so i go to school in the morning and stay there until 12:40pm but on tuesdays and thursdays we have to stay until 5pm so the song was released in my lunch break and i literally had to hide in the children's bathroom (because they don't have classes in the afternoon) to listen to the song
but OOOOH MYYYY GOOOOD! she fully outdid herself with this one, like debuted straight in her own top 10 for me. what i like the most is that it could've ended on the american whore part with like a slight trap outro (kind of wildflower wildfire/cinnamon girl esque) and i would've still completely loved it. in fact, i might like AW a bit more than the jimmy part. the song has many resemblances with venice bitch— it's kind of its goth sister— especially on the pre-chorus. "I say i live in Rosemead, really, I'm at the Ramada/ It doesn't really matter, doesn't really, really matter" mirrors "You're in the yard, I light the fire/ And as the summer fades away, nothing gold can stay" so well it's unbelievable, so so beautiful. but then the switch up happens and it just elevated it to a whole different fucking level. it's funny, it's not abrupt but it definetly switched up alot for me in the first listen, but when i kept listening while doing other things, it seemed like the most casual thing ever, really well executed. and i of course loved jimmy jimmy coco puff to death, her vocal delivery really resembled the born to die era unreleased songs horny-ish vocals in the second time the NFR! sample comes in, i can really see why she said she made the music just vibing. instant classic.