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iloveguineapigs

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Posts posted by iloveguineapigs


  1. She's already a lot bigger than I ever imagined she would get.

     

    It would certainly affect her a lot--I mean, it already has. But would I get angry about it? No. For her sake, I hope she doesn't have to deal with much more fame.

     

    Really? At first, I thought she was going to blow up in the US, honestly.


  2. Blue Velvet- :flutter: It's just so beautiful and catchy and addictive! I love the instrumental and the vocal and I know she didn't write it, but she adds another dimension to the lyrics and the melody really lends itself to her style and it sounds like something she could've come up with. I just feel like it fits the vibe so well and I love the way she sings "velveeeeet" I'm probably the biggest Blue Velvet stan on this site, it's definitely in my "Lana TopTen."

     

    Cola- The vocals on the bridge and the ending of this one surprised me sooo much! I love the chorus and agree with Lana that it just has such a vibe to it. Such a SWAY. Guitar at the end could have been overdone and cheesy, but there was the perfect amount, and of course the iconic line :creep:

     

    Bel Air- Just beautiful. It sounds heavenly! I love the kids in the background and the repeating piano line is gorgeous. Her vocals in the chorus and especially the harmonies are my favorite parts.

     

    American- Such a cute song, I love the hook "woo-hoo-hoo-hoo, like an American" part. As others have said, the lyrics are a bit cringey at times. "I was like, hell yeah, that guy can sing" is my least favorite, but I love how light-hearted and poppy it is.

     

    Ride- Perfect lead single choice, it's epic, but something about it is not as epic as it could be. It definitely benefitted from the music video. Overall, it's a fun track to sing along too and sounds like it would sound good on the radio.

     

    Yayo- Yayo was not my favorite track on AKA (not even top 5, maybe #6), but I do love the AKA version so this one kind of threw me for a loop. The lyrics are gorgeous just like the rest of the AKA era lyrics, but the vocals on this one are not very good. She just sounds like she's drunk and singing from her throat, very strange, i dunno. AND the omission of the "daaaark niiiight" !! :O But, I do love the insturmental, very pretty and the shuffling drums are cool, give it a very jazzy, loungey meets c&w sound.

     

    Burning Desire- I think this is definitely the sexiest and the most catchy (besides Blu Velvet) song on the album. I also think it's underrated, because the percussion and the little background bass noises and sound effects are pretty cool. It's an okay track, but the ones above are better in my opinion. It's good for riding at night, in a car or whatever :hooker:

     

    Body Electric- Never really liked the lyrics, but the live version was really cool with the heavy piano and the epic strings. The studio version is both just so flat and over-dramatic at the same time, it's so odd. Her vocals sound over-processed and the ending is just flourish is just oo dramtaic for me, I don't know how to explain it. It kind of reminded me of "The Mummy" move/ride at Universal Studios like 10 years ago.

     

    Gods and Monsters- Biggest dissapointment for me. I like the percussion and the bass in the chorus and the little huildup of the chorus, but the rest is just flat, it doesn't move. The melody is the same the whole time with no real shift between verse and chorus and the vocals are the same the entire time. Although I will say that they are pretty strong vocals. I like the chorus melody but it just doesn't scream chorus for me. The snippet sounded awesome and then we get it and the bridge was just awful. :defeated:

     

    Oh well, that's my Bible. :legend:

     

    Yeah, i don't hear it, which is why i was asking. What i hear are vocals that were, for whatever reason, recorded and EQed in a way that makes them sound very thin, and the reverb they used definitely adds to this quality. I believe there's also a very, very subtle delay on the vocals that's not flattering. I don't like how the vocals were produced and the overall tone of them, but i don't hear A-T. I don't hear any notes being pulled up or down to the "correct" pitch anywhere. Listen to every instance of "electriiiiiiiic" like at 0:54, i think if there was A-T that's where it would be most evident, but that sounds very straight to me. I'm not an authority on the subject though. I was just hoping that someone who hears it as clearly as you seem to be suggesting can point out exact moments where it stands out the most, like what specifically to listen out for, you know? I do hear exactly where one take ends and another starts throughout the song, and that's pretty distracting.

    I think they sound really processed throughout but especially on "Mary prays the rosary..."

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