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salvatore

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Everything posted by salvatore

  1. I have 0 respect for a music journalist who, after several years of blatantly disliking an artist to the point they can't even make an unbiased critique- STILL fucks up their name without any tact or remorse. " but Del Ray may be forgiven for getting carried away." Alexis go to hell you balding freak
  2. thanks besties i'm going to obliterate the nearest planet in celebration get ready to look outside but wear sunglasses xox o rorman i'm going to murder him
  3. yes love song and how to disappear are sampled on WaH, which i personally think serves as a cute synopsis to NFR! in song form on her sister record, the mentions of instagram (livestream on tG), her adventures across namedropped areas around california and escaping the ashes thereof (NFR! cover + sorta fiily 'met you on the boulevard'), it's how i've come to process the song over the past week and it's definitely helped make it more palatable and i am deeply in love with it now
  4. SALVATORE'S UPDATED THOUGHTS ON YOSEMITE yosemite- i lied above. i listened to the entire record with the incense and the breeze but yosemite i saved, i saved until the dead of night, and drove to an observatory be alone in my car outlooking the silent city sparkling on cliffside, engulfed in pines and hibernating wildflowers and i played yosemite on repeat for 45 or so minutes staring silently into the dead. this song is everything i've ever wanted. it's what kept me alive in a year i tried my best not to be and i built a fun following around it, i emailed interviewers, writers, tried to find photographers and collected every bit of information of the song i could. bought magazines that referenced yosemite, i did an entire paper around Yosemite by John Muir. I have two shirts from the 70s referencing yosemite, i've stumbled upon bottle openers from the park out in the roads where i'd walk alone at night hoping i'd be at the wrong end of a desperate persons violence for no reason other than trying to find feeling, yosemite is a lot to me and when we didn't get it in LfL i was heartbroken and decided to crave it more than ever before upon her interview of MAC/VB i knew Architecture was the theme of Norman. Even though the song said to not start the new record i felt she wouldn't give up the past title track of Lust for Life that easy, or at least her muse wouldn't. The description of norman as a cocky artist with an ego that needed settling, the rejected scraps of White Mustang's music video, it all felt too coincidental and i called it that Architecture would have inspired, or be on the album (i was right), following i felt Yosemite would come to fruition here, having Lust for Life be this disjointed parent record of Norman Fucking Rockwell, i figured it'd stay similar for 'White Hot Forever'; the attempts at social commentary, the deliverance into an acoustic side to her discography, they'd be messily glued on Lust for Life and then refound in their own spaces, and now they have been. and Yosemite is the song of Chemtrails. The music itself is everything i had hoped, it was brooding, optimistic, enchanting, emotional and methodical. Her rescinding the song out of vocal vulnerability in the same breath she killed malibu out of fear of transparency found a funny way into an album full of airy and broken vocals. White Dress being a thread laced through Wild at Heart in the way it is through Yosemite through Dark through For Free. The a capella she sung in 2017 obviously didn't do it justice and how anyone thought it could was laughable and that is their own fault. Her voice here is gorgeous, the song writing is beautiful, the atmosphere created in this song is so . fucking. beautiful. I knew this song was my favorite she's ever made before hearing it and I've heard it and it's still the best song she's ever created. The bridge is like a god speaking through the sky in thundering tongues and lightning flares. The imagery i suspected years ago of desert-y folk songs you'd look out over the desert and see an impending storm rings true, this is the calm inside a storm, it's an ignorant and threatened peace. i see nothing but rainless storms and sharp winds light by the invincible glow of candlelight. Yosemite is immaculate, a highlight, and a mission statement for the record. It couldn't be without Chemtrails and Chemtrails couldn't be without Yosemite. She wasn't quite at yosemite in 2017, and being able to confidently proclaim enough that she could put a song about doing things for free on a record bookended with a memoir about making art for free, and a collaborative homage to a song about lovingly observing others making art for free is quite powerful. Her never mentioning Yosemite in the lyrics is powerful Yosemite being the only 1-word song on this album is powerful. She's so powerful, and so very realized
  5. oh this bitch knows i love a good candle
  6. i dont know how anyone thinks interscope will ever drop lana because on her most experimental album yet with the least promo she's ever done she's still getting rave reviews and has doubled her pre-orders from NFR! era like they're never dropping this girl
  7. "Lana Del Rey (her real name is Susannah Grant) is the descendant of Joni Mitchell. "
  8. guys elle just said i have immunity Ur all fucked come post-release i will singehandedly keep that thread alive and not a single perosn on this godforsaken realm will ever wonder why it is such it just is now and unto forever i'm never dying roses bloom for you and dealer baby i'm reaching into the pits of hell to drag y'all corpses up here with the rest of eum Ur mine. @Clampigirl fire up the engines it's almost gogo time
  9. aye aye captain i'm going to drummel into the eardrums of every user on this site hibuscus lemonade until their eyes bleed citrus in the spirit of such a song's acrimonious defeat and inevitable triumph with an official release soon on lana del rey number 8
  10. elle whats gonna happen when i can't talk about yosemite on the upcoming album for the first time in four years
  11. lanas muse musta've pissed her off to spite her when she said neither architecture nor yosemite will start the next records just for the subsequent records to basically be the next best american record: the soundtrack and yosemite: the soundtrack like the title track of lust for life before it was lust for life and its sister track would NOT die and reanimated themselves against all odds after the soul of LfL was stripped by lana in the removal of those songs like truly she lost but ultimately won like norman fucking rockwell came so naturally to her whereas CotCC was a hard listen and a rocky era state in a time of the world where everything was at a standstill so was she the song that she didn't resonate it with was ultimately transparent by its authenticity is the mother of the record she was equally hesitant about life is so funny Yosemite is so powerful like you bitches can't relate you can't stand to see the pretty girl win and the pretty girl's pretty girls win either like you're haters and it's sad! it's sad but it's so funny because we won in the end like we really won i really won
  12. existentially wistful yet aridly settled is a record called chemtrails over the country club star tracks include yosemite, yosemite, and yosemite
  13. i forget u haven't heard the record omg i want a detailed report of ur entire thoughts in mi dms mis maam
  14. vinyl color burnt sienna calling it if she knew her fans she'd know we hate her ! love U mowoma
  15. baby if your fantasy is being the sidepiece in a relationship U not the main character u the tragedy
  16. i have enough warning points and years on this site to know whatever reputation i had was already cursed and anything i have after today is even more cursed U can do no harm to my legacy
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