takeitdoen

Twin Peaks

Good news thot of more!The guitar/whatever it is in the background during the intro of BPBP
“Lay Lady Lay on this side of paradiIIiise in the Tropic of Cancer”
The adlibs in Get Free
Her voice when she sings “I guess they really got the beEest of us, didn’t they?”
“He says to be cool and I know he means it / He’s loving my look and I’m loving all his strategic ways / I said, “do you think you’ll kill for me one day?” Should’ve made it to the album version of NA tbh
The whole chorus of Because of You
The drums in the opening of Put Me in a Movie
The opening of Born to Die. Those strings are beautiful.

CRUMBS m8 where do I even start.
Brooklyn Baby - the sheer CHEEK of the line "Yeah, my boyfriends pretty cool / but he's not as cool as me"- I always have a little smile to myself after this. Terrance Loves You - "Ground control to Major Tom / can you hear me all night long?" Fine China - One the second verse where the strings layer and the bass is plucking, also the lines "I guess they really got the best of us, didn't they? / They said that love was enough but it wasn't" and also " . . . for our day in the sun / on the same day my mother to be said she wouldn't come" Fucking ALL of Fine China really though? Yayo - On AKA at around 4:00 she echoes her own "dark night" but it's this YELL in the background which is fucking sick "daaAAARRRRK NIIIIIIIIIIGHHHHTTTTTTTTTT!" My jaw dropped and I rewound it like 4 times. Florida Kilos - The bop of the chorus.</li> National Anthem - In the demo of this when she says"Um, do you think you'll buy me lots of diamonds" and then the man replies "Yes, of course I will my darling" Such a pimp!!! Love- The uplifting and ethereal line which makes me feel like I'm flying! "Young. And in loooOOOOOooOOO-AHHHHHHHHHOOOOOOVEEEE" Heroin - IT'S FUCKING HOT. HOT. Lolita - In the demo 4 on "want my cake and . . ." the bridge is terrifying in a sense that something impending is coming fast and there is so much spite, malice and faux playfulness in the delivery. This mix is the surfy rock one and it's also loud and chaotic. Hollywood -"I walk on water and I DANCE like JOPLIN" Could go on for a while.

To be honest, the Ennio Morricone-esque trumpets of "Big Eyes", how it has those psychedelic synths that swell, and stays subtle and horror-centric in a slow way before it BANGS into that AMAZING THUNDER of percussion.
 
Seriously, this song has aged like wine for me. I may be alone, but it's one of her best songs in terms of aesthetics. Then again, I love everything she does, but it's whatever. Give this song another go peeps - preferably in really damn good damn awesome good damn earphones.

Oh cheers, thank you! Yep it's me playing all the parts (hence it being a bit scrappy - I wanted to get it done quick before anyone came home). I want to make some cello backings for Lana acapellas too!

I love Flipside sooooo much and this is Did you do the instrumental yourself? It’s really good.

Hey guys! I love Flipside and no one talks about Flipside enough. Here's my cover with three cellos and my voice. Let me know what you think!

I assume How to Disappear will sound quite different on the album, but this performance is jaw-droppingly beautiful. I would be so down for an acoustic album with just a piano and string quartet at some point . . . fingers crossed that when Lana is a bit older she'll revisit the classics or tour with an orchestra.

I assume How to Disappear will sound quite different on the album, but this performance is jaw-droppingly beautiful. I would be so down for an acoustic album with just a piano and string quartet at some point . . . fingers crossed that when Lana is a bit older she'll revisit the classics or tour with an orchestra.

I assume How to Disappear will sound quite different on the album, but this performance is jaw-droppingly beautiful. I would be so down for an acoustic album with just a piano and string quartet at some point . . . fingers crossed that when Lana is a bit older she'll revisit the classics or tour with an orchestra.

I assume How to Disappear will sound quite different on the album, but this performance is jaw-droppingly beautiful. I would be so down for an acoustic album with just a piano and string quartet at some point . . . fingers crossed that when Lana is a bit older she'll revisit the classics or tour with an orchestra.