Lipgloss Twink

How minimal is too minimal, because that beat wasn't doing much...

Check @Raupeka and @XCX Archivist's tracker, they worked hard on it, it's under 360_Brat. https://trackerhub.vercel.app/s/1Km4wQjafB0z57XuIYtFW2HN0zGtGzv-bRYB6VtSZfU8

Wild ask, I know, but I need Charli to do some of the stuff she used to during live shows. I mean playing unreleased songs like No Angel, Taxi and party 4 u, Remixes like Lipgloss and Backseat. But most of all I want her to do the thing she did with Backseat and Cut To The Feeling. I would die.

Just listened to Witch V Witch again, why don't we talk more about this song? I've never heard anything like it, and probably never will again. Bitch was going crazy in the studio

or maybe just trying to get her unreleased stuff on soundtracks à la thirteen reasons why with miss u

Bullets been leaked for years, both the album version on Soft Rock and the version that was mainly Charli. Recent isn't the word I would've used... Both versions are fucking great though

I haven't been lurking all that long here. Do we assume that Moonlight solo exists and is out there or do we have confirmation that anyone other than Charli herself has it on their hard drive?

She released one bad song (and it wasn't that bad) and all of a sudden she's not worth it anymore? Where were you when her WTMI remix dropped, heavy, speed drive, hot girl, the least impressive of the bunch. Girl leaked and was definitely intended for the album. Sit your asses down, she did her sell out album, that era is over. Our cunt pop princess is back, just give her time to release her stuff. SOPHIE and Charli made some great stuff, but she isn't lost without her. Look at the myriad of amazing A.G. tracks or those with umru, Dylan Brady, Danny L Harle or EASYFUN... Stop being haters and go back to begging for moonlight solo and true romance title track.

I've been thinking for some days about how to word my inate desire for at least half the songs on XCX6 to have an XCX Charli or it's Charli, baby OMG, if she added a sassy it's Charli baby at the end of baby I would have died and at least a couple with both.

I know, it's been 3 years, and I'm still not over it. I wasn't old enough to really grasp Amy Winehouse's death, but now I know what people mean when they say an artist went too soon. She wasn't even at the peak of her career, I know she would have produced for Lady Gaga, Beyonce, Britney Spears, maybe even Nicki Minaj. Her sound was constantly shifting, I miss her dearly and I never even had the chance to see her live...

I guess we don't have lightning somewhere do we? Would be nice though...

wait is lightning lipgloss life just an amalgamation of multiple lipgloss demos? I don't know how to handle this information... The drop at the end is way too soon and sudden though

Any chance she'll do Heavy as a one off to suprise us like with WTMI? Visions would be nice too since it was at one point the starting point of the album...

I don't mean to diss Rina too hard, but how does she sound like the tacked on remix feature on the A.G. Cook remix instead of Vernon, like babe... Charli makes great songs and has great features, how is this neither?

Apart of the EASYFUN remix, I haven't listened to any of the other remixes of 1999, any of them worth it? I find the original kind of mid, so I don't fancy listening to 8 generic EDM remixes for 20 minutes...

Didn't she do primavera before the release of charli? Plus I like the idea of her playing unreleased songs to be released in a month live. Like she did with XCX world, but hopefully with better consequences

Did I remember correctly that she said she wasn't planning on any features this album, because if so I hope the album changed directions 3 times (as it often does), and that idea has been firmly scrapped. Crash had barely any features of dubious quality and HIFN had none at all, I need some sick new features, even if it's only 2-3...

You're the type to fuck me over You're the type to pull me closer You're the type who's never sober You're the type I wish I never met Wish I could take back what I said right when I told ya

Why doesn't she try to make a song with the guys that produced I love it? It's like the only pre VV song that doesn't stand out with all the songs she released since then. The production is amazing and if necessary she can get A.G., EASYFUN, umru or Dylan Brady to add in some effects to make it better suit the album it will be on. As an added treat she could get Icona Pop as a feature on.

mind enlightening us on what it does sound like? pretty please

I desperately need a Lipgloss 2.0. I need some cupcakKe raunchiness in the first verse for the second verse to be the same but from Charli's mouth instead, she showed some signs of that part of her on WTMI, I need that times 10 and this time with a music video! Please Charli, give it to us

Oh come on, don't be acting offended now. I don't know you, you could genuinely have forgotten that, but you laughed and acted all cute when called out. So sorry if I didn't buy the explanation the first time around, especially if that's the excuse I would have used, were I called out for that. To reitterate, I don't know wether you're nb phobic or not, but given your posts I think I can be forgiven for not being entirely convinced by that message...

I specifically said I did not think it had anything to do with your distaste of the song, just wanted to point out some problematic behaviour. Besides your intolerance consider working on your reading comprehension too?

I do now see where Atomic is coming from. I don't think people hate in the city because it features a nb person, but there is a person here who hates the song and refuses to use the correct pronouns, after this being brought up numerous times in the past and their identity being the whole reason for this discusion. Like come on girl, pay attention, even Alzheimers is not a valid excuse, the pronouns are half of the conversation... Like how do you misgender them 3 times in 2 sentences, given the context. Though I do think that person disliked the song on its own, not necessarily because it featured a "snowflake"...

I don't mind it but it's so underwhelming. I didn't enjoy Crash that much either, I apreciate it for what it is, but I'd prefered a more experimental album instead, but after that we got banger after banger. Hot in It to end off the Crash era, then Hot Girl to welcome back the return of her distinctive sound and then WTMI Remix, Speed Drive, Barbie Girl and Spring Breakers. She then kills that momentum with a boring song with lackluster production. I'm at peace with it now, but it was a definite downgrade. And I guess people dislike Sam's high pitch and their association with "mom music" on top of that. Sam was the last thing wrong with the song if you asked me...