terrenceszyou

4 minutes is kinda a standard for songs tbh, it doesn't seem to be long. Pantene said it's long so it's probably 5 or 6 minutes. Maybe a small chance that even 7 or 8 minutes. Hell, maybe even 10 minutes. Imagine if Henry is 60 minutes thoughhh

For some reason every time i see “Henry, come on” I can’t help but sing in the most exaggerated country accent “I meean come awnn”

The vibes that the album gives me so far are more like Ocean Blvd, but more somber. The last layer of Ocean Blvd with Taco Truck, Fishtail or Peppers could compose the "lively" tracks that the album will have, as usual.
 
I hope she explores synthesizers and casual constructions, but I hope she surprises by giving them more body (with choruses, drums and bold instrumentation, like, at the very least, the sax in If You Lie Down). I don't know, but all the descriptions she has given so far make it seem like an album a bit like the Carpenters, ABBA at the beginning of their career and other bands of the time that were extremely melancholic, but still had a lyrical content that wasn't too heavy or personal (in other words, more pop).
 
At this point, it would be very interesting, because the whole aesthetic of that time suits Lana a lot, much more than Gaga and Mars in Die With an Smile or Sabrina Carpenter in the visuals of Shortn Sweet.
 
If she does that, however, and even so brings a new look that modernizes, it will be incredible. I know we shouldn't set our expectations too high, but Lana came out of nowhere in her career and invented a new genre. Since then, I wouldn't be surprised if that's what happens again now.

The vibes that the album gives me so far are more like Ocean Blvd, but more somber. The last layer of Ocean Blvd with Taco Truck, Fishtail or Peppers could compose the "lively" tracks that the album will have, as usual.
 
I hope she explores synthesizers and casual constructions, but I hope she surprises by giving them more body (with choruses, drums and bold instrumentation, like, at the very least, the sax in If You Lie Down). I don't know, but all the descriptions she has given so far make it seem like an album a bit like the Carpenters, ABBA at the beginning of their career and other bands of the time that were extremely melancholic, but still had a lyrical content that wasn't too heavy or personal (in other words, more pop).
 
At this point, it would be very interesting, because the whole aesthetic of that time suits Lana a lot, much more than Gaga and Mars in Die With an Smile or Sabrina Carpenter in the visuals of Shortn Sweet.
 
If she does that, however, and even so brings a new look that modernizes, it will be incredible. I know we shouldn't set our expectations too high, but Lana came out of nowhere in her career and invented a new genre. Since then, I wouldn't be surprised if that's what happens again now.

The vibes that the album gives me so far are more like Ocean Blvd, but more somber. The last layer of Ocean Blvd with Taco Truck, Fishtail or Peppers could compose the "lively" tracks that the album will have, as usual.
 
I hope she explores synthesizers and casual constructions, but I hope she surprises by giving them more body (with choruses, drums and bold instrumentation, like, at the very least, the sax in If You Lie Down). I don't know, but all the descriptions she has given so far make it seem like an album a bit like the Carpenters, ABBA at the beginning of their career and other bands of the time that were extremely melancholic, but still had a lyrical content that wasn't too heavy or personal (in other words, more pop).
 
At this point, it would be very interesting, because the whole aesthetic of that time suits Lana a lot, much more than Gaga and Mars in Die With an Smile or Sabrina Carpenter in the visuals of Shortn Sweet.
 
If she does that, however, and even so brings a new look that modernizes, it will be incredible. I know we shouldn't set our expectations too high, but Lana came out of nowhere in her career and invented a new genre. Since then, I wouldn't be surprised if that's what happens again now.

The vibes that the album gives me so far are more like Ocean Blvd, but more somber. The last layer of Ocean Blvd with Taco Truck, Fishtail or Peppers could compose the "lively" tracks that the album will have, as usual.
 
I hope she explores synthesizers and casual constructions, but I hope she surprises by giving them more body (with choruses, drums and bold instrumentation, like, at the very least, the sax in If You Lie Down). I don't know, but all the descriptions she has given so far make it seem like an album a bit like the Carpenters, ABBA at the beginning of their career and other bands of the time that were extremely melancholic, but still had a lyrical content that wasn't too heavy or personal (in other words, more pop).
 
At this point, it would be very interesting, because the whole aesthetic of that time suits Lana a lot, much more than Gaga and Mars in Die With an Smile or Sabrina Carpenter in the visuals of Shortn Sweet.
 
If she does that, however, and even so brings a new look that modernizes, it will be incredible. I know we shouldn't set our expectations too high, but Lana came out of nowhere in her career and invented a new genre. Since then, I wouldn't be surprised if that's what happens again now.

The vibes that the album gives me so far are more like Ocean Blvd, but more somber. The last layer of Ocean Blvd with Taco Truck, Fishtail or Peppers could compose the "lively" tracks that the album will have, as usual.
 
I hope she explores synthesizers and casual constructions, but I hope she surprises by giving them more body (with choruses, drums and bold instrumentation, like, at the very least, the sax in If You Lie Down). I don't know, but all the descriptions she has given so far make it seem like an album a bit like the Carpenters, ABBA at the beginning of their career and other bands of the time that were extremely melancholic, but still had a lyrical content that wasn't too heavy or personal (in other words, more pop).
 
At this point, it would be very interesting, because the whole aesthetic of that time suits Lana a lot, much more than Gaga and Mars in Die With an Smile or Sabrina Carpenter in the visuals of Shortn Sweet.
 
If she does that, however, and even so brings a new look that modernizes, it will be incredible. I know we shouldn't set our expectations too high, but Lana came out of nowhere in her career and invented a new genre. Since then, I wouldn't be surprised if that's what happens again now.

I’m so BORED!!!!!! I can’t fucking stand this release thread anymore. I can’t even shitpost anymore, this is so unfunny. I’m all for letting Lana take her time, but cancel the album if it isn’t happening, the unprofessionalism is insane. Also fuck twitter insiders, insiders in general. The Nowelstalgia needs to stop too. It’s been discussed to death, and it ain’t ever gonna happen. This is unhinged but I woke up mad as hell today, and reading these last few pages is driving me up the wall. 

but that’s what i’ve been saying this whole time  
i don’t think it’s a issue because i really like every sound she does, but it’s obvious that it’s lana who decides the direction and that’s why i will NEVER understand the jack slander here 
 
lana literally called mike dean just to do a ballad, she’s in control of her music and jack isn’t putting a gun to her head to make whatever he wants to do
 
so with that we conclude that jack is a king and changing the producer won’t make her release an ultraviolence part 2 like some people here wants to 
 

My potentially controversial thought on the unending Jack production discourse is that the issue isn't Jack, it's Lana. I've listened to a lot of the other stuff the Jack has worked on and he has a decently diverse sound and style. I've noticed in a lot of interviews where artists talk about working with Jack they all sort of say the same thing, how they're super comfortable working with him and that he's basically a kind of conduit for their ideas or a chameleon who brings their ideas to life, or something to that degree (a really talented yes-man is my reading of it). So ultimately, I think that the "lackluster" production on some of her more recent albums is a result of Lana as opposed to Jack not being able to do anything else as most people like to claim.
 
That said, I do agree that she could potentially benefit from working with another producer or at least bringing on another producer to help push her out of her comfort zone and try something a little different. 

Idk, she's been silent for so long (more likely, cuz she was buzy working on the album and preparing for the tour), what give me a hope, that she reworked Henry and now it's a rock country song with electric guitars and drums. Because this is the only logical explanation of why she decided to keep this song as the single, when we have "the mirror", that the majority of fans would like to hear more than Henry (plus it would defo got a big boost from tik tok).
 
So for now, my prediction is that we will get Henry these 2-3 upcoming weeks with the preorder or another leg of the tour announcement. Plus there were insides saying that TRPWS will have alternative covers, what means that at least there was some king of photoshoot and there are concepts/references or ready covers already.

I get your manifestation method girl, keep it up

please don't attract a Stagecoach cancelation 

i mean baby come on 

I wish I was interested in the abyss but I was underwhelmed by it, played it twice and never again. 

First TW teasing the abyss MV, Ana cofone's activities in stories, and leaker talking about variant vinyls coming... this week is gonna be it, IM SOOOOO sure we gonna get something this week.
 

Okay taking this with a grain of salt because it’s twitter but if this is true, it would make sense for Lana to be on debut tv since it’s country. Taylor could also potentially be on TRPWS since it’s country and Taylor hasn’t been on a Lana album yet. Orrr maybe she’ll be on rep tv for a Kanye diss 

“I went back and listened to ‘Ride’ and ‘Video Games’ and thought, you know they’re kind of country,” she said. “Maybe the way ‘Video Games’ got remastered, they’re pop – but there’s something Americana about it for sure.” - Lana
I think so much of her discography is very much influenced by country and could definitely be translated into that genre

I'm happy with any kind of sound for the album like Souther Gothic country but I just had a dream vision how The Right Person Will Stay is a darkwave album about lost murdered souls in swamps who decided to stay as ghosts who creeping around in the darkest nights 

the culture is not lit and i am not having a ball 

I'm glad someone considered this. Chemtrails is simple, short, but it works and is very round. I find it very interesting. It has this COVID-era seclusion feel, like if you were taking refuge on a ranch, you put it on at night and listen to it while you watch a fireplace crackle. Lana had been flirting with country for a while now, but she didn't feel ready to embrace the genre once and for all and sound like a caricature.
 
So, I like Chemtrails, because, even though it is predominantly folk, it has this nod to the country in a safe way, without forcing it to make Lana have an identity that is not hers. So I was excited about Lasso because it felt like an extension of Chemtrails. Now, I don't know what he's really going to be. I only know one thing: saying that it will be bad because it resembles Chemtrails is untrue.