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Posted
  On 1/4/2023 at 12:46 AM, The Love Witch said:

Born to Die wouldn’t have been the cohesive masterpiece if it wasn’t for the reworks. I agree, however, that it led to some songs being worse than their OG demos.

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he completely ruined lucky ones.. he felt like he was doing something by removing the drums :azealia:

Posted
  On 1/4/2023 at 12:48 AM, The Love Witch said:

Every incarnation of the song is better than the chaotic mess that was released in the end. I think that’s one of the song she should have saved for a later project.

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I'm pretty sure the Grech Mix is an alternative final version, even Lana herself used it mixed with Emile's version on Lolita's live performances.

Posted
  On 1/4/2023 at 12:48 AM, Billie said:

he completely ruined lucky ones.. he felt like he was doing something by removing the drums :azealia:

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this is one i don’t understand because the Lucky Ones demo was still cohesive with the rest of the album, actually even more cohesive, i don’t know why any of them thought it was necessary to change it so much. the released version feels more a part of Paradise than BTD honestly

Posted

i am once again politely asking for confirmation of the unintelligible lyric at the end of Bel Air i crave the closure :oprah3:

tumblr_mlk5fk2dDZ1s6jvbvo4_250.gif   tumblr_otaqmarVHa1u9dqtjo3_400.gif  tumblr_mlk5fk2dDZ1s6jvbvo7_250.gif

 

 

 

Posted

How is this thread becoming the dragging Emilie Haynie? :eartha:

 

However, I do agree that demo 2 of Lolita eats up every other version

                                                                 imageproxy.jpg

Posted
  On 1/3/2023 at 6:53 PM, BlackoutZone said:

I know nothing about this, same with that St. Petersburg soundcheck song. I tried to find out what this was all about, but never reached anything.

What I did learn however is that Lana happens to improvise random things during soundchecks as a form of warm up and I think these might be those cases. But I really don't know

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The “switch it up” song being a warmup improvisation is truly Drama of the Decade material at the Lipsters I haven’t recovered 

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