Honeyyoung

venice bitch still is #1 but if there's one think we learned from A&W is that she's 100% able of making a better song and her magnum opus (for song and album) is still yet to come

she surely could've done a music video for A&W on the set of interview mag, mel surely would've encouraged her to do so... right...?

people are already starting to dismiss a&w saying that people are only liking it because it's different than the piano ballads she's been making since 2019 and i have to disagree. like even if it was only the american whore part it honestly still would be in my top 10 or somewhere around there. the melodic work, lyrical content and production is just too good

so it got +2m streams again??? holy shit

can we get all of the outtakes already (especially the ones where she's in that mirror pallais dress)

jimmy only love me when he wanna get high jimmy only love me when he wanna get high jimmy only love me when he wanna get high

NOT THE JIMMY PART BEING CUT OFF BY THIS MAN

i'm still waiting for the video of terri joe reacting to a&w 28:36 nvm

"Did you know a singer could still be looking like a side piece at 33?" that line is so interesting to me because it perfectly represents her journey with the media, it's empowering and demeaning at the same time. in the beggining of her carrer she was slut shamed and portrayed even by herself and this "side piece" and "other woman" idea. now that she's older and having to deal with comments about her age and her body, it's almost as she's asking if she's so bad on other people's views she can't even have the objectification necessary to be portrayed as a "whore".

it's not ignoring the issue but we can talk about it while not deducing that harvey weinstein raped her...

how is she more proud of her poetry than her own music but can't publish her official lyrics

@Kintsugi @Rosemead are the other piano+guitar combo songs on the album more similar to the title track or the first part of A&W?

holy shit did you hear the hidden male vocals in the dolby atmos stems? i wonder if they're from the guy that had vocal credits

so i go to school in the morning and stay there until 12:40pm but on tuesdays and thursdays we have to stay until 5pm so the song was released in my lunch break and i literally had to hide in the children's bathroom (because they don't have classes in the afternoon) to listen to the song but OOOOH MYYYY GOOOOD! she fully outdid herself with this one, like debuted straight in her own top 10 for me. what i like the most is that it could've ended on the american whore part with like a slight trap outro (kind of wildflower wildfire/cinnamon girl esque) and i would've still completely loved it. in fact, i might like AW a bit more than the jimmy part. the song has many resemblances with venice bitch— it's kind of its goth sister— especially on the pre-chorus. "I say i live in Rosemead, really, I'm at the Ramada/ It doesn't really matter, doesn't really, really matter" mirrors "You're in the yard, I light the fire/ And as the summer fades away, nothing gold can stay" so well it's unbelievable, so so beautiful. but then the switch up happens and it just elevated it to a whole different fucking level. it's funny, it's not abrupt but it definetly switched up alot for me in the first listen, but when i kept listening while doing other things, it seemed like the most casual thing ever, really well executed. and i of course loved jimmy jimmy coco puff to death, her vocal delivery really resembled the born to die era unreleased songs horny-ish vocals in the second time the NFR! sample comes in, i can really see why she said she made the music just vibing. instant classic.

just realized the song is fucking 7 minutes like do you understand the size of the buffet we're eating

i never asked this but lock this shit up

oh my god it's coming tomorrow you little fucks we went through this like 15 times already

i don't think it had anything to do with the music, from what she said it only affected her poetry book and some family footage

let's just hope it gets the dealer treatment from the tiktok girlies or the yes to heaven treatment

yes in fact when she says "I can hear them talking, the whispers in the press / Shaking my ass off and showing off my chest" is when the trap beat drops

omg she's back to being fully out there!! 4 or 5 magazine covers??

i'm good with just 2 singles tbh

i want insiders to spill more about the song sooo baddd but also i think we can all wait 3 days and still be atleast somewhat surprised. we have descriptions but even with them i personally have no idea how it'll actually sound like

i wonder if all of these photoshoots she's doing are going to be in black and white to match the aesthetic of the album