-
Content Count
640 -
Joined
-
Last visited
Everything posted by drewlwhite
-
i mean, if it's something along the lines of Official, Oh Yeah and Being Harsh I would not hate it
-
This ^ Slut Pop is actually a fun and solid themed project, you all shit on it just because of Luke lol
-
Same. What a timeless classic
-
I don't get why a lot of y'all hate Tommy Cash. Saw his show last night and it was the craziest concert I've been to this far, more like a rave actually. Loved it, he did not sing 3D World and that was the only bad thing
-
For real tho I don't get why the era has to be stained with babybangs on the cover when she was SERVING with the super long wavy hair look she posted back in September??
-
Not us having the lossless files since ages
-
Not me liking all the deluxe tracks more than 80% of the standard album... They have that emo vibes/soul that are extremely lacking in Crash Sorry If I Hurt You deserved Every Rule's spot, sns
-
3 years since her last official announcement of something...
-
Ok after 5 more listens trying to force myself to like it cause i already bought tickets i'm getting more into the vibe of the tracks. It helps keeping in mind that it's like the Sucker of post-VV Charli, a cute album that's just not on the same level of its predecessors Used to Know Me MV when btw?
-
I expected a lot more tbh. It's good overall, but lacks something. Also most of the non singles are as far from mainstream as possible, many tracks could be tacked on HIFN(twice), CHARLI(every rule, lightning, crash) or Pop2(move me) as Bsides. And at last, it suffers SO BADLY from the lenght and structure of the tracks, like i blinked and it was already at half album, by the time you get into the vibe of the songs, they end abruptly. Makes me want to not listen again cause i'm not the type to play on repeat songs long as a fart lol, that was a choice surely. 7/7.5 if i had to rate it? among 9/10s tho hope it grows a little on me
-
did the album really leak? I- sis can't really have nice things uh?
-
Can we please stop with the need of polarizing her career like this? First of all she's not really "hyperpop" when doing experimental music, she's not some ericdoa/the other 100gecs washed up copies, yes she basically opened the gates for the genere with Pop2 but her stuff is waaay more original and still/will sound fresh for a long time. She's also very good at doing more conventional stuff and this does not mean that the quality level drops when she does, so all the rants on twitter are pretty dumb and from gays that need to feel quirky and unconventional 24/7. This being said, her partnership with AG is still VERY profitable and it's been made clear she enjoys a lot more that kind of approach to music, at least for her solo output. She has a trademark anyway so she can do no wrong in almost any case and sound she'll pick in the future.
-
Quick, does anyone have the Charli version of the please let me in meme?
-
I'm late but... Tried to be as objective as possible taking into account production, lyrics and quirks (release order): 1. What I Like - prod is super hype and her trademark hiphop delivery 2. Stay Away - such a immaculate electro ballad, the heavily autotuned 2020 version perfected it 3. Vroom Vroom - no need to explain. groundbreaking, still fresh and pivotal for her 4. Tears - the concept of the prod + vocal editing alone tops almost everything in her catalog 5. Lipgloss - hype hype hype. perfect feature and prod snapped 6. Track10 - most experimental shit that sounds good she's ever done 7. No Angel - pop perfection. the little twinkling synths that back up the vocals on 2nd/3rd chorus are eargasm 8. Silver Cross/Gone - both interesting lyrical topics and stellar production 9. Claws - quintessential hyperpop Charli. such an uplifting vibe. one of her best vocal melodies in the prechor 10. Visions - she just knows how to make a goddamn closer track
-
The Grindr notification edit floors me everytime
-
I genuinely love Die Tonight it reminds me of good times with an ex Just take it as the rest of the album: very mindless pop rock record with angsty teen aesthetic /lyrics
-
I unironically LOVED Girls. My summer 2018 bop
-
Same, I'm trying to force myself to like it but the vocal delivery and mixing is very jarring. And it doesn't really go off like the original so it kinda just makes me wanna listen to that instead. I don't even like Rina so it's not like the feature is a redeeming quality for me. Literally the first release from her I don't love since I stanned in 2017.
-
Haven't saved the song on my spotify library cause this thing bothers me SO much. It's really keeping me from listening again
-
what's up with the messy streaming version? don't you even dare Claire, we've waited 7 fuckin months and 2 days
-
just wait for the 10th anniversary of NTMT at this point...i hate unbalanced things
-
of stanning a pure pop magician prod. by one of The Kings of the genre aka Cirkut? why should I?
-
Blue Lips Tove is back and i'm LIVING for it. Her magnum opus getting a sequel as it should