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Fingertips

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Posts posted by Fingertips


  1. What I'm REALLY looking forward for is the day I finally GET Get Free, like it clicks. Lana's discography is humongous but there's less than 10 songs I genuinely dislike (Strange Love is the worst song I've ever heard and I really do not like at all A Star For Nick and Let My Hair Down - not asking for comments on my taste that I know is poor thank you) and I hate how one of them is one of the most fan acclaimed songs of her ever. But nah. Still sounds incredibly discordant for now

     

    We should just call it Creep from now on, since they're pretty much the same song


  2. Damn I was the coolest person in the world then. I hated her guts. I thought she was the most stupid, ugliest person that ever didn't deserve fame. I actually went to the psychiatric hospital in 2012 :toofunny: which explains a lot :toofunny: And 3y later she was my first girl, I absolutely deserve to be ashamed lol

     

    I'm not laughing at your experience, I just think it's funny how after you went to a psychiatric hospital you became a Lana stan  :deadbanana:


  3. Is there really a realistic chance they don't submit her to pop? I mean anyone in their right, sober mind, even the worst hater, would realise she's not doing pop anymore and has no intention ( :poordat: ) to do so. So I'm confused why they're persisting. I don't say that because I'm a hardcore stan but she has way more than the potential to get a Grammy and her career is significant enough to be a legend now... Right?

     

    She has almost zero chances of winning a Grammy at this point in her career. The Grammy's award based on impact/sales now, which is why incredibly talented artists such as Bjork have been nominated 10+ times, but have never won. 


  4. Pitchfork gave it Best New Track already.

     

    You think you’ve heard it before, and Lana’s right there with you. “You write, I tour/We make it work,” she sings with the cadence of someone who’s long grown accustomed to routine. But as so often happens when we start getting comfortable, things slide off the rails. At nearly 10 minutes, “Venice Bitch” is the longest song in Lana Del Rey’s catalog; It’s also one of her most gripping. While her work has never quite been minimalist (few artists so keenly understand the importance of writing a good bridge), she has never allowed herself to sink so completely into an atmosphere, burrowing deep into the song’s dark blue, moody grooves. She speaks as clearly through the song’s multiple hooks as she does through its buzzy wall of guitars or the long, meandering synth solo that splits her narrative into two hallucinatory halves.

     

     

    https://pitchfork.com/reviews/tracks/lana-del-rey-venice-bitch/

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