ShadesOfFool

Tulsa Jesus freak is a sexy vibey song please don’t speak on that absolute GEM

Idk but your profile pic is GORGEOUS

Romans revenge

What was it jk I see it hehehehe

Just woke up and White Dress isn’t out. Lana Del Rey you SUCK

WE MIGHT BE BREAKING UP AFTER THIS SONG...

Nikki Lane gave us Breaking Up Slowly I won’t accept criticism of her

There’s a 99% chance she’s telling us to go fuck our selves

white dress is dropping in nine hours and my nipples are rock hard

When the world needed her most, she disappeared....

Can’t wait for Lana to remix Pussy Talk by the city girls (my sources at Interscope told me it’s on the deluxe edition)

Even if she did have a bigger promo run/rollout planned, I def think she scrapped most of it after all the media/Instagram shit. Maybe it’s for the best. Last time we heard her voice she sounded like she had just just taken some hallucinogens and washed them down with everclear. she’s clearly going through a #thing right now so maybe less is more tbh

In my head, I feel like Ultraviolence and Honeymoon are kind of two halves of a whole experience. while she said Ultraviolence doesn’t have a specific narrative or through-line, the themes are consistent. It’s an album dripping with depression, heartbreak, drugs, and passion. There are some brighter moments (Brooklyn Baby and West Coast aren’t necessarily dark and broody) but those are just kind of cute songs. As a whole, this album is very dark and moody. It feels like a highlight reel of some of the worst moments in her life: estrangement and breakup with Barrie, abusive relationship in New York, looking back at failed relationships, her bad experiences in the industry, and a dependency on drugs and alcohol throughout. So if we take Ultraviolence as descending to her emotional rock bottom, I look at its follow up Honeymoon as her just kind of dwelling in that rock bottom, if that makes sense. I’m not gonna say she starts to look upward, cause tbh she doesn’t until Lust for Life (which is the whole point of that album). But the protagonist of Honeymoon is definitely a woman who is at her lowest. If Ultraviolence was a summation of her trauma and her sorrow, Honeymoon is her self-medication in their wake. Honeymoon carries similar themes to UV, but presents them almost in the past tense. She’s no longer singing about losing her baby, she’s singing about how she’s living since she’s lost him. He’s already gone. Now, she’s just fantasizing of a honeymoon she’ll never go on, listening to music and daydreaming while she people watches. She just wants to run away from her problems and get high by the beach. She has a new romantic interest, who she just wants to run away with, but the depression is still hovering over her. Despite the temporary highs she describes (drugs, sex, partying), she still feels like she doesn’t matter to anyone, she’s unlovable, and that she has nothing left to live for. so yes that’s my ramble on thematic/narrative connection between Ultraviolence and Honeymoon.

She looked in the mirror

I’ve always been a real bitch I’m not afraid

I’ve listened to Venice Bitch like twice in my life, maybe I should try again

I have them I’m just not sharing

banned for being from the netherlands bc i dont know where that is

Banned for the terrible bob in your profile pic

She’s recording Alaska Penis Freak as we speak

“And when he spank this, imma make that pussy fart i am such an actress, Melissa Joan hart”

Banned bc I don’t understand your username

NFR reloaded the re up

Which is interesting cause post-honeymoon she straight up said she wasn’t gonna go deep anyway cause she got ridiculed and embarrassed about it But she does genuinely seem SO different, so I am curious what she’s gonna be saying this time around. I don’t think she’d make an “Ultraviolence” or “pretty when you cry” these days.

I think she’s mad depressed in general right now tbh, but what do I know? Doesn’t she have a show in like Lithuania this month?