Cherry Blossom

Honestly, I think Taylor’s at the point in her career where she could go back to pure country like Fearless and Taylor Swift (especially after Taylor’s Version drops), then back to pure pop the succeeding album, and then back to that alternative folk sound she had with folklore and evermore and her success wouldn’t really be hindered. She’s opened her fanbase up to so many different genres and styles of writing and music, and the majority of them love her for her personality also, that everything she does from this point onwards will do amazingly in my opinion. At least for the next 5 or so years.

Lana on there twice I wonder if she knows

Yeah I fainted. Midnights numbers are insane. She is the music industry

ASK ME WHY SO MANY FADE BUT IM STILL HERE

KARMA IS SO GOOD PLEASE everything about this song should make it awful yet it works i can not believe this rn

it’s funny that people in this thread can’t own up to being a taylor fan and have to disclaim that they only like one or two albums because supporting her would just be too basic

Taylor Swift - Fearless 1. Jump Then Fall 2. Fearless 3. Fifteen 4. Love Story 5. The Other Side Of The Door 6. The Way I Loved You 7. You Belong With Me 8. Tell Me Why 9. The Best Day 10. Breathe (feat. Colbie Callat) 11. Come In With The Rain 12. Forever & Always (Piano Version) 13. White Horse I like the album starting with the phrase ‘Jump Then Fall’, and the last lyric being ‘It’s too late to try and catch me now’. I think the original, standard Fearless is okay but is enhanced by the platinum edition and that’s what really saves it IMO. Obviously, TV is superior but I thought I’d like to try and fix and enhance the original Fearless

Still a bit bummed I had drilled up in my head an album based around Midnights would be full of Style’s, I Wish You Would’s and Wonderland’s Im soooo excited for 1989 Taylor’s Version though! Those vault songs are going to change history I feel it. I’m recreating some 1989 polaroids tomorrow so I’ll post them here when I’ve finished!

Fearless is amazing! Taylor’s Version really shows the maturity hidden in that album. Jump Then Fall, Fearless, The Way I Loved You, The Best Day, Come In With The Rain, The Other Side Of The Door, Forever & Always Piano Version… I love Fearless so much, it makes me so happy nfjdjd evermore also means a lot to me. I find it better content wise to folklore, but folklore is easier to listen to. I find myself going to evermore less frequently but when I do I appreciate the excellence and craft behind almost all the songs! I don’t like Happiness and No Body No Crime tho.

I’m gonna do a deep dive into the lyrics of the album, and play it louder so I can fully immerse myself into it… but right now it’s probably one of my least favourite Taylor albums. It’s just a bit weird for her, it’s not what I was expecting and it’s hard for me to get into at the moment. It’s not necessarily bad, but it’s just a new direction for her that’s quite jarring at first. My current Taylor ranking: 1. Red (not Taylor’s Version… but that’s a discussion for another post ) 2. 1989 3. folklore 4. evermore 5. Fearless 6. Speak Now 7. reputation 8. Lover 9. Taylor Swift 10. Midnights Subject to change of course My favourite tracks on first three listens are: • Lavender Haze • You’re On Your Own, Kid • Bejeweled • The Great War • Would’ve Could’ve Should’ve

Loved!

this albums kinda a vibe… it’s camp. like it’s just campy i love her !

I obviously feel so deeply sorry for Lana, but I can’t help but wonder why all this is still happening 10 years into her career when the same thing was happening at the start. I know this particular case is bad luck because she never usually leaves her bag in there like she said, but still. Why is it not backed up? I hope they learn a lesson and start protecting her material now because it’s not fair on her! This doesn’t happen to most mainstream artists, so I don’t understand why Lana and specifically her team aren’t working harder to solve it after all these years of literal albums, rollouts and projects being changed, postponed and cancelled due to leaks and thievery

i’m refusing to believe anybody so i’m holding out hope that everyone is lying and on thursday an entirely different song will be heard by everyone and lana sings 80% of it!

i’m ready for lana and taylor to announce their relationship with this song

This part is a bit unnecessary

what i’m hoping for… glittering synths mature version of 1989, closer to the down tempo songs on E•MO•TION around 6 songs in the same vain as I Know Places, Cruel Summer and Wonderland

please please please be a mixture of This Love & All That by Carly Rae please please pleek

YASSSSS WHAT THE CUNTTTTT OMGGGGGGGG ratio + melanie tanked

This was personal omg

Born To Die (it’s really just such an incredible album) When the pawn… Fiona Apple

Their interpretations of Lana and her work are shallow, lack actual knowledge about Lana and her music, and they only listen to her and artists like Fiona Apple because of how they represented that modern day Bonnie & Clyde esque bad girl Hollywood reject persona. Their social media presences are toxic, they’re cringe worthy and are literally just rehashing Tumblr posts from 2012 but in pastel pink and using Whisper. I have no problem with liking a particular era of an artists music because of the styles and aesthetics they adopted at the time, but these people in this group purely like 2007-2014 Lana because of her body type at the time, allusions to drugs and alcohol and bad girl image. I don’t have a problem with a few of these coquette people, because a few of them genuinely just like that aesthetic but also treat Lana with human decency and respect and admire her less mainstream work also. However, as a broad generalisation the reason above is why I think this subculture is really toxic and I lowkey hate that Lana has become indoctrinated as some kind of poster child for this social media movement when she has never really aligned herself that way. I see them romanticising things like calorie counting, headaches and other effects of malnutrition, suicide, mental health and it’s treatment centres etc and it doesn’t take a genius to understand how harmful that is. I know Lana’s career benefits from people like this, and Lana has been a polarising figure for singing about some of the topics mentioned above before, but I feel like these coquette fans and Lana show the difference between romanticising and awareness/art.

The queen is back. Bow down.

loving how in 2022 producers are leaking the songs, not leakers… Chris Braide, Princess Superstar… It’s reverse Warholian. It’s ARTPOP. It’s making Marilyn the canvas.