lilacheaven

I honestly LOVE the song, it's a breath of fresh air and has a lot of potential to become a summer bop. The mv and the aesthetics seem to be well-cured and structured, which I ADORE

Can someone enlighten me on the timeline of the LDR village lmao? I want to know what happened from people who followed the thing at the time, I was never truly interested in merch drops

It's clearly a Lana ft. Quavo and not the other way round. Lana never publicized this much any kind of side collaboration she did (like the Bleachers and the Jon Batiste ones, where she was featured on their albums).

I don’t think it’s for a Fishtail MV, we’re in the Lasso era so it wouldn’t make any sense. Maybe she referred to some of the Fishtail lyrics in Though (which wouldn’t surprise me, she often does things like that) or she interpolated part of the song

It's an alleged snippet but it sounds kinda weird, I think it's AI

No okay used a US vpn and it worked, also I found this https://dbree.org/v/63195b Wtf is this

What does this say? Dbree doesn't work from my location

It was not

Maybe it’s a US midnight version….. Maybe…….

It's not going to come out tomorrow isn't it

I translated the article for those who are interested If only there were more Lana Del Reys Last night's show in Milan was an immersion into her cinematic world. We're surrounded by fleeting songs, so let's hold on tight to artists like her. "She was a flop at Primavera", someone said before Lana Del Rey's concert in Milan. "You couldn’t hear her, she was dull, she didn’t even actually sing". The expectations for the live show at the I-Days, after hearing the opinions of those who were in Barcelona (streaming doesn’t count), had alarmed us. Is Lana not in good shape? Fortunately, you should never listen to people too much: last night’s live show by Lana Del Rey was exactly what we wanted to see from Lana Del Rey. And we feel sorry for the others. The show starts at 9:15 PM, she steps onto the stage with a huge smile: "Hello Milan, it’s beautiful to be here!". There are 67.000 people, and you cannot see the end of the crowd. With a headband in her hair, the indispensable ‘60s beehive, Lana arrives and begins her show. On stage there’s a metallic set that, if we were in Puglia, would resemble the one of a local festival. She’s accompanied by a full band, backup singers, dancers, and a pole dance pole that she will then use on several occasions. Unlike Angelina Mango, Lana doesn’t get bored if she stands still. Quite the opposite: she likes it. And so begins a sequence of twenty-five songs spread over an hour and a half where Lana does exactly what she does best: being herself. There are small choreographies with those reflective panels that moms used in the ‘90s to sunbathe, there are dancers around her who also seem a bit listless. Listless but happy. The atmosphere becomes dreamy in an instant. Are we at the Ippodromo La Maura (someone will explain one day why it’s called like that) or are we on Sunset Boulevard at dusk? Dreaming costs nothing. Fans hug each other, they cry. We hear them shouting "Mother." She is relaxed, vocally present (and even if she wasn’t: we’re not at a Celine Dion concert). We still remember when at the beginning of her career they tore her apart saying she was fake, constructed - the rich girl trying everything to become famous. Do you remember that performance on SNL, the early uncertain live shows, the stage name, the past knocking at her door? Today, eight albums later, we are witnessing one of the greatest songwriters of our time. Someone who has done something that few can: gift us a world, her world. Draw us in up to our necks in that widescreen dimension without letting us go. Based on the charts, how many artists today can we say the same about? How many have managed to build style and credibility without following social media trends? Lana has done it, and she reminds us tonight by including something from all her works in the setlist. Always slowly, candidly, among sequined dresses, candles, and slow movements. On stage, that whole world is there. There is nothing to prove; the repertoire speaks, and above all, there is no rush. In the songs, in the way she speaks and interacts with the audience. Twelve years after that debut that caught the attention of half the world, Lana is still here and more credible than ever. An album a year (almost), many concerts, and nothing else. "Thank you for lighting up the crowd", she says when she sees a sea of cell phone lights that perhaps make the Ippodromo La Maura visible from the stars. In a world of passing trends and fleeting songs, let’s hold on tight to Lana Del Rey. Is it a coincidence that the first day of summer temperatures, Lana was in town? Let the summertime sadness begin.

The audio system was marvelous honestly, you could hear her perfectly and there were no back pre-registered vocals - only the choralists, which I liked. Maybe the show could've been a little bit longer (it lasted about one hour and a half) and she could've included at least one song from Honeymoon, maybe Salvatore (people were screaming and praying her to perform it and honestly it was quite predictable) but other than that a great experience

Fishtail is her worst song

I saw somewhere that it's because of the risk of lithium batteries hyper-heating and catching fire but still

PIT, do u think that going there a couple of hours before the official opening could be helpful to find a decent spot?

GUYS found the tickets last minute from a girl I know for a discounted price - first concert ever, can anyone give me some insights and infos about how many hours I before I need to be there, if there are restrictions about what I can bring with me, entrance, etc.???

Oh babes this thread is so HEATED for NOTHINGNESS

You know what I hope for a re-record of Dragon Slayer or for the album to have that exact vibe, I think it sounds magnificent

Honestly I think it sounds amazing, I wouldn't mind a southern-gangsta kind of vibe for Lasso

Also her other music slaps, if you're into country and country-pop stuff the One Bird/Two Stones sister records are amazing

Actually I think it's one of the best covers ever, Trixie did an EXCELLENT job in both respecting the original nature of the song as well as adding some of her own vibe to it

The Trixie Mattel version basically

THE NOSEEEE I'M LOSING IT

Never been to a concert, this might be my first occasion and I want to see Lana so bad. The pit tickets are already out of stock, I was wondering if GA is worth it?

Honestly I can get some look at OB this way but saying it didn't include anything new is wrong on so many levels for me. There are songs including a whole new and different kind of sound -far distant from the piano ballad-y style of BB and COCC- let's just take A&W, Taco Truck x VB, Peppers, but also Candy Necklace. Maybe it's not a whole revolution of the style she has perfected during the previous three or two albums, nor a clear detachment from it, but for sure there are some new aspects to her music that she had not fully developed yet before OB