Make me your Dream Life

It sounds like an ice cream truck call from hell atm tbh

10

The only reason why I'm thinking that The title track goes first, then Venice, nd then MAC, is how she makes references from them about each other. VB, references NR, and MAC references Venice Bitch, both lyrically. With how contemplative a lot of the music for the record's been sounding, I'd think she'd really build up on that. Is this making any plausible sense lol

Elaborate if u can hunty

Cruel World or SoC for that bridge. Defs getting lots of UV track vibes. Or if u wanted to have nightmares, Maha^2 lol Song to cleanse yourself ?

I think the true question is. Will, DT be on the record ? Suuuuummertiiiiime

Personally was noting vibes, and I know that's kinda frustrating to discuss for some, but I clung to that thought nd went with it. Tech speaking if anything, was trying to refer the intensity levels of the track. Groupie Love's mellow and sensual, and at least for me, that's how Cinnamon sounds like (or what we have from it) Hope that bridges something, lemme know if or how that might make sense

I'm thinking Cinnamon's more like a mature(?) Groupie Love, which shows growth but mygod will we ever get another song toned like Freak or Cola? Asking for a friend

Ok see I love WM, but she better not make HtD Coachella 2.0.. luv Coachella too, but I was hoping for a mature Because Of You

No disrespect, whatsoever, but I also think that Hope is a Dangerous Thing for a Hunty Like Me to Have - But I Have It can b incredibly kinky w the right person. Alexa, stream Have U Ever Been In Love, Celine Dion in the background

Wonder what the production's like on it rn/ for the record. Because Of You is a BOP

Thats ok, but sing HiaB try to catch it like every night, right after. Sounds cohesive regardless

This is beautiful

HiaB

Just echoing this

Hmm I get what ur saying, or at least tryna get at, but, and I know my viewpoints a bit diff on here sometimes, but I was thinking it was more for HiaB, but no I get u, it's bc of the piano imo, it's been everywhere

What if we just want more fuckin news

I just wanted to say that really, the in your arms snippet sounds so much more like a part of a song we've already heard. The key sounds like a bridge to something

I'm just real excited to see the cover and what UO will do with its vinyl

'ts ok we know the truth

Yes !! I wasn't the only 1 thinking this

LOOOOL say what u want, but this song was a gay teen Stream Kissin' U.mp3

Everything HiaB wishes to b : https://www.youtube.com/watch?v=nhT_6Yz-Nbc

Mm also, I think, well at least for me, how it's been a bit more difficult or less effortless its been trying to figure out the track order's bc a lot of the tracks we've heard so far are really stable on their own. Venice, MAC, then HiaDT, Cinnamon and HiaB are kinda like the Summer Bummer nd Groupie Love for this record, then IYC, seems supplemental to either Venice or HiaB. The title track, feels strangely the most fresh yet still being directly attached to the record because of its very title and main concept (all from what we've heard so far) MAC is pretty strong, so it could either open the record, for a memorable, kind of glorious introduction to it, or close itbecause of how triumphant and clear it sounds. Cinnamon, from what we've heard so far, seems dependent to the record. HiaB, faintly too. HiaDT is movie soundtrack quality, defo memorable. The title track's another single-worthy one, but its tethered to the record bc it should hold it together, similar to her other title tracks. Bc the tracks sway from one to similar temperaments, we can't really make a narrative without knowing how she'd like the end to b, aside from HtD. That being said ~ 1. Norman Fucking Rockwell 2. 3. IYC 4. Cinnamon 5. Happiness is a Butterfly 6. Hope is a Dangerous Thing For a Woman Like Me to Have - But I Have It 7. Venice Bitch 8. 9. 10. How To Disappear 11. Mariners Apartment Complex MAC references Venice Bitch, Venice Bitch references the title track. - MAC seems like a dark before dawn kinda track, so I'd wanna say that Venice Bitch precedes it. - Venice Bitch is contemplative, so it'd make a lot of sense for the title track to precede Venice. She sings that she'll always be right here, no one's going anywhere; perfect for introducing the strength, courage and unwavering love she might have for someone she's been dealing problems with. Kinda like how Norman and her grew and blossomed together (possibly). Kinda like, there he is, here I am. Things turn to shit, but I'll be here for you. I've a trench of emotions I'll keep to myself, maye we'll grow up, hope u do, bc I'm already moving towards that. Hope to see you there, r u ready for it? Reflecting off all this, ya think she might've taken so long releasing anything bc of emotional closure and organizing the tracks into a concise narrative? They did start off as a collection of songs, and we know she stands by releasing things when they're emotionally authentic to her so -

Even if the vids we've gotten so far have just been hodgepodges of clips put together, I think, or at least, I like how it lends a lot more to the imagination. More sorta like supplements to the music, than really directing it like she has before. Kinda like how MTWBT did. Venice is actually pretty stable, its just that MAC feels more like an offical audio vid than a mv, and the recycled footage almost begs other fans to want more than what theyve already seen, but really, beach industrial's been the main aesthetic for this era so far. I mean, fucking Long Beach. LONG BEACH. I'm personally in love