performance would) to all the "leaked" songs that then never made it onto albums (which I actually think she leaked herself) to her 'QFTC' which stirred up a ton of attention, and now with the "selphies" era which again everyone is talking about. She knows what she's doing. Even the release of a song called 'Text Book' - which has old BTD/UV/HM vibes - is a total dig at those of us who keep saying how we want her to make more 'Lana-esque' songs again. Like "Okay, so you liked me better back then, well here you go stans!"

     

    And I think perhaps this all came into being in her mind after her original AKA album wasn't well received and she decided to use some media savvy tricks to not only create a persona that has captivated and confused everyone for a decade now, but also send repeated "fuck yous" to the media and music press and critics in so many songs in almost all of her albums. I feel we're all at the mercy of a genius who has been wreaking her "revenge" from day one and has reeled the haters in bit by bit, with her gradual shift in tonality, lyricism and structure. Starting off big, then gradually bringing us all around to the sound of AKA (with songs like PSB) it's like she's taken us by the nose and dragged us all around to the point where both we AND the critics/music industry are praising her for a sound she was already embodying right from day one. She done played us good y'all!


    It's a fantastic "How do you like me now?" moment that she foreshadowed way back in the day. Think about it. She was singing about how do you like me now I'm on the radio, on a song that came from her first proper commercial album to get a big(ish) release to the GP. She's already talking up how she's going to be viewed differently as she gets more hype, attention and airplay...at a time when she hadn't been in a place to see the good reception that BTD et al actually got. How does that work?

     

    "She laughs, like God, her mind's like a diamond"

     

    I mean when I put it all like that I know it sounds incredibly Machiavellian, but as a student of philosophy she'll be well versed in what that truly means. "Anyone can start again, not by love by from revenge, through the fire we're born again, peace by vengeance brings the end." <--- if this isn't a hint at what was to come I don't know what is. She wants to burn out not fade away and she's been hinting at that with all the talk of burning that goes on in all her albums. (Which might just lend more credence to the idea of her final LDR10 album being her 'Black' album after all.) That campy, witchy promo she did for LDR is like her overall approach to creating her entire vision which she has been set on since day one, just with a bit of tinkering as to what era consisted of/what coloured albums she put each song on.

     

    I mean it's dark sure...but it's just a game y'all.

     

    Anyway, thank you for coming to my TED talk. You're welcome. As with all great theories, mine will rely upon its being being tested and possibly disproved by the rest of you. Now discuss, my fellow delulus, discuss! You asked for some tea...now consider it well and truly served. 

     

    FIN.

     

    Turns out I can't type as fast as I'd like with my nails this long and my meds not yet fully on board.

    My brain exploded. I have no words. This is insane:defeated:

    2
×
×
  • Create New...