TEMPORARY Chemtrails Over the Country Club - Pre-Release Thread: OUT March 19th, 2021

[Rust Dress 40,342]

30 days you guys.. WE ARE SO CLOSEEEEE

[uvbabe 4,730]

So... there has to be a demo of White Hot Forever and I won't sleep well till we get to hear it. I mean she wanted to name the whole album after it, it has to be something! It is confirmed it is Tulsa Jesus Freak? 

[littleredpartydress 49,883]

wait, did we realize that Mojo reviewed the album in their latest magazine? it received 4/5 stars

[domandapiano 12,119]

1 minute ago, uvbabe said:

So... there has to be a demo of White Hot Forever and I won't sleep well till we get to hear it. I mean she wanted to name the whole album after it, it has to be something! It is confirmed it is Tulsa Jesus Freak? 

Eclipse insinuated it is the same song, though I had thought@Eclipse mentioned only having heard White Dress apart from the singles, so I don’t know if they are 100 percent sure. Would love to be proven wrong thooooo

[Make me your Dream Life 89,197]

u know what. ever since someone confirmed those lyrics to not be LSD it's been slightly annoying but also u know what. normality and how deep it is is also a trip so in essence it's the same just after the rush. the point is. I now have 2 lines to switch around to while getting life drunk 

[littleredpartydress 49,883]

Mojos review: "Superb, Joni-tinged follow up to Norman Fucking Rockwell: 4/5"

 

Spoiler

"The intoxicating strain of California anomie that pervaded 2019's Norman Fucking Rockwell is still, thankfully strong on Del Rey's excellent seventh album. Indeed, Chemtrails over the Country Club initially sounds much like a straightforward equal to that album and its hazy subversions of old Hollywood chic. there is, though, a more explicit autobiographical edge, a preoccupation with notions of authenticity and, as the album progresses, a powerful expansion of Del Rey's folkier inclinations. hence country twangs (on Wild at Heart and Nikki Lane duet Breaking up Slowly) and a tentative reorientation away from manicured lawns towards wilder terrains: Yosemite and the storied canyons of LA. Neat too how she references covering Joni Michell (and Joan Baez, Stevie Nicks and Courtney Love) on the outstanding Dance Till We Die, and then does just that, with a gorgeous version of For Free. The last voice on that track is Weyes Blood, though you would be forgiven for thinking it was Joni herself. 

 

 

AHHHHH

[uvbabe 4,730]

4 minutes ago, domandapiano said:

Eclipse insinuated it is the same song, though I had thought@Eclipse mentioned only having heard White Dress apart from the singles, so I don’t know if they are 100 percent sure. Would love to be proven wrong thooooo

 

Yeah I saw the post but I didn't understand it 

[honeybadger 40,622]

2 minutes ago, littleredpartydress said:

Mojos review: "Superb, Joni-tinged follow up to Norman Fucking Rockwell: 4/5"

 

  Hide contents

"The intoxicating strain of California anomie that pervaded 2019's Norman Fucking Rockwell is still, thankfully strong on Del Rey's excellent seventh album. Indeed, Chemtrails over the Country Club initially sounds much like a straightforward equal to that album and its hazy subversions of old Hollywood chic. there is, though, a more explicit autobiographical edge, a preoccupation with notions of authenticity and, as the album progresses, a powerful expansion of Del Rey's folkier inclinations. hence country twangs (on Wild at Heart and Nikki Lane duet Breaking up Slowly) and a tentative reorientation away from manicured lawns towards wilder terrains: Yosemite and the storied canyons of LA. Neat too how she references covering Joni Michell (and Joan Baez, Stevie Nicks and Courtney Love) on the outstanding Dance Till We Die, and then does just that, with a gorgeous version of For Free. The last voice on that track is Weyes Blood, though you would be forgiven for thinking it was Joni herself. 

