LanaTheRay

Did she get her paradise tattoo like touched up? looks much less faded! Stunning as always ugh

Y’all this is the same woman who kisses fans on their bare fucking lips and screams at body guards in their faces if they’re too aggressive w fans, she’s anything but inconsiderate or rude lmao

https://vm.tiktok.com/ZMdoSEHrd/ Absolutely hate anytime politicians and old people try to get in on meme culture or when administrations try to insert themselves into internet jokes, but exposure is exposure and this new video by the White House and BennyDrama has Lana’s national anthem playing in the background

Why’d they lock it

Tidal shows me my top 30 listened songs at the end of every month and last month was the first month ever that not a single Lana song made it into my top 30, release something girl

Want Lana to surprise drop BB on Lorde’s release day to block her from number one so Lana can solidify her place as the Queen of Alternative and shut all the dirty Lorde stans up who have to audacity to give that devil witch from Snow White looking hoe the title

I hope Lana releases music one day

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How do you make a post in a thread with gifs?

I’m talking mainly chemtrails also this place is turning into shit, like y’all are just being rude and taking anyone who expects more from Lana after these recent singles and grouping them into the “fake fans who want Lana to be a depressed coke whore who makes music for bottoms to bop their non existent twink asses to” bullshit Y’all are just as toxic as the kids on Lana Twitter who have this weird holier than thou complex that talk shit on tiktok stans for being locals I’ve been a fan since 2012 and for the last time do NOT want Lana to go back to her old sound singing about sugar daddies and whatever I want her to EVOLVE and continue exploring new sounds like she used to, I know she’s not a basic pop girl and don’t expect that from her, Jesus, coming back to this thread when there’s actual news cause what the fuck

If you look at the rest of the personnel on that records there are hoards of other instruments on top of these tracks that feature piano, on these last two records especially Cocc there’s only a handful of instruments besides piano.

Okay like we’re arguing over semantics at this point, fact is Lana has been making mellow and instrumentally stripped songs the last 3 records that heavily feature a piano, if this wasn’t true there wouldn’t be such discourse on it that consumed like the last 15 pages of this pre release thread

songs that feature piano and instrumentally mainly based around a piano* And the title song Norman Rockwell video literally has Lana sat fake playing on a piano.

According to Tidal the personnel for keyboard and piano appear on the following Norman Fucking Rockwell Jack Antonoff – keyboards ( tracks 1–4, 6–8, 11, 13), piano (tracks 1–4, 6–8, 11, 13, 14), Chemtrails Over The Country Club Jack Antonoff – piano (tracks 1, 2, 4, 5, 9–11)

Cocc was her lowest first week debut sales EVER like what’s your point LMAO

Lana if you’re reading this I want another album with songs that have ENTIRELY Los Angeles romanticization ballads, please sing about Nikki Lane and keep driving your career into the ground with every release so that you don’t have any fame left to complain about! manifesting single covers visuals with selfies of Lana and her feet with a super 8 filter filmed by Chuck and instead of promoting the album on Instagram she posts happy birthday messages to random white people none of us know!!!!!!!!!

I mean, it’s not that the songs she’s released in the last 2-3 years are bad, we know they’re very good and there a couple stand out incredible moments like the Greatest but like come on most of us have been stans since like 2012 and half the anticipation every time we hear a new snippet is us thinking (hoping) the song will break down into something more exciting when it’s eventually released, the sound is tired she used to use an eclectic range of different voices and singing styles and topics but she’s been singing in the same delicate “I’m vulnerable” tone for YEARS now, we all love her but 90% of the hype in these pre release threads including the last 1-2 records have been us hoping that she’ll give us more

How to disappear sounds like wild at heart which sounds like hope is a dangerous thing, ??

Lana literally evolved the most between BTD and PAradise and Ultraviolence and even Honeymoon, all those albums sound wildly different from one another, I’m not saying I want her to make another record with “that same old sound” I want her to reignite the fire she used have under her ass that got her to create entirely new soundscapes every era for those first few years Using less and less instrumentation with a less larger sound and basing everything around a piano is not “evolving”, it’s being stagnant

I apologize for that, there’s just something cathartic about being verbose and dragging innocent white women for comedic relief, I see why Azealia does it ??? (just ranting for fun, not insulting them seriously xx)

Babe I love Lana and will defend this puta till I’m blue in the head, I just miss being excited being a stan for her, she is by far my favourite artist but it’s difficult connecting with her music the same way, like releases used to be so well thought out and her artistry commanded so much grandeur and escapism that really made things interesting but I can’t help but feel her releases these last few records have felt so much like she’s caved into trying to appeal to critics and like an older crowd as if her audience isn’t entirely made up of Generation Z listeners Like I don’t want her depressed, some of unreleased happy Lizzy songs are some of her BEST and I def wouldn’t want her to be singing songs about partying and drugs or whatever it is commonly associated with younger artists, but maturing definitely does not need to mean making more boring music Laid back instrumentation DOES NOT imply better quality art and honestly with a few standout tracks Chemtrails was honestly a miss and whilst these last 3 singles are beautiful melodically it’s like...girl we’ve heard this a million times She experimented so much as an artist in the past, and I can’t help but feel she’s stagnated as an artist like we’ve been stuck on like the same similar topics in different fonts for like so long, her writing has grown leaps and bounds which is great but at the end of the day it’s music and if it sounds sonically boring it’s boring like if I wanted to hear literature I’d listen to an audiobook

One too many, honestly

The way we’re probably gunna get another boring piano ballad album about her being a rich woman in California who loves to hate being famous with random but “clever” lyrics that are marina tier cringe about climate change and racial tensions in America that she low key only writes to impress her new targeted audience that consists of long time menopausal geriatric ass bitches Joni Mitchell and Joan Baez’

St Vincent, her music screams music for inter city white female millennials