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People tried to contact him (Mikael Wood) on Twitter, but he didnt reply. He doesnt seem very active on social media, email seems the best way.

Remember Metacritics staff have never taken down these troll reviews with 0 score for BTD and BTW from Tiny Mix Tapes. They had to read them to get a summary, yet they thought they were completely ok to be counted. I wouldnt be suprised if they had their own agenda. I mean they are receptive to take down reviews for some albums, yet for others they act deaf. They should also broaden their list of reviewing magazines. Why not include the Atlantic etc... I feel like we are getting less and less reviews for albums from the chosen ones.

I find it unfair that they decide the score themselves if its not given to them. They should demand a score from any magazine. Now the only way they will change it is if the writer would say they had different score in their mind.

There is no way Metacritics will take down the Guardian review. Alexis Petridis is one of the most known reviewer in music scene and everybody got used to his stupid reviews of pop albums.

Your critics are bad and u blame women Self-loathing writer You talk to walls when readers get bored of you I cant imagine how broken he must have felt when he listened to this masterpiece.

He and his fragile male ego must have felt threatened listening to NFR (song).

I dont have a problem with them reviewing pop albums. But at least do objective criticism and not just drag her persona in very sexist way in most of the article.

If his review is sexist, dont even dare to read the review by this pig

Thats 68. Which wont bring the score down that much.

I wonder what the reviews would be if it didnt have Jack Antonoff mark on it.

I think she needs women and gays to be the reviewers. Straight white men will hardly buy into her sentiment.

And what did u expect? Score 90 - 100? With duds like TNBAR? No, Ma´am.

Doesnt Barrie live in LA now tho?

Literally why cant she be a centrist? Whats this fuss about?

Conclusion: Her best album. Im positively suprised from the beginning to the very end.

HIAB production

I already forgot its existence

Bartender will be the most acclaimed song after Venice Bitch.

I love her vocals so much in this album. They are so raw and intimate. Its like she was just singing to your ear.

You all cant wait 4 days?

The whole 80´s italian aesthetics give me such a nasty feeling.

Lana has her highs, but her lyrics are so inconsistent even within one song. Like the first verse is amazing and the second is trash with void lines just to make a rhyme.

I dont like her voice but you cant deny her being one of the best pop songwriter.

Thank you for reminding me that. I need to make an appointment at venerologist´s tomorrow.

Livestreaming your nervous breakdown on Instagram. This attention-whoring generation is really something else.