salvatore

love being a weird ass compilation poster, LfL being a BtS photo, CWIMM being a BtS photo from Love, LfL being the BtD car probably edited in a BtS photo from Love, WM music video being a hashed together Architecture, Architecture being Best American Record- the old title track, sister to Yosemite; Lana's favorite song she killed with BAR for some reason

treason, tax fraud, or perjury

a few videos are legit but some others are fake,,,honestly can't tell..wig if real here's a pico link jus in case https://picosong.com/wjFig/

hey guys i'm really fucking excited for NFR

my biggest concern is her doing the most basic & cliche white girl poetry this sksks she doesn't seem to comprehend just how powerful she is & still could be, it's like she's been 6-7 in the business n still doesn't know anything but nobody is gonna stop her anyways

i always got industrial vibes from it too, like red brick buildings, early morning & smoke type shit; it's definitely cause of the NY references, but the second verse makes it feel like it's specifically in rougher areas; training yard, scrap fights, etc. doesn't help the bridge makes everything she said in the past 2 verses a past-tense story rather than in the moment, which I notice is how Lana writes most everything. Even BJ is kinda written in past tense, but it still sounds so in the moment compared to HtD Registered title

if lana did to landslide what she did to DLMBM i'd vomit

love yu too

@@Terrence Loves Me come collect your wannabe

we knew ab Sylvia for a whiile before that and she posted the teaser before her birthday, during the same timeframe people were hoping she'd deliver on her word for an October single; thus Sylvia's birthday being near the end of October + the probable single people said it'd be perfectly logical for Lana to drop Sylvia then..but she didn't which is why I said Lana isn't logical when it comes to release dates, so NRs birthday probably isn't the release. 2 much emotion for something so simple...girlie shut

and I watch the skies getting bright as i write as i, think about those years

oh so now the underpass cretin is gonna preach to us about folk

well guess what you're illiterate i said her BIRTHDAY aka October 27th

I'm having some issues on tryna place tracks ngl, obviously Yosemite & the dlx are a bit theoretical n blind hope but it made sense. I can't tell if HiaB or MAC would be the openers, MAC kinda sets a new tone for lana and ends off with 'are you ready for it' whereas HiaB sounds like a prelude, it reminds me of Love from LFL. In that it sets a motif/theme to keep in mind going through the album; the closer I can't see being HtD- I don't know why HtD reminds me of Brooklyn Baby in both spirit and placement, but my idea for the TR was to keep sonic elements close together (and some theory crafting to put tracks like Sylvia/Bartender where they are). Venice Bitch to me sounds like a decent closer, and that's where I put the deluxe tracks in- to extend the closing mood- going from electric guitars and lush instrumental to a quick ukelele ballad & then ending it off with a lullaby on the piano feels right to me. It's like a major closure then it slightly picks back up, like a song from a movie soundtrack playing in the credits. I put Yosemite 2nd to last because it's also a guitar track (afawk) that in of itself could be a closer, as the lyrical topics describe how a relationship moves and changes as time goes on (and the fact it would also feature a "candle in the wind" lyric, much like MAC does. Venice Bitch would ALSO go along with this theory, being as MAC includes Venice Bitch within the lyrics as well. Norman Rockwell could also be an opener to the album, if we're going by pattern she's alternated placements of the title track in the list every other time. BtD was #1, Ultraviolence #2, Honeymoon #1, with Lust for Life clocking in at #2. It's a bit more a stretch seeing/hearing HiaB and MAC since they feel like openers, but it's a 3rd theory. for me, NFR as a track just exudes the spirit of BAR- it has the same lyrical content, so I could see it keeping the low tempo, chill guitar loop that the demo had- that feels like a Flipside type track; along with a piano chord progression providing foundation like there was in MAC. going from there I can also see HtD being #3, I have a feeling HtD is a bit longer than what we got to see- since Venice Bitch went from 10 to 3 minutes, HtD could've also been the same; I can see a shorter but equally as emotional guitar or piano riff around the bridge that'd make HtD fit nicely into the third slot- if it has the synthy sounds we heard . From there it would tie into Cinnamon- going from guitar/piano/synth to more of a pop sounding track Cinnamon could start a new "feel" or section in the tracklist, kinda like how Cherry drove in a more sultry side of LfL from the maturer-themed pop songs. following that there's the new tracks in which we haven't heard and then Sylvia, which is an entire wildcard of a track as the snippet gave us such minor direction in sound and little to no discernible melody we can replicate (like we could with HiaB). I wanna hope Bartender is an entirely weird track for Lana, having a unique song structure and more of a 3rd person point of view to the track. HiaB kinda awkwardly fits in my version of the tracklist as going from Bartender to HiaB would be like IMF to GBA without coachella, I can't think of any other sequence for the songs; HiaB just feels to me like it would be near Venice Bitch/Yosemite, so I tossed it there. it's definitely not perfect but I have valid reasonings for my placements- and I'd like to see how much of it I get right. I just can't really see a 10 minute track being anywhere near the middle, if not the end of the album is Lana a logical and trusting person when it comes to releasing her fucking music i didn't think so

Sylvia Plath's birthday was like half a week after Lana teased it trying to base it off logic don't mean shit girl

lace it with fentanyl

i sit here and mind my own business vouching for a song i love and appreciate and you bum bitches really have to intrude onto my lane to make the effort to rag on me ain't y'all got a colonizer holiday to worry about buying a fatass turkey for? y'all ain't got anything better to do? that's sad yosemite & i are staying moisturized, eating right, and glowing

ugh your fucking mind

how ab Venice Bitch is the Venice Bitch of NFR cause she ain't ever done sumn like it and it blows PWIC and even SoC out of the water for guitar riffs

better than the WWE dude & G-Eazy

can somebody pls put that in her tall ass font over that photo news or content? actual- full on news was the Beats 1 Radio interview in september content- like 2-3 weeks ago -Mariner’s Apt Complex -Norman Fucking Rockwell -How to Disappear -Cinnamon -New Track -Sylvia -New Track -Bartender -Happiness Is A Butterfly -Yosemite -Venice Bitch [DLX] -Starry Eyed -Roses Bloom For You tha dream also the idea of bartender being this conceptual track that's like VB in that the structure is unique and new for her sounds so enticing like a peer back into the days of BtD/LG, a story song, not involving her but a girl like the one she use to portray with atmospheric sounds n instrumentals, glass shattering n clinging like the wind chimes from Ariana's breathin

i dont want another 'musical icon' feature if they're going to sound like dissected frogs behind stock paper

there it is, the best song of her career

venice bitch is one of the best songs of her career change my mind

my love