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Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post

Really loving Speed Drive! I’m so glad Charli decided to turn back the clock with her topline, because her talent as a writer always been better showcased with her more rhythm-focused melodies where she riffs on one or two notes rather than melodies based on note progression. In fact, i think I remember from somewhere that Charli was complimented by Max Martin himself for her ability to get so much out of her hooks in I Love It, Fancy, Boom Clap, et al. I hope this signals that she is looking to return to the techniques she used in her songwriting era when she had writing credits on a bunch of hits. 

I’m also OBSESSED with the Cobrastyle sampled used by EASYFUN. To my ears it sounds moreso like a synth recreation rather than a direct sample because the synth he uses has his signature glucky sound to it, whereas Klås’s synth in Cobrastyle has significantly more decay to it. Praying Charli and EASYFUN have been in a lot more sessions together, which is likely since Charli listed him on the 360_brat instagram post