Blake Lee (Stranathan)

[Beautiful Loser 47,818]

Lana's guitar player, Blake Lee (Stranathan) just recently announced his own record, called No Sound In Space, which will be out November 15! And we will be supporting!! This is the "ambient record" Blake mentioned in an interview with Guitar World last year.

You can listen to one track right now, "Miura (feat. KMRU)".

All the songs are written, produced and mixed by Blake, except for "Miura" and "Waiting", which were co-written and co-produced by KMRU.

The tracklist:

	1.	Amor
	2.	In A Cloud
	3.	Moving Air
	4.	Echoplexx I
	5.	Echoplexx II
	6.	Miura (feat. KMRU) 04:04
	7.	Waiting (feat. KMRU)
	8.	Pan Am
	9.	I Can Feel It
	10.	EXP

Pre-order the digital album and/or red and black vinyls here on Bandcamp!

 

Red vinyls: limited to 200 copies.
Black vinyls: limited to 300 copies.

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Quote

Blake Lee has always been fascinated by the unknown, and space, in its isolating, mysterious vastness, embodies this theme immaculately. The open void, captured so memorably by Stanley Kubrick in '2001: A Space Odyssey', is Blake's far-reaching canvas on 'No Sound In Space', a cinematic meditation on the cosmos that's painted in nuanced, emotionally sincere colors. The Los Angeles-based composer has been contemplating his full-length debut since 2021, using his guitar as a sonic paintbrush rather than find himself snared in its traditional aesthetic constraints. Transforming its characteristics with effects and subtle processes, he layers sustained tones and intimate improvisations, creating richly visual polychromatic utopias teeming with unknown life.

Since 2011, Blake has been most known for being the guitarist and a music director for Lana Del Rey, notching up three songwriting credits on her acclaimed ‘Ultraviolence’ full length. He sees his solo work as a form of escapism, a place where he can experiment and find comfort and catharsis outside of expectations and formal structure. The album was written instinctively, and Blake made sure he didn't force anything, letting go and getting out of his own way, listening intently as sounds and textures materialized organically. "I didn't want to ruin it by being a perfectionist," he laughs. And his collaboration with Kenyan sound artist KMRU, who runs the OFNOT label and contributes to two of the tracks on the album, occurred similarly organically.

Blake was moved to reach out to KMRU when he caught a performance of 'Natur' at Los Angeles' Zebulon in 2022, leading to a prolonged back-and-forth. They didn't meet in person until earlier this year, by which time they'd become firm friends, continuously sharing music and conversation. KMRU had lent a valuable ear to Blake, who sent early playlists of 'NSIS' that, over the months, slowly evolved into the finished album. It's the first release on OFNOT that's not by KMRU himself; the label emerged last year with the release of KMRU's own 'Dissolution Grip', and Blake's debut immediately expands its sonic universe. Alongside the playlists, Blake also provided KMRU with the tracks' raw stems, which he began to edit and expand in his Berlin studio. 'Miura' and 'Waiting' are the result of this process, two sublime abstractions that augment Blake's dreamlike, euphoric tones with KMRU's pebbly distortions and booming low-end rumbles. And this same playful sense of freeness seeps into Blake's other compositions.

On the misty 'In A Cloud', he surrounds cascading string tones with soft-focus pads that swell until they're like crashing waves, and on the two 'Echoplexx' pieces, he uses delay and reverb to smudge his sounds until they're viscous residue, the harmonies obscured by whooshes of white noise and distant chimes. The mood is quieted somewhat on 'Moving Air', as Blake's swirling tones form half-heard lullabies, coalescing into a dense, melancholy crescendo, and he fills out the sound with reverberant airport recordings on 'Pan AM', letting pitchy My Bloody Valentine-esque drones warble beneath the transitory chatter. Each track melts into the next, forming a billowing, cryptic narrative that leaves more questions than answers. Blake is constantly searching, and fills his unoccupied space with warmth, perception and sensitivity. 

 

[DemonMic2003 8,865]

@111 any tea for this album

[Embach 36,172]

Blake is such a talented guitarist!

 

I still sometimes listen to his beautiful guitar riff he made during the BBC Radio 1 interview in Honeymoon era!