 

 

AHHHHH

 

WHERE is this share where it came from i want to see 

[lustforlife 19,008]

Time to bring something like this... But -pop girl and +mature gonna burn the industre

 

[littleredpartydress 49,883]

Dance Till We Die being called the album standout after we all accepted it would be third rate filler 

[uvbabe 4,730]

1 minute ago, littleredpartydress said:

Mojos review: "Superb, Joni-tinged follow up to Norman Fucking Rockwell: 4/5"

 

  Hide contents

"The intoxicating strain of California anomie that pervaded 2019's Norman Fucking Rockwell is still, thankfully strong on Del Rey's excellent seventh album. Indeed, Chemtrails over the Country Club initially sounds much like a straightforward equal to that album and its hazy subversions of old Hollywood chic. there is, though, a more explicit autobiographical edge, a preoccupation with notions of authenticity and, as the album progresses, a powerful expansion of Del Rey's folkier inclinations. hence country twangs (on Wild at Heart and Nikki Lane duet Breaking up Slowly) and a tentative reorientation away from manicured lawns towards wilder terrains: Yosemite and the storied canyons of LA. Neat too how she references covering Joni Michell (and Joan Baez, Stevie Nicks and Courtney Love) on the outstanding Dance Till We Die, and then does just that, with a gorgeous version of For Free. The last voice on that track is Weyes Blood, though you would be forgiven for thinking it was Joni herself. 

 

 

AHHHHH

 

Thank you for this, love! So much more excited now 

[rightofjupiter 16,743]

7 minutes ago, littleredpartydress said:

wait, did we realize that Mojo reviewed the album in their latest magazine? it received 4/5 stars

 

no! is it uploaded online yet?

 

nm it has seeing it now

[littleredpartydress 49,883]

2 minutes ago, honeybadger said:

 

WHERE is this share where it came from i want to see 

https://www.albumoftheyear.org/album/173800-lana-del-rey-chemtrails-over-the-country-club.php

 

click the link where it says "full review"!

 

 

[rightofjupiter 16,743]

5 minutes ago, littleredpartydress said:

Mojos review: "Superb, Joni-tinged follow up to Norman Fucking Rockwell: 4/5"

 

  Reveal hidden contents

"The intoxicating strain of California anomie that pervaded 2019's Norman Fucking Rockwell is still, thankfully strong on Del Rey's excellent seventh album. Indeed, Chemtrails over the Country Club initially sounds much like a straightforward equal to that album and its hazy subversions of old Hollywood chic. there is, though, a more explicit autobiographical edge, a preoccupation with notions of authenticity and, as the album progresses, a powerful expansion of Del Rey's folkier inclinations. hence country twangs (on Wild at Heart and Nikki Lane duet Breaking up Slowly) and a tentative reorientation away from manicured lawns towards wilder terrains: Yosemite and the storied canyons of LA. Neat too how she references covering Joni Michell (and Joan Baez, Stevie Nicks and Courtney Love) on the outstanding Dance Till We Die, and then does just that, with a gorgeous version of For Free. The last voice on that track is Weyes Blood, though you would be forgiven for thinking it was Joni herself. 

 

 

AHHHHH

 

wild at heart having country twang!!!!! this WILL be my fav

 

also sounds like for free will have solo verses from WB and ZD.

[domandapiano 12,119]

This review is what has given the most hype since Chemtrails the song came out 

[Make me your Dream Life 89,197]

34 minutes ago, Obduration said:

Ldr8 will be Lanas Midwest emo diy basement show leftist discourse on Twitter era 

i don't know why but this gives me Bella Thorne vibes

[uvbabe 4,730]

Only annoyed by the fact that Weyes get the last note of the entire album but does it really matters?

[honeybadger 40,622]

MANICURED LAWNS TO WILDER TERRAINS 

[necessary sacrifice 8,866]

7 minutes ago, littleredpartydress said:

Mojos review: "Superb, Joni-tinged follow up to Norman Fucking Rockwell: 4/5"

 

  Hide contents

"The intoxicating strain of California anomie that pervaded 2019's Norman Fucking Rockwell is still, thankfully strong on Del Rey's excellent seventh album. Indeed, Chemtrails over the Country Club initially sounds much like a straightforward equal to that album and its hazy subversions of old Hollywood chic. there is, though, a more explicit autobiographical edge, a preoccupation with notions of authenticity and, as the album progresses, a powerful expansion of Del Rey's folkier inclinations. hence country twangs (on Wild at Heart and Nikki Lane duet Breaking up Slowly) and a tentative reorientation away from manicured lawns towards wilder terrains: Yosemite and the storied canyons of LA. Neat too how she references covering Joni Michell (and Joan Baez, Stevie Nicks and Courtney Love) on the outstanding Dance Till We Die, and then does just that, with a gorgeous version of For Free. The last voice on that track is Weyes Blood, though you would be forgiven for thinking it was Joni herself. 

 

 

AHHHHH

Damn it’s really gonna be that album isn’t it? 

[Make me your Dream Life 89,197]

3 minutes ago, honeybadger said:

MANICURED LAWNS TO WILDER TERRAINS 

9 days  30 COCC