Nova

The discourse surrounding this album has been so upsetting… like, everyone is entitled to dislike the music, but I don’t see why people feel the need to attack the people overseeing this album’s release. I can’t even imagine how Sophie’s brother must have felt while finishing the album she left behind… genuinely the last thing people should be doing is questioning his intentions

All of this talk about what songs are about who, what’s been scrapped and why, what rollout and tracklist was planned, etc is all just speculation. Anybody can say anything and pretend to be an insider or somehow extrapolate based on what limited view they think they had into her personal life and relationships. Many people are doing too much.
 
If stuff comes out it feels safe to assume that between her family and collaborators, she intended for it to come out. If stuff doesn’t come out, it feels safe to assume that it wasn’t meant to be out (at least not at the time she passed). But anyone online that wasn’t a collaborator is only guessing as to the reasoning behind any decisions that were made.

Regardless of whether he actually believes it or whether it's engagement bait, the effects are still the same. I think the moral difference hating women and pretending to hate women so people who hate women admire you is pretty minimal.
 
Also, from digging, it seems like he has a weird relationship to SOPHIE's fans. Clearly posts things that are intended to flex his access to her unreleased music ("This early demo of Lemonade is so good"), then jokes about how SOPHIE's fans hate him because they're jealous they were friends. Seems like he's using her legacy to boost his fifteen seconds of fame. 
It was because she's using a Carribbean accent in the demo and Starrah is not Carribbean, she felt it was cultural appropriation. We can assume the demo was meant for a Carribbean artist.
 
Although there's obviously nothing she can do it about it now, and it is a relatively small issue, I think this was definitely a misstep on SOPHIE's part and Starrah has a right to be upset. 

Kinda sick of people not understanding what mixing is. Benny has always been a mixing engineer on SOPHIE'S music (alongside SOPHIE herself), and in fact it's extremely uncommon for artists to mix their own work. To be honest, most people wouldn't be able to tell a mixed from an unmixed song at first glance (unless the original was EXTREMELY poorly mixed). 
 
I think we need to trust that SOPHIE's closest collaborator and family member knows better than we do about her wishes and how she wanted the songs to sound. We didn't know her, we were not in the studio with her, and I think it's both disrespectful and unfair to create this odd and unrealistic narrative that Benny is somehow tinkering with SOPHIE's music in a way she would not have wanted for seemingly no reason at all. 

It’s officially been a year since she graduated to Omnipresence. On the first day, it almost felt unbelievable. No matter how many times it was said I just didn’t believe it. I couldnt face the pain of losing my hero. And today I’m so happy to have existed at such a lucky time. To witness the metaphorical birth and loss of such an impactful artist is truly something i will never take for granted. SOPHIE girl, i cant express how grateful i am…for every value you made me reign, every question you made me ask, and every emotion you make me feel. The world might feel empty without you, but it can be so full because of the vision of love you leave behind. I know myself and so many others will lead our lives in your honour. Loud, proud, and tits out girlfriend! Miss u so fkng much EVERY fkng day 
 
NEW WORLD ORDER. NO MORE GODS, ONLY SOPHIE!!

thought I'd share this with you guys, made an album cover for the epic leaks.

“stole the joke” I think she was just teasing this person not trying to pretend this is her own joke. This person seems just as pressed

full set 
 

Almost liked this until I read that last sentence  I have to leave this God forsaken forum istg

gays have a weird obsession with female artists and telling them what they can and cannot do. all i'll say is that it's pretty common for songwriters to write stuff together and not immediately record it, sometimes they'll have just one of the writers record vox to see how it sounds/to help them with potentially pitching it to other artists. do i think that sky is a fraud? idk and idc, but the fact that there is another writer's demo ≠ she doesn't write her own stuff.

after bounce final leaked these days i can’t stop listening to xcx world and honestly she didn’t top it with charli. i just feel like xcx world was the perfect album with the perfect balance between pop music and pc music, while charli is a little bit messy at times, she really tried too much to make it “weird” and “next level” and i guess that ruined it a little, still like it though. well, rip xcx world, gone but never forgotten.

Why are people so hung up on Charli singing a song somebody else wrote? Aren’t there better things to be upset about? Of her ENTIRE discography she has less than 5 released songs she didn’t pen. For any recording artist today, that’s pretty awesome. Smh like I understand the frustration behind all the album delays & her shitty set list, but complaining how she didn’t write the song and digging up a quote from 4 years ago doesn’t make you seem that cool.
 

fuck off it's meant to be a fun and cute song with a fun and cute video which is what she served

Hey everyone; From popjustice. Been following this thread for a while and finally made an account!
 
Here's info that was posted on Popjustice by HighElitism that was deleted for some reason
 
-Debut, Thief, and Sorry are all from December 2015 and written/recorded for Collxtion II
-Could It Be Love is the real title of that track, no question mark
-Naked Lunch is the final title track of the song, but East of Eden was the working demo title, not made for any specific release and is from April 2015
-To Better Times, I Love The Garbage, and True Love Is Violent are both from March 2014, with the latter being for Collxtion II, sent to Billboard to rework in October 2015
-Affliction is from late July 2013, not made for any specific release
-Oh My God is from November 2013 (if you look in Allie's tweets from around mid-Nov 2013 she was with the producer, Sir Nolan) and was sent to Mike Wise to rework/finish in August 2015
-Catch 2011 demo was recorded with Steven McKay (one of her old friends, did backing tracks for his entire 2013 album) alongside the Hughes version of I Will Love You More
-Catch 2012 demo is produced by Nautiluss (You, In The Morning, In The Garden, Phantom, etc.) in November 2012 and is the second version of the track, made a year after the first
-Jabberwocky rehearsal is from March 2012, and was a rehearsal for the ALX setlist where Homebound was performed (someone has the soundboard)
-Casanova (the snippets) was produced by Kool Kojak in April 2016 and was sent to Mike Wise to finish off/rework
-Too Much To Dream demo is fake, made with the stems
-Civil War is from November 2014, written and recorded by Allie for FRENSHIP's cancelled EP featuring Brett Hite
-Following The Noise is from October 2013, same session as B*tch and Didn't Start The War (all produced by J Gramma)
-Stupid Hat is from January 2011 made for Allie's collaboration with Thom Gill Friends Jammin' (other tracks include Busted Loins and Where Is Portugal)
-All I Want is from May 2013 (there's a photo Tyler Kyte posted on his Instagram working on the track with Allie) and was used for Allie's demo reel
 
That's all that was posted...hope that helps you guys